Высокий контраст  Без изображений   Размер шрифта:

Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766

The subscription is available at any post office of Russia

Founder and publisher:
Rostov State Rachmaninov Conservatoire

The journal is registered with Federal Service for Supervision in the Sphere of Mass Communication, Communications and the Protection of Cultural Heritage.
Registration Certificate: ПИ № ФС77-62392

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI (Russian Science Citation Index - RSCI) and included in the RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2017–4 (29)


Musical Culture of the South of Russia

  • T. Batagova. Poetry by K. Khetagurov in the Ossetian vocal music

Problems of Musicology

  • I. Dabayeva. Rachmaninov’s spiritual heritage in the national culture of the twentieth and twenty-first centuries
  • M. Karachevskaya. «We will be needed in centuries»: Mikhail Gnessin about the revolution in art
  • O. Shapoval. «Fidelio» by L. van Beethoven and «The Flying Dutchman» by R. Wagner: author’s concepts of «salvation opera»
  • M. Romanets. Opuses-versions in M. Ravel`s creativity
  • G. Rybintseva. Mathematical harmony of the musical Classicism

Music Education

  • N. Petrova. Effective vocational teaching of vocal technique for students
  • F. Revenko. Pedagogical principles of Leonid Iosifovich Israilevich
  • N. Mutter. Formation of the folk-singer’s repertoire

Twentieth and Twenty-First Century Composers` Creativity

  • A. Lebedev. The specifics of orchestration in Concertos for Bayan and Orchestra by E. Podgayts
  • A. Radchenko. Displaying the idea of Apocalypse in the Symphony no. 5 “Resurrection of Dead” by A. L. Rybnikov
  • G. Kosenko. Representation of viola timbre in the genre of concerto (on the example of Concerto for Viola and Orchestra by D. Klebanov)

Aspects of Modern Musical Culture

  • Y. Evsyukova. Ecological music as a new style`s direction in contemporary music
  • L. Mirskaya, V. Pigulevskiy. Contrcultural eros in rock music

Problems of Musical Theatre

  • A. Krylova. Modern music theatre in the variety of genre solutions
  • E. Kiseyeva. Musical and choreographic performance as the topical form of musical theatre
  • V. Kiseyev. Specifics of work with voice in music-theatrical compositions by Meredit Monk


Forgot your password?