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Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766

The subscription is available at any post office of Russia

Founder and publisher:
Rostov State Rachmaninov Conservatoire

The journal is registered with Federal Service for Supervision in the Sphere of Mass Communication, Communications and the Protection of Cultural Heritage.
Registration Certificate: ПИ № ФС77-62392

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI (Russian Science Citation Index - RSCI) and included in the RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2018–1 (30)

Contents

Problems of Musicolodgy

  • Y. Lobzakova. Musicological Terminology in the Field of Interaction of Humanitarian Sciences
  • T. Starostina. About the Individual Interpretation of Everyday Church Service Harmonisation in the Matins of Great and Holy Friday by Archimandrite Matthew (Mormyl)
  • E. Karman. Full Anthem in the Works by Thomas Tomkins
  • V. Demina. Domestic Military Traditions in Parade Music of the Workers’ and Peasants’ Red Army in 1918

Twentieth and Twenty-First Century Composers’ Creativity

  • D. Akhmetbekova. Kazakh Mass Song by E. G. Brusilovsky
  • E. Alimova. Stylistic Synthesis in Vocal Cycles and Romances by E. Emir

Performing Art

  • L. Atlas. The Russian Connection – Interpretation of Selected Music and the Performing Qualities of the Players
  • M. Pliushchenko. Transcriptions by Alexander Nazarenko: Individual-Style Spectra of Genre
  • N. Didenko. S. Rachmaninoff in the Dialogue with the Baroque Era

Music Education

  • E. Ponomareva. S. P. Sakharova and Her School of Accompanist Skill: Looking Through the Sheets of Unpublished Works

Problems of Musical Theatre

  • M. Kuklinskaya. Musical Performance as the Subject of Musicology
  • I. Grayfer. Riteness in the Operatic Direction of L. Mikhailov: Towards the Sources of His Creative Method
  • M. Shiman. From “The Maid of Pskov” to “Kitezh”: Legendary as a Principle of Old Russian Poetics in the Operas by N. A. Rimsky-Korsakov

Aspects of Mass Musical Culture

  • F. Shak, A. Polishchuk. Third Stream and Issues of Style Typology

Musical Culture of the South of Russia

  • Z. Kazharova. Kabardin Songs to Dances

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