South-Russian Musical Anthology 2015–4 (21)

• Read full anthology

Contents

Music Culture of the South Russia

• M. Siksimova. From the history of the pre-revolutionary Tsaritsyn choral culture

Aspects of Modern Music Culture

• F. Shak. Social-cultural characteristics of the audience of Russian rock

Problems of Musical Studies

• N. Duda. Music stage works by Henry Purcell in the light of the song genre
• A. Bragin. «New poetics» of sound creation in guitar music (the genre of quartet as an example)

Problems of Musical Theatre

• E. Kiseyeva. The features of realization of musical experimentalism principles in choreographic performances
• A. Chepinoga. Producer’s analysis of the opera score: «proposed circumstances» and the principles of their reconstruction

Music in the World of Arts

• P. Volkova, E. Vybyvanets. «Pierrot Lunaire» by O. Herrmann: a trial of the reinterpretation

Performing Art

• D. Muedinov. Micro-chromatic music in the history of wind instruments performing art
• E. Bondarenko. «Prelude and Toccata» by I. Karabits: a dialogue with the genre traditions
• A. Pomazkin, A. Buryakov. Alexander Danilov: non-summed totals
• T. Gerdova. Performing organization of artistic integrity of Etude-tableau in B moll, op. 39 No. 4 by S. Rachmaninov in the interpretation by N. Tchesnokova

Foreshortenings of Popular Music Culture

• A. Nagornova. Brasilian bossa nova: saudade in the songs by A. K. Zhobim
• O. Sineokiy. Rock music in the recording system of the USSR and the countries of Eastern Europe: the 1960–1980s
• E. Andruschenko. Contemporary opera «under the badge of musical»: prerequisites, sources, tendencies (article 1)

Translations

• Texts of motets by G. Frescobaldi. Translation from Latin, introductory article and commentaries by S. Kozlykina