Ru
EnSouth-Russian Musical Anthology 2013–2 (13)
Contents
Music Culture of the South Russia
- E. Urinson. The folklore ballet «The Quiet Don» by L. Klinichev: the principles of musical characteristic and the problems of thematism
- Е. Klinicheva, N. Chalenko. Don Cossack song in the works by Leonid Klinichev (on example of the choral arrangements)
- A. Doroshenko. Shachty college of music in Rostov resident’s opinion
- T. Ovchinnikova. In memory of maestro (about V. Goncharov’s creative activity)
- A. Cherkesova. Wedding ritual complex of Kuma Nogais
Problems of Musical Studies
- M. Karamanova. The problems of conception and genre interactions in G. Kancheli’s liturgy «Mourned over the wind»
- I. Grebneva. Specific character and forms of manifestation of the modus of playing in A. Corelli’s Concerti Grossi
Performing Art
- E. Lubyanaya. Piano in Jazz on the border of the XX–XXIst centuries: traditions, novations, experiments
- A. Tikhonravova. Harmonic possibilities of the Russian seven-string guitar
Problems of Musical Theatre
- G. Kaloshina, A. Predolyak. The problem of conception and symphonism in A. Schoenberg’s opera «Moses and Aron»
- Т. Kondrat’yeva (Kitsenko). Leit-harmony in the ballet «The Lord of Stone» by V. Gubarenko as one of the formative factors of harmony
- K. Zhabinsky. The unfinished opera «Monna Vanna» and contemporary problems of S. Rachmaninov’s creative legasy
- V. Movchan. Libretto of the «Hamlet» by A. Thomas as «perverted Shakespeare»: objective reality or musicological myth?
