South-Russian Musical Anthology 2023–3 (52)

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Contents

Musical Culture of the South of Russia

• Leonov V., Palkina I. From chamber ensembles to quartet assemblies (Rostov-on-Don, the 19th – early 20th centuries)
• Dedyukhin D. “A Symphony in Songs”, the 21st century: The notes on Yu. Mashin’s “Beatles Symphony” for brass band

The Twentieth and Twenty-First Century Composers’ Creative Work

• Zhabinsky K. “I decided to protest… By mention”: Towards the sources of conceptual idea and the modern interpretation of “Elegy for J. F. K.” by I. Stravinsky – W. H. Auden
• Khairutdinova D. String Quartet in A major by N. Zhiganov as an early trial of composing a sonata-symphonic cycle
• Varavina L. “Autograph” for contemporaries and descendants: Reflections on the Bayan Sonata No. 5 by Vyacheslav Semenov
• Zhao Zehua. “New currents and old traditions”: on the formation of the pedagogical music repertoire in China (Wang Lisan’s piano cycle “Child’s Innocence” as an example)

Problems of Traditional Culture

• Kulova I. Interaction of the elements of the Christian canonical and traditional ritual spheres in Ossetian culture
• Kharlov A. Individual way of playing the Mari traditional aerophone

In Alliance with the Word

• Naumov A. Word and music in B. Ferdinandov’s stage productions: “Oedipus the King”

Problems of Musicology

• Drobot Yu. Free fantasia in the theoretical heritage and clavier works by C. Ph. E. Bach (to the problem of theory and practice correlation)
• Zhang Yu. G. Meyerbeer’s “Robert the Devil” reflected in piano compositions on themes from the opera
• Smagina E. Yuliy Bleichman: touches to the portrait of the Silver Age composer
• Vоrotyntseva L. Formation of the “new simplicity” concept in composers' work of the second half of the 20th century
• Zakirova V. On the variety of hybrid genres in Uzbek composers' work

Performing Art

• Fuksman M., Bugayan S. The functions of pianist’s performing gesture in his musical activity: theoretical problems