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EnAuthors
- Abdokov Yuri В.
- Poetics of colour and colouring in Boris Tchaikovsky’s orchestra // South-Russian Musical Anthology 2020–1 (38)
- Abdulaev Magomed A.
- Professional oral tradition and compositional art as directions of development of the national school of composition in Dagestan // South-Russian Musical Anthology 2022–3 (48)
- Abibulaev Alim A.
- Sonata for Saxophone and Piano by E. Denisov in context of the modern tendencies in expansion of the chamber ensemble repertoire of our country // South-Russian Musical Anthology 2024–1 (54)
- Agibaeva Meruert T.
- Myth about Cupid and Psyche in French cantatas of the first half of the 18th century // South-Russian Musical Anthology 2020–1 (38)
- Akhmetbekova Dauresh A.
- Kazakh Mass Song by E. G. Brusilovsky // South-Russian Musical Anthology
- Aleksandrova Elena I.
- Choir on opera stage // South-Russian Musical Anthology
- Aleksandrova Oksana A.
- G. Sviridov’s music as an object of sense comprehending // South-Russian Musical Anthology
- Aleshina Anna O.
- Marcel Grandjany – performer, composer and teacher // South-Russian Musical Anthology 2021–4 (45)
- Alieva Zarema E.
- Chamber Ensemble Sonatas by F. Schubert in the Repertoire of a Contemporary Violinist: Problems of Performing Interpretation // South-Russian Musical Anthology 2019–1 (34)
- Sonata for Violin and Piano by C. Franck: The Ways of Comprehension (About Artistic-Conceptual Foundations of Performing Interpretation) // South-Russian Musical Anthology
- Six Sonatas for violin solo by E. Ysaye in the educational process of contemporary high school of music // South-Russian Musical Anthology 2022–1 (46)
- Program in music as an important factor of performing interpretation in the “artistic” etudes of Romantic era for violin solo // South-Russian Musical Anthology 2022–3 (48)
- Dotted strokes in the Violin Sonatas by R. Schumann: towards the problem of performing reading // South-Russian Musical Anthology 2022–4 (49)
- Program features in the First Violin Sonata by J. Brahms: towards the problem of figurative and semantic interpretation // South-Russian Musical Anthology 2023–1 (50)
- Sonatas by M. Reger for solo violin in context of the contemporary polyphonic repertoire of music colleges // South-Russian Musical Anthology 2023–2 (51)
- Violin etudes by E. Ysaye in the dialogue with traditions and innovations of the genre // South-Russian Musical Anthology 2023–4 (53)
- Alimova Elvina S.
- Genesis and “stratum” specific of the “vocal instrumental ensemble” phenomenon // South-Russian Musical Anthology 2019–4 (37)
- Stylistic Synthesis in Vocal Cycles and Romances by E. Emir // South-Russian Musical Anthology
- Crimean Tatar and Russian-Ukrainian Origins of M. Khalitova’s Vocal Lyrics // South-Russian Musical Anthology
- Alishevich Tatiana A.
- From the teaching experience of author’s course «The evolution of music thinking» // South-Russian Musical Anthology
- Alyabyeva Anna G.
- Timbre aspects of traditional instrumental Indonesian music // South-Russian Musical Anthology
- Chinese opera of Henan province: problems of analysis // South-Russian Musical Anthology 2020–2 (39)
- Andrievskaya Galina P.
- Musical performing art of the later 19th and the first half of the 20th centuries in A. Ossovskiy’s critical and publicistic heritage // South-Russian Musical Anthology 2020–1 (38)
- Performing art of the Silver Age in the musical-critical works by V. Kolomiytsov // South-Russian Musical Anthology 2020–3 (40)
- Contemporary mass media on a dialogue between word and music // South-Russian Musical Anthology 2021–2 (43)
- Musical performing art in the early critical essays by B. Asaf’ev (1914–1917) // South-Russian Musical Anthology 2022–1 (46)
- Dialogues between Music and Word in the musical-critical works by V. Kolomiytsov // South-Russian Musical Anthology 2022–3 (48)
- Music critique of the Silver Age: perspectives of the theoretical self-knowledge // South-Russian Musical Anthology 2023–1 (50)
- Andrushchack Tatiana S.
- Forgotten ballad story of the american romanticism // South-Russian Musical Anthology 2019–3 (36)
- Andrushchenko Elena Yu.
- «School of Rock» by A. Lloyd Webber: towards the problem of interactions between «rock-operality» and «musicality» in the contemporary light-genre music theatre // South-Russian Musical Anthology 2019–4 (37)
- Our Native Opera at the Close of the 20th Century in Its Dialogues with Musical: «А Golden Calf» by T. Khrennikov // South-Russian Musical Anthology
- A legend about Don Juan in «The Phantom of the Opera» by A. Lloyd-Webber: towards the problem of interpretation // South-Russian Musical Anthology
- Musical and rock opera in our native-land musicology of the 1980s: towards the sources of the research tradition (article 2) // South-Russian Musical Anthology
- Musical and rock opera in our native-land musicology of the 1980s: towards the sources of a research tradition (article 1) // South-Russian Musical Anthology
- Musical in the musicology of our country: the terminological «oppositions» of the 1970s // South-Russian Musical Anthology
- Contemporary opera «under the badge of musical»: prerequisites, sources, tendencies (article 2) // South-Russian Musical Anthology
- Contemporary opera «under the badge of musical»: prerequisites, sources, tendencies (article 1) // South-Russian Musical Anthology
- A. Lloyd-Webber and «music from the former USSR»: near the sources of the «Third current» // South-Russian Musical Anthology
- Chalumeau and his «double»: marginalia to «The Phantom of the Opera» by A. Lloyd-Webber // South-Russian Musical Anthology
- A. Lloyd-Webber’s «Song and Dance» as an «experimental» musical: thirty years later // South-Russian Musical Anthology
- Musical theatrical projects by A. Lloyd-Webber on a cinema screen: about some transformations of the author’s conception // South-Russian Musical Anthology
- On the theme by N. Paganini and “according to” S. Rachmaninoff: the notes on “Variations” by A. Lloyd-Webber // South-Russian Musical Anthology 2021–4 (45)
- “Rock opera tendency” in the polystylistic artistic space of the opera “Master and Margarita” by S. Slonimsky // South-Russian Musical Anthology 2024–1 (54)
- Anikeeva Maria D.
- The relationship between sonoristic technique and musical form in the works by Russian composers of the last third of the twentieth century // South-Russian Musical Anthology 2022–4 (49)
- Anikhanov Andrey А.
- H.Gesse, Y. von Eihendorf. Poems. Translation from English and introduction by A. Anikhanov // South-Russian Musical Anthology
- Anikienko Sergey V.
- Interaction of arts as a base of «The Spring Musical and Art Festivals» in Ekaterinodar (1912–1913) // South-Russian Musical Anthology
- Antonenko Natalya O.
- Some actual problems of vocal education in context of modern performing art // South-Russian Musical Anthology
- Antonov Pavel S.
- «The Symbol of Faith» by A. Grechaninov and its interpretations by the choirs of pre-revolutionary Russia // South-Russian Musical Anthology 2021–3 (44)
- Arabkertseva Susanna B.
- Arakelyan Artyom E.
- Аchievements of musicology and modern targets of the military reform in Russia (Towards the problem of actualization of scholar researches in the Armed Forces of our country) // South-Russian Musical Anthology
- Do Nekrasov cossacks polyphony? (Research experience technical means) // South-Russian Musical Anthology
- The development of perfect pitch using technical devices // South-Russian Musical Anthology
- Musical instruments of Nekrassov cossacks (on the 50th anniversary of the return of Nekrassov cossacks at homeland) // South-Russian Musical Anthology
- Arakelyan Egishe T.
- The development of perfect pitch using technical devices // South-Russian Musical Anthology
- Musical instruments of Nekrassov cossacks (on the 50th anniversary of the return of Nekrassov cossacks at homeland) // South-Russian Musical Anthology
- Arsenyeva Olga O.
- Resonance technique of singing in the tradition of shomyo buddhist chants // South-Russian Musical Anthology
- Asaturyan Anna S.
- Symbolist line in vocal lyricism by C. Debussy («Le jet d’eau» from the cycle «Cinq poems de Baudelaire» as an example) // South-Russian Musical Anthology
- Ashkhotov Beslan G.
- The variant character of the conceptual interpretations of word-music correlation in vocal genres // South-Russian Musical Anthology
- Astashev Dmitry A.
- Vocalizes by M. Bordogni in the system of values of Bel canto // South-Russian Musical Anthology 2020–3 (40)
- Professional education of a singer in the context of the European idea of harmonizing the educational environment // South-Russian Musical Anthology 2021–2 (43)
- Atlas Lev
- The Russian Connection – Interpretation of Selected Music and the Performing Qualities of the Players // South-Russian Musical Anthology
- In the shadow of Shostakovich (Recording Of Vitaly Khodosh`s String Quartet) // South-Russian Musical Anthology
- Aymakanova Anastasia P.
- F. Liszt’s late works: musical and theoretical reflection in the foreign musicology // South-Russian Musical Anthology
- «Music of the Future» in the view of F. Liszt: a way beyond the horizon // South-Russian Musical Anthology
- Babich Nikolay F.
- About some peculiarities of the use of music in modern plastic theatre // South-Russian Musical Anthology
- Babiy Oksana P.
- Communicative interactions of literary and musical-stage characters through the prism of the social actions theory by Max Weber // South-Russian Musical Anthology
- Baidikova Alina S.
- Devoted to Russia with heart... (On L. Klinichev’s work) // South-Russian Musical Anthology 2023–4 (53)
- Bakhtiyarova Ekaterina E.
- Violin pedagogic in Russia in the last quarter of the XVIIIth century // South-Russian Musical Anthology
- F. Geminiani. The art of playing the violin. Translation from English, introduction and notes by E. Bakhtiyarova // South-Russian Musical Anthology
- The first musical education in Russia // South-Russian Musical Anthology
- Balaeva Suzanne T.
- «If there were a harp, a poet would be found» (to the 70th anniversary of N. S. Dobretzova) // South-Russian Musical Anthology
- Barash Lyubov А.
- Space and time of postmodern musical communication // South-Russian Musical Anthology
- Batagova Tatyana E.
- Poetry by K. Khetagurov in the Ossetian vocal music // South-Russian Musical Anthology
- Composer’s folklorism as a factor of development as applied to musical professionalism in North Ossetia of the 1920–1930s // South-Russian Musical Anthology
- Music by S. Rachmaninoff in the choreographic statements of the present // South-Russian Musical Anthology 2023–1 (50)
- Batovskaya Elena N.
- Contemporary choral music a cappella: the problems of genre typology // South-Russian Musical Anthology
- Experimental tendencies in contemporary choral works // South-Russian Musical Anthology
- Baybikova Galina V.
- Psychological and educational aspects in the development of the musician-performer’s analytical abilities // South-Russian Musical Anthology 2021–1 (42)
- Begicheva Olga V.
- Forgotten ballad story of the american romanticism // South-Russian Musical Anthology 2019–3 (36)
- Beketova Natalya V.
- «We are lazy and incurious…»: referring to Rachmaninov’s Notebook // South-Russian Musical Anthology 2019–4 (37)
- Metaphysical history of music: methodology of self-consciousness // South-Russian Musical Anthology 2019–3 (36)
- Rachmaninov’s Oeuvre in the Light of the Tradition of Russian Historiosophy // South-Russian Musical Anthology 2019–1 (34)
- Metaphysical history of music: scholarship and education practice (article 1) // South-Russian Musical Anthology
- Russian musical tragedy: from the methodological point of view // South-Russian Musical Anthology 2020–3 (40)
- Glinka – Mussorgsky: the harmony and crisis of the Russian historical state-of-the-art // South-Russian Musical Anthology 2021–1 (42)
- Belash Elena V.
- Belik Pyotr A.
- «The Symphony in Rites» by L. Prigozhin: towards the problem of the individual transubstantiation as applied to folklore stuff in conditions of the academic musical genre // South-Russian Musical Anthology
- Symphony-action «The Chimes» by V. Gavrilin: towards the problem of genre synthesis // South-Russian Musical Anthology
- Belonosova Irina V.
- Oleg Prostitov: strokes to the portrait // South-Russian Musical Anthology
- Bezmenov Vadim S.
- Digital-opera: problems and development prospects of the genre // South-Russian Musical Anthology 2022–1 (46)
- Bezuglov Oleg V.
- In three roles (to the 70th anniversary of S. A. Mileykovsky) // South-Russian Musical Anthology
- Bikkulova Diana R.
- Bleklova Marina V.
- The piano work by Alemdar Karamanov: A beginning of his way // South-Russian Musical Anthology 2021–1 (42)
- Blinova Darya D.
- Playing Orpheus (on H. Birtwistle’s opera “The Mask of Orpheus”) // South-Russian Musical Anthology 2021–4 (45)
- Bobrova Marina S.
- Genre and dramaturgic peculiarities of A. Zhurbin’s musical fantasy «Doctor Zhivago» // South-Russian Musical Anthology
- Bogdanova Marina А.
- Epic tunes from the collection by Kirsha Danilov and traditions of Northern bylina melodies // South-Russian Musical Anthology
- Bondarenko Elena N.
- «Prelude and Toccata» by I. Karabits: a dialogue with the genre traditions // South-Russian Musical Anthology
- Borovinskaya Maria N.
- The creative work of Rostov composers of the 30–70th of the XX century in the context of the development of Russian vocal cycle // South-Russian Musical Anthology
- Bozina Olga A.
- Semantics of tonality in N. A. Rimsky-Korsakov’s creative work // South-Russian Musical Anthology
- Bragin Andrey S.
- «New poetics» of sound creation in guitar music (the genre of quartet as an example) // South-Russian Musical Anthology
- Brazhnikova Natalya I.
- Piano quintet in the work by Russian composers at the close of 18th – the first third of 19th centuries // South-Russian Musical Anthology 2021–3 (44)
- Brinzila Coslet Zinaida
- Serghei Lunchevichi – virtuoso and symbol of violin art in Moldova of the twentieth century // South-Russian Musical Anthology 2021–3 (44)
- Bugayan Sofya M.
- Traditional and innovatory tendencies in Piano Concerto by A. Khachaturian: the ways of interaction // South-Russian Musical Anthology
- The functions of pianist’s performing gesture in his musical activity: theoretical problems // South-Russian Musical Anthology 2023–3 (52)
- Bulycheva Anna V.
- From psalm to a folk song: on the verbal texts of partes concertos // South-Russian Musical Anthology 2020–2 (39)
- Burlina Elena Ya.
- Chronotype of doublethink: Stalin’s bunker at the Shostakovich street // South-Russian Musical Anthology
- Buryakov Alexey G.
- Александр Степанович Данилов: неподведённые итоги // South-Russian Musical Anthology
- Buryakova Lyubov A.
- Traditions of music education in France: basic methods of solfeggio teaching in the XIX–XXth centuries // South-Russian Musical Anthology
- Chalenko Natalya V.
- Don Cossack song in the works by Leonid Klinichev (on example of the choral arrangements) // South-Russian Musical Anthology
- Chekan Jury I.
- Intonational image of the world as a category of historical musicology (some introductory remarks) // South-Russian Musical Anthology
- Chepinoga Alla V.
- «The idea» («the most important task») as the instrument of the opera score producer’s analysis // South-Russian Musical Anthology
- Problems of education of the contemporary producer of opera theatre // South-Russian Musical Anthology
- Producer’s analysis of the opera score: «proposed circumstances» and the principles of their reconstruction // South-Russian Musical Anthology
- Chepnian Natalya L.
- Musical education of the Republic of Adyghea and the Rostov Conservatoire. My way to Leah Yakovlevna Khinchin // South-Russian Musical Anthology
- Cherkesova Aina A.
- The heroic epic «Shora batyr» in the folk music by nogay people // South-Russian Musical Anthology
- Short songs (saryn) in the folk music of the Karanogais // South-Russian Musical Anthology
- Wedding ritual complex of Kuma Nogais // South-Russian Musical Anthology
- Heroic epic in the culture of the turkophone peoples of the North Caucasus // South-Russian Musical Anthology 2022–1 (46)
- Chernaya Marina R.
- Epic tunes from the collection by Kirsha Danilov and traditions of Northern bylina melodies // South-Russian Musical Anthology
- Chistyakov Roman V.
- Azon Fattah’s opera “Jamila”: on the preserved fragments of the score // South-Russian Musical Anthology 2019–4 (37)
- Sonata for Oboe and Piano by Henri Dutilleux in context of the early composer’s work // South-Russian Musical Anthology 2024–1 (54)
- Chuvilkin Vsevolod S.
- About the essence of the concept of «jazz fugue» // South-Russian Musical Anthology 2019–4 (37)
- About the Nature of the Musical Theme of the Jazz Fugue // South-Russian Musical Anthology
- Chyornaya Elizaveta B.
- «The window to music» by A. Karamanov: neostylistics in the genre of children’s piano album // South-Russian Musical Anthology
- Dabaeva Irina P.
- Genre of communion anthem in the works of russian composers of the 19th – beginning 20th century // South-Russian Musical Anthology 2019–4 (37)
- Rachmaninov’s spiritual heritage in the national culture of the twentieth and twenty-first centuries // South-Russian Musical Anthology
- The genre models of Russian sacred concert on the boundary of the XIX–XXth centuries // South-Russian Musical Anthology
- Ways in time of ancient russian singing art: Brazhnikovsky readings are 45 years old // South-Russian Musical Anthology 2020–2 (39)
- Songs about war in modern Russian culture: forms of transmitting the genre // South-Russian Musical Anthology 2020–4 (41)
- Musical world of Vladimir Krasnoskulov (to the 80th birthday of the composer) // South-Russian Musical Anthology 2023–1 (50)
- Devoted to Russia with heart... (On L. Klinichev’s work) // South-Russian Musical Anthology 2023–4 (53)
- Danilova Anna V.
- Images of China in the mirror of Western and Russian music art // South-Russian Musical Anthology
- Davletshin Arthur F.
- The Second sonata for balalaika and piano by A. Kusyakov: towards the problem of performing realization // South-Russian Musical Anthology
- Davydov Sergey P.
- Complexes of pianistic facture as a source and means of artistic interpretation in jazz // South-Russian Musical Anthology
- Davydova Victoria P.
- The dialogues with Volgograd maestro // South-Russian Musical Anthology
- «Music performing and pedagogics»: some methodical recommendations for writing an essay // South-Russian Musical Anthology
- Daych Vladimir S.
- How to perform romantic composers’ music (from the experience of teacher-pianist) // South-Russian Musical Anthology
- Memoirs about Alexander Kaidanovsky. The publication and comments by K. Zhabinsky; introductory article by V. Daich // South-Russian Musical Anthology
- About my father // South-Russian Musical Anthology
- Dedyukhin Dmitry S.
- Concert compositions for brass band in the creative heritage by N. Myaskovsky // South-Russian Musical Anthology 2023–2 (51)
- “A Symphony in Songs”, the 21st century: The notes on Yu. Mashin’s “Beatles Symphony” for brass band // South-Russian Musical Anthology 2023–3 (52)
- Dedyurin Alexey P.
- Once again about the content of the Sonata for bayan by Albin Repnikov // South-Russian Musical Anthology 2023–2 (51)
- Demina Irina K.
- Dramaturgic paradoxes in the opera by P. Tchaikovsky «Queen of spades» // South-Russian Musical Anthology
- Demina Vera N.
- Specifics of composer’s activity of modern military conductors (on the example of works of A. B. Golovin) // South-Russian Musical Anthology 2019–3 (36)
- Oratorio “Glory to God in the Highest Heaven” by G. Sarti and Tradition of Russian “Victorious” Celebrations // South-Russian Musical Anthology
- Domestic Military Traditions in Parade Music of the Workers’ and Peasants’ Red Army in 1918 // South-Russian Musical Anthology
- Memorable dates of military victories, given from the icons of The Most Holy Mother of God, in liturgical singing practice // South-Russian Musical Anthology
- The tradition of singing at the feasts in Ust-Medveditsk convent of Transfiguration on the data of contemporary field studies // South-Russian Musical Anthology
- The celebration of the capture of Azov as «victorial» festival of a new type // South-Russian Musical Anthology
- Celebration of the 50th anniversary of the October socialist revolution in the context of formation of performative commemoration practices // South-Russian Musical Anthology 2020–2 (39)
- The musical component features of commemorial performance by Jeremy Deller «We’re Here Because We Are Here» in the context of social turning-point action in arts // South-Russian Musical Anthology 2021–2 (43)
- Art decoration of the mass celebration of the First anniversary of the October Revolution in the history of participatory art // South-Russian Musical Anthology 2021–4 (45)
- Specifics of sound space organization in P. Huyghe’s projects // South-Russian Musical Anthology 2022–2 (47)
- Denisov Andrey V.
- The Principle of Quotation in the 19th Century Music – the Aesthetics and Composer Practice // South-Russian Musical Anthology 2019–1 (34)
- About the correlating «quotation–context» in a musical work // South-Russian Musical Anthology
- Criteria of plagiarism in musical art: historical aspect of the problem // South-Russian Musical Anthology 2022–1 (46)
- Dibrova Alina O.
- Repertoire Policy of the Rostov Musical Comedy Theatre in the Period of Its Formation // South-Russian Musical Anthology 2019–1 (34)
- Didenko Nadezhda M.
- S. Rachmaninoff in the Dialogue with the Baroque Era // South-Russian Musical Anthology
- Musical-speech etiquette of the early classical era in the context of development of contemporary musician-performer’s intonation thinking (Trio sonata «Dialogue of Sanguine and Melancholic Persons» by Ph. E. Bach as an example) // South-Russian Musical Anthology
- Horizons of creative self-development (Towards the thirty-year of the Studio of Clavier Hearing in Rostov Conservatory) // South-Russian Musical Anthology 2020–4 (41)
- Ding Yao
- Chinese opera of Henan province: problems of analysis // South-Russian Musical Anthology 2020–2 (39)
- Doroshenko Alice V.
- Shachty college of music in Rostov resident’s opinion // South-Russian Musical Anthology
- Drobot Yuliya K.
- Free fantasia in the theoretical heritage and clavier works by C. Ph. E. Bach (to the problem of theory and practice correlation) // South-Russian Musical Anthology 2023–3 (52)
- Duda Natalya V.
- Musical-rhetorical figures in the secular solo songs by Henry Purcell // South-Russian Musical Anthology
- Music stage works by Henry Purcell in the light of the song genre // South-Russian Musical Anthology
- Music theory and practice in music manuals of the XVIIth-century England // South-Russian Musical Anthology
- Musical and stage space of the ballet “The Moor`s Pavane” set to the music of Henry Purcell // South-Russian Musical Anthology 2020–3 (40)
- “Amphitrion, or Two Sosias” by John Dryden on the stage of a modern English theatre // South-Russian Musical Anthology 2021–3 (44)
- Seventeenth-century English poetry in the secular solo songs by Henry Purcell // South-Russian Musical Anthology 2022–1 (46)
- “The Queen’s epicedium” by John Blow and Henry Purcell (on the topic of the funeral musical elegy of the restoration era) // South-Russian Musical Anthology 2022–3 (48)
- Dukov Evgenii V.
- The professional concert activity in imperial Russia: the 18th – early 20th century // South-Russian Musical Anthology 2024–1 (54)
- Dyachenko Marina A.
- Perpetuum mobile (to the 60th anniversary of Yu. K. Minasov) // South-Russian Musical Anthology
- Dyadchenko Maria S.
- Mahler today – a problem of perception of symphonies // South-Russian Musical Anthology
- Symphony and symphonism today: phenomena and concepts // South-Russian Musical Anthology 2021–4 (45)
- Efendieva Nargis M.
- Sonata for Saxophone and Piano by E. Denisov in context of the modern tendencies in expansion of the chamber ensemble repertoire of our country // South-Russian Musical Anthology 2024–1 (54)
- Efimova Natalia Il.
- Modality of Ambrosian Hymns // South-Russian Musical Anthology
- The problem of studying meaning-making systems in sacred monodic singing practice (Some options of the general theory of monody) // South-Russian Musical Anthology 2020–2 (39)
- Egorova Marina S.
- The Antiphonary to Saint Peter of Moscow in context of the Old Russian singing art in the middle of the 17th century // South-Russian Musical Anthology 2020–4 (41)
- Sticheron Octoechos for St. Alexander Nevsky: musical form in the context of medieval intermediality // South-Russian Musical Anthology 2021–1 (42)
- Egorova Tatiana K.
- The sound mentality of modern Yakut cinema // South-Russian Musical Anthology 2023–4 (53)
- Ekimenko Tatiana S.
- About the national features in music by Karelian composers // South-Russian Musical Anthology 2021–2 (43)
- Eknadiosov Vladimir S.
- A training opera performance and its role in formation of the professional singer // South-Russian Musical Anthology
- Emelina Evgeniya Yu.
- The labyrinth as a sound model of the world in “Laborintus II” by Luciano Berio // South-Russian Musical Anthology 2024–1 (54)
- Ermakova Darya M.
- Opera «Klara Milich» by A. Kastalsky: in the space of intertext // South-Russian Musical Anthology 2023–2 (51)
- Evsyukova Yuliya A.
- Ecological music as a new style`s direction in contemporary music // South-Russian Musical Anthology
- Ecology of Music as an Actual Problem of Modern Musicology // South-Russian Musical Anthology
- Nature and art: composition features in the environmental music // South-Russian Musical Anthology
- Fan Sin-Syuan
- Two composers’ readings of the tragedy «Romeo and Juliet» by W. Shakespeare from the position of the active analysis method by K. Stanislavsky // South-Russian Musical Anthology 2020–3 (40)
- Finkelshtein Yuliya A.
- Semantics of the timbre of classical guitar in works for ensemble by composers of the Second Viennese School // South-Russian Musical Anthology 2021–2 (43)
- Interpreting the vocal part of Tsarevna the Beloved Beauty in the opera “Kashchei the Immortal” by N. Rimsky-Korsakov in context of composer’s operatic dramaturgy // South-Russian Musical Anthology 2024–1 (54)
- Frantova Tatiana V.
- Musico-poetic line and its role in the formation of themes in the motets of Palestrina // South-Russian Musical Anthology 2019–3 (36)
- “Calling the Fire on Ourselves” // South-Russian Musical Anthology 2019–2 (35)
- Latent Canon (Real and Virtual Forms) // South-Russian Musical Anthology
- Meetings with the recent distant past (reflections on the two fragments of A. Schnittke’s letters to M. Ozhigova) // South-Russian Musical Anthology
- Laocoon and Aphrodite “Rolled Into One”, or Life and Death of Academic Music Studies in the Electronic Era // South-Russian Musical Anthology 2021–2 (43)
- Andamento by Padre Martini in the labyrinths of Italian fugue of the 17th–18th centuries // South-Russian Musical Anthology 2021–4 (45)
- Frolkin Victor A.
- Expansion of the concept of «performance» // South-Russian Musical Anthology
- Fu Xiaojiao
- Western European theory of music in the 18th century chinese treatise “Yuzhi Lülü Zheng Yi” // South-Russian Musical Anthology 2023–2 (51)
- Fuchsmann Michael A.
- The Criteria for Assessing Music Compositions of the Students-Composers in the Context of Their Learning Activities // South-Russian Musical Anthology 2018–4 (33)
- Problems, Content and Forms of Work with Foreign Students-Trainees in the Class of Music Composition // South-Russian Musical Anthology
- Metre and rhythm: number and energy. Issue 1. Integrated rhythmical traning session in solfeggio // South-Russian Musical Anthology
- Metre and rhythm: number and energy. Issue 2. The interpretation of swing. Integrated rhythmical training session in solfeggio // South-Russian Musical Anthology
- Teaching as love and struggle (to the 70th anniversary of M. V. Ozhigova) // South-Russian Musical Anthology
- Objects of musical composition and their modifications // South-Russian Musical Anthology 2020–4 (41)
- The functions of pianist’s performing gesture in his musical activity: theoretical problems // South-Russian Musical Anthology 2023–3 (52)
- Ganul Nataliya G.
- Towards the problem of composer S. Cortes’ creative method: the origins and ways of evolution // South-Russian Musical Anthology 2021–3 (44)
- Gareeva Margarita A.
- «Quasi-scores» in piano sonatas by W. A. Mozart in the context of traditions of home music-making // South-Russian Musical Anthology
- Garmash Olga A.
- Pages of Russian music management or What do history teach // South-Russian Musical Anthology
- Gasanova Alfia R.
- Three degrees with distinction and eight thousand lecture-concerts (to the 85th anniversary of A. A. Sokolova) // South-Russian Musical Anthology
- The image caught by my small eye is described by five sentences... (to the 70th anniversary of S. N. Podolskaya) // South-Russian Musical Anthology
- Gatashova Tatyana B.
- Gavrilchuk Larissa A.
- The Problems of the Word for Word Translation of the Italian Operatic Librettos // South-Russian Musical Anthology 2019–1 (34)
- Gerasimova Irina V.
- The liturgy “Organna” (the 1660th–1670th) for six voices: problems of attribution and performance // South-Russian Musical Anthology 2020–4 (41)
- Musical editions of 1943 by the Riga printing house of Nikolai Vieglays (based on the materials of the Assumption church archive in the village Aksenovo, Palkinsky district, Pskov region) // South-Russian Musical Anthology 2023–1 (50)
- Gerdova Tatyana S.
- Performing organization of artistic integrity of Etude-tableau in B moll, op. 39 No. 4 by S. Rachmaninov in the interpretation by N. Tchesnokova // South-Russian Musical Anthology
- Performing activities of Donbass professional pianists (the end of the XIXth – the first third of the XXth century) // South-Russian Musical Anthology
- Gigolaeva-Yurchenko Victoria A.
- Russian Chamber and Vocal Performing Art of the XIXth Century: the Gender Dimension // South-Russian Musical Anthology
- Glushkova Valentina G.
- Contemporary mass media on a dialogue between word and music // South-Russian Musical Anthology 2021–2 (43)
- Godunova Olesya A.
- Poem “The Passion for Anna” by V. Khodosh: on the problem of dialogical relations in sacred music // South-Russian Musical Anthology 2021–3 (44)
- Golovina Marina V.
- Dramatic composition of the opera by L. Klinichev «Drama at the Hunt» // South-Russian Musical Anthology
- Gontarenko Galina N.
- From the History of Music Education in Rostov-on-Don // South-Russian Musical Anthology
- Gordon Inna S.
- Leah Jakovlevna Khinchin and I: forty-five years ago and today // South-Russian Musical Anthology
- Gorelik Natalya G.
- Abbot Gounod and his opera «Faust» // South-Russian Musical Anthology
- Gorshkova Anna M.
- “Genuine Sincerity of Music, Clarity of Thoughts and Keen Understanding of Beauty”. Phenomenon of Anton S. Arensky // South-Russian Musical Anthology 2019–2 (35)
- Grayfer Irina A.
- Riteness in the Operatic Direction of L. Mikhailov: Towards the Sources of His Creative Method // South-Russian Musical Anthology
- Grebneva Irina V.
- Specific character and forms of manifestation of the modus of playing in A. Corelli’s Concerti Grossi // South-Russian Musical Anthology
- Grinchenko Inna V.
- Formation of the miniature genre in the Russian choral music (on the example of the cycle «St. Petersburg Serenades» by A. Dargomyzhsky) // South-Russian Musical Anthology
- A choral miniature in performing practice // South-Russian Musical Anthology
- Genre of choral miniature in russian music on the boundary of the ХIХ–ХХth centuries (on example of S. Taneev’s «Twelve choruses a cappella» Op. 27) // South-Russian Musical Anthology
- Spiritual music in the works of modern composers (on the example of Requiem dy T. Shatkovskaya-Eisenberg) // South-Russian Musical Anthology 2020–2 (39)
- Grinev Sergey S.
- Director or Conductor: To the Issue of Modern Stage Life of Opera Masterpieces // South-Russian Musical Anthology
- The influence of the cultural-economic situation of 1990s–2010s on the repertoire politics of Russian theatres // South-Russian Musical Anthology
- Grineva Maria I.
- Melodic principle within the conditions of the new type of sound material in the vocal works by E. Denisov // South-Russian Musical Anthology
- Edison Denisov's «Blue notebook»: 25 years from the date of the first performance in Rostov-on-Don // South-Russian Musical Anthology
- The Text of Edison Denisov’s Vocal Compositions as a Sphere of Experiments // South-Russian Musical Anthology
- Huang Shuai
- Chinese traditional wind instruments in the context of European academic genres: composers Yang Qing and Zhu Shizhui // South-Russian Musical Anthology 2022–2 (47)
- In search of new timbres: Go Wenjing. «Recitative for Chinese Gongs» // South-Russian Musical Anthology 2022–4 (49)
- Ignatova Maria A.
- S. Slonimsky’s music theatre: development from history to myth // South-Russian Musical Anthology
- Ivanchenko Tatiana V.
- The role of music in speech therapy lessons for children with disabilities // South-Russian Musical Anthology 2023–1 (50)
- Kaloshina Galina E.
- Liturgical Motifs in Arthur Onegger`s Oratorios of the Late Thirties of the Twentieth Century // South-Russian Musical Anthology 2018–4 (33)
- Philosophical and Symbolic Aspects of Dramaturgy in Wagner`s Mythological Theatre // South-Russian Musical Anthology
- Opera diptych «Anna and Marina Passions» by Leonid Klinichev // South-Russian Musical Anthology
- I. Brahms’s Third Symphony in the academic course of History of music (to the problem of ideal and artistic conception) // South-Russian Musical Anthology
- Dramatic composition of the opera by L. Klinichev «Drama at the Hunt» // South-Russian Musical Anthology
- The problem of conception and symphonism in A. Schoenberg’s opera «Moses and Aron» // South-Russian Musical Anthology
- Kamalova Elvira F.
- Multisyllabic tunes by zakamsk kryashens: the features of modal and melodic forms of organization // South-Russian Musical Anthology
- Karamanova Marina L.
- The problems of conception and genre interactions in G. Kancheli’s liturgy «Mourned over the wind» // South-Russian Musical Anthology
- Karman Elena V.
- Full Anthem in the Works by Thomas Tomkins // South-Russian Musical Anthology
- Karpova Nataliya K.
- E. Mravina: dramatic fate (Rostov features to the portrait) // South-Russian Musical Anthology 2022–2 (47)
- Katunyan Margarita I.
- Musical form in the aspect of anthropology // South-Russian Musical Anthology 2021–4 (45)
- Kazharova Zaira V.
- Kabardin Songs to Dances // South-Russian Musical Anthology
- Kabardian lyrical songs of the female repertoire // South-Russian Musical Anthology
- Kemova Kseniya S.
- Unknown piano duet repertoire: The sonatas by Franz Seydelmann // South-Russian Musical Anthology 2021–1 (42)
- Khafizova Anna A.
- About composer’s interpretations of the verse «Angel» by A. Pushkin in the vocal cycles by C. Cui, N. Medtner and B. Britten // South-Russian Musical Anthology
- Khairutdinova Diliya F.
- String Quartet in A major by N. Zhiganov as an early trial of composing a sonata-symphonic cycle // South-Russian Musical Anthology 2023–3 (52)
- Khalitova Merzie I.
- Features of orchestra style in works of crimean tatar composers of the first half of the 20th century // South-Russian Musical Anthology 2019–3 (36)
- Yagya Sherfedinov’s Oeuvre in the Musical and Cultural Tradition of Crimean Tatars // South-Russian Musical Anthology 2018–4 (33)
- The way to a great art: composer Ilyas Bakhshysh // South-Russian Musical Anthology 2020–4 (41)
- Vocal works by Ilyas Bakhshysh // South-Russian Musical Anthology 2021–2 (43)
- Kharchenko Maria A.
- The Opera «Rinaldo» by G. F. Haendel: to the Problem of Plot formation // South-Russian Musical Anthology
- Kharlov Andrey V.
- Individual way of playing the Mari traditional aerophone // South-Russian Musical Anthology 2023–3 (52)
- Khentov Igor Yu.
- A tutor and a friend (to the 70th anniversary of V. N. Gorbunov) // South-Russian Musical Anthology
- Khoroshailo Galina V.
- Memoires on blockade of Leningrad. The publication and comments by K. Zhabinsky; the introductory article by G. Khoroshailo // South-Russian Musical Anthology
- Khoroshaylo Galina V.
- Heartwarming images are kept in memory... (to the 70th anniversary of A. M. Nesterenko) // South-Russian Musical Anthology
- Angelic voiced... (to the 60th anniversary of T. I. Barsova) // South-Russian Musical Anthology
- Khruleva Irina A.
- Bernardo Mengozzi and «La Methode de chant…» of Paris Conservatoire // South-Russian Musical Anthology
- The teaching practice of ornamentation in the treatise “A Singing Method…” of Paris Conservatoire // South-Russian Musical Anthology 2021–1 (42)
- Khvatova Svetlana I.
- Theatrical in Orthodox church parish // South-Russian Musical Anthology
- Musical humor in D. Shostakovich’s vocal cycle “Satires” on the poems by Sasha Chernyj // South-Russian Musical Anthology 2022–2 (47)
- Kiseev Vasiliy Yu.
- Avant-garde traditions in the operatic creativity by modern american composers // South-Russian Musical Anthology 2019–4 (37)
- Site-Specific Performance in Creative Work of Meredith Monk // South-Russian Musical Anthology 2018–4 (33)
- Specifics of work with voice in music-theatrical compositions by Meredit Monk // South-Russian Musical Anthology
- Music theater by Meredith Monk: traditions and innovation // South-Russian Musical Anthology
- Elements of a ritual in a performance “The Book оf Days” by Meredith Monk // South-Russian Musical Anthology 2021–3 (44)
- Specifics of interaction between music and video in the performance “Book of Days” by Meredith Monk // South-Russian Musical Anthology 2021–4 (45)
- Kiseeva Elena V.
- Avant-garde traditions in the operatic creativity by modern american composers // South-Russian Musical Anthology 2019–4 (37)
- The Issue of Renewal the Genre of Opera in the Creativity of Modern American Composers // South-Russian Musical Anthology 2018–4 (33)
- The Interpretation of the Opera Genre in the Creativity of F. Glass (On the Example of Opera «Satyagrakh») // South-Russian Musical Anthology
- Musical and choreographic performance as the topical form of musical theatre // South-Russian Musical Anthology
- Repetitive technique as the leading method of organization of material in music-theatrical performances (on the example of postmodern dance) // South-Russian Musical Anthology
- Formation of the minimalist artistic principles in the creative work by composers and choreographers (the second half of the XXth century) // South-Russian Musical Anthology
- Postmodern Dance and Avant-garde art in the first half of the twentieth century // South-Russian Musical Anthology
- The features of realization of musical experimentalism principles in choreographic performances // South-Russian Musical Anthology
- The stages of formation and development of postmodern dance in the second half of the XXth – beginning of the XXIth centuries // South-Russian Musical Anthology
- New forms of musical theatre: Postmodern Dance and study comprehension of it // South-Russian Musical Anthology
- Specifics of sound space organization in P. Huyghe’s projects // South-Russian Musical Anthology 2022–2 (47)
- Specificity of performance art in Tan Dun’s instrumental theatre (on the example of “Ghost Opera”) // South-Russian Musical Anthology 2023–4 (53)
- Klimenko Anna E.
- Wind Instruments in the Military Music of Ancient Rus // South-Russian Musical Anthology 2019–2 (35)
- Klimova Natalia V.
- Libretto of A. Izosimov’s ballet «The tale of the Green Snake and the Beautiful Lily» // South-Russian Musical Anthology 2021–2 (43)
- Klinicheva Elena M.
- Don Cossack song in the works by Leonid Klinichev (on example of the choral arrangements) // South-Russian Musical Anthology
- Kodenko Irina I.
- Actuality of Baroque music interpretations in contemporary cultural space (using the materials of «Early Music» journal) // South-Russian Musical Anthology
- Kokkezova Aishat M.
- M. Presman. From Literary Heritage. The publication, introductory article and comments by A. Kokkezova // South-Russian Musical Anthology
- Komarova Anastasiya A.
- Quotation of the Hungarian dance № 5 by J. Brahms as a mean of creating art synthesis in the genre of comedy film // South-Russian Musical Anthology 2019–3 (36)
- About the Functions of Music in the Movie «Las Hurdes. Land without Bread» by L. Bunuel // South-Russian Musical Anthology 2019–1 (34)
- Representation of J. Brahms music in screen arts // South-Russian Musical Anthology 2020–2 (39)
- Universal compositional and dramaturgical functions of musical quotes in cinematography (on the example of music by J. Brahms) // South-Russian Musical Anthology 2021–3 (44)
- Audiovisual representation of the mortality in cinema (on the example of the film «Death and the Maiden» by R. Polanski) // South-Russian Musical Anthology 2023–2 (51)
- Semantic functions of quotes from R. Wagner’s music in cinema: from myth to deconstruction // South-Russian Musical Anthology 2023–4 (53)
- Konarev Maxim A.
- About genre, dramaturgical and figurative-intonational features of the opera «Stolen Sun» by B. I. Tishchenko // South-Russian Musical Anthology 2019–3 (36)
- Kondrat’yeva (Kitsenko) Tatyana S.
- Leit-harmony in the ballet «The Lord of Stone» by V. Gubarenko as one of the formative factors of harmony // South-Russian Musical Anthology
- Konopleva Elena A.
- Texts of popular songs as a values regulator of adolescents // South-Russian Musical Anthology 2019–3 (36)
- Internet as a Means of Formation of the Sound Picture of the World in Teenage Mind // South-Russian Musical Anthology
- Music audience on the internet spaces: crowd phenomenon under the magic influence of sound // South-Russian Musical Anthology 2020–2 (39)
- Konson Irina A.
- L. Khinchin in my life // South-Russian Musical Anthology
- Kopiryulin Mikhail S.
- Modern Approaches to the Formation of the Repertoire of the Folk Instruments Orchestra // South-Russian Musical Anthology 2019–1 (34)
- Experience of the practical re-orchestration – arrangеment of symphonic pieces for the orchestra of russian folk instruments: some features of the original text adaptation // South-Russian Musical Anthology 2020–2 (39)
- The campaign of the fight against formalism of 1948 in the Soviet music and professionalization of the folk instrumental performing art in Russia: the interconditional paradox // South-Russian Musical Anthology 2021–2 (43)
- Professional discussions about the ways of development of Russian folk orchestral performing art on the boundary of the 20th–21st centuries: towards the problem of academic repertoire formation // South-Russian Musical Anthology 2022–1 (46)
- In search of truth and method: reflections on the dialectics of pedagogical creative activity by L. Varavina // South-Russian Musical Anthology 2023–4 (53)
- Koposova Irina V.
- Program and its interpretation in the works for domra by Grigory Zaitsev // South-Russian Musical Anthology 2022–4 (49)
- Modern antisymphonies as an example of polemic with a traditional genre // South-Russian Musical Anthology 2023–2 (51)
- Kornienko Marina S.
- Arseny Avraаmov — the discoverer of new sound worlds // South-Russian Musical Anthology
- Korostelev Valery V.
- Between L. Mizler and J. Mattheson (J. S. Bach’s creative process and «musical mathematics») // South-Russian Musical Anthology
- Korotina Alina A.
- On the activities of S. Prokofiev-accompanist (1908–1918) // South-Russian Musical Anthology
- Kosenko Galina G.
- Representation of viola timbre in the genre of concerto (on the example of Concerto for Viola and Orchestra by D. Klebanov) // South-Russian Musical Anthology
- Kosilkin Mikhail Ju.
- The problems of the analysis of the stage text in the production of the opera // South-Russian Musical Anthology
- Kostogryz Sergey A.
- Genre-stylistic priorities of the Ukrainian balalaika art in the second half of the XXth – the beginning of the XXIst centuries // South-Russian Musical Anthology
- Kovalenko Eva I.
- Anatoly F. Shekera as the master of ballet symphonism and choreographic polyphony // South-Russian Musical Anthology
- Kovalenko Victoria K.
- «The Youth’s Magic Horn» by G. Mahler: some principles of theatricality // South-Russian Musical Anthology 2020–1 (38)
- Kozeva Galina S.
- The story of a discovery (M. F. Gnesin) // South-Russian Musical Anthology
- M. Gnesin. From music and critic heritage. Introductory article and comments of G. Kozeva // South-Russian Musical Anthology
- Kozlov Dmitry N.
- A modern vocalist in the “dialogue” with musical classics: the heuristic aspect // South-Russian Musical Anthology 2023–1 (50)
- Kozlov Ivan V.
- Historical Evolution of a Four-stringed Domra // South-Russian Musical Anthology
- Kozlykina Svetlana A.
- Texts of motets by G. Frescobaldi. Translation from Latin, introductory article and commentaries by S. Kozlykina // South-Russian Musical Anthology
- Edmond Strainchamps. Marco da Gagliano in 1608: choice, decisions and consequences. Translation, preface and comments by S. Kozlykina // South-Russian Musical Anthology
- Kozubova Alevtina S.
- Puzzle canons in the works of padre Martini // South-Russian Musical Anthology 2019–3 (36)
- On the Way of Reconstruction of Scientific Knowledge of the Past: from Translation – to Source Study // South-Russian Musical Anthology 2019–1 (34)
- Andamento by Padre Martini in the labyrinths of Italian fugue of the 17th–18th centuries // South-Russian Musical Anthology 2021–4 (45)
- Krasnoskulov Alexey V.
- Music and Augmented Reality: on the Way to the Future // South-Russian Musical Anthology 2018–4 (33)
- «Synchronization» of the film’s sound image // South-Russian Musical Anthology
- Evolutional modelling of music: principles, approaches, problems // South-Russian Musical Anthology
- Kravtsova Tatiana V.
- Problems of interpreting English-speaking studies on musicology in the Russian language // South-Russian Musical Anthology 2021–1 (42)
- Krivezhenko Victoria S.
- Intertextual interactions in the sacred cantata-oratorial compositions by F. Liszt // South-Russian Musical Anthology
- The philosophical and literary basis of the spiritual cantatas by F. Liszt and its influence on the genre specificity // South-Russian Musical Anthology
- Kruchinina Albina N.
- The Antiphonary to Saint Peter of Moscow in context of the Old Russian singing art in the middle of the 17th century // South-Russian Musical Anthology 2020–4 (41)
- Krupnitskaya Galina A.
- An Italian in Taganrog: Valerian Gaetanovich Molla (1872–1938) // South-Russian Musical Anthology
- Krygin Alexander I.
- I. S. Bach’s «Сhaconne» in transcription for guitar by A. Segovia: a trial of intonation-performing analysis // South-Russian Musical Anthology
- Krylova Alexandra V.
- On the art-performance nature // South-Russian Musical Anthology 2020–1 (38)
- Radio opera today: denying death of the genre // South-Russian Musical Anthology 2019–4 (37)
- Music Theatre in the Light of Technology Development: to the Question of Genre Features of Radio Opera // South-Russian Musical Anthology
- Modern music theatre in the variety of genre solutions // South-Russian Musical Anthology
- Folklore forms of advertising in the native musical art of the XVIII–XXth centuries // South-Russian Musical Anthology
- Education of future: hesitations and problems // South-Russian Musical Anthology
- About the problems of employment among the graduates of musical institutions of higher education (on example of Rostov Conservatoire) // South-Russian Musical Anthology
- The cultural and historical significance of folkloric forms of sound advertising // South-Russian Musical Anthology 2021–1 (42)
- Paradoxes and enigmas of metamodern // South-Russian Musical Anthology 2022–2 (47)
- In search of new formats: opera-quest // South-Russian Musical Anthology 2024–1 (54)
- Kubkina Olga L.
- History and Myth in “The Capulets and the Montagues” by V. Bellini // South-Russian Musical Anthology 2019–2 (35)
- Historical Aspects of Dramaturgy in V. Bellini`s Opera «The Puritans» // South-Russian Musical Anthology 2019–1 (34)
- Kudashova Valentina A.
- Expressive peculiarities of tembre and texture forms in sonor compositions with the violin // South-Russian Musical Anthology 2020–1 (38)
- Expressive possibilities of micro-chromatics in violin compositions of the second half of the 20th century // South-Russian Musical Anthology 2020–4 (41)
- Kukhta Valerya A.
- Towards the problem of musical objects study in the history of academic music // South-Russian Musical Anthology 2022–3 (48)
- Kuklinskaya Marina Y.
- Verdi’s «Otello». The Experience of «Active Analysis» // South-Russian Musical Anthology 2019–1 (34)
- Musical Performance as the Subject of Musicology // South-Russian Musical Anthology
- «The tales of Hoffmann» by J. Offenbach as a musical quintessence of romanticism // South-Russian Musical Anthology
- Kulova Irma I.
- Traditional calendar of ossetian-christians in the light of people’s chronology // South-Russian Musical Anthology 2020–2 (39)
- Interaction of the elements of the Christian canonical and traditional ritual spheres in Ossetian culture // South-Russian Musical Anthology 2023–3 (52)
- Kushnir Olga V.
- Sh. Chalaev`s opera “Bloody Wedding”: on the problem of drama realization in music // South-Russian Musical Anthology 2020–4 (41)
- Opera performance as a project: “Contract for Pulcinella with Orchestra, or Entry for Unauthorized Persons is Allowed” // South-Russian Musical Anthology 2021–3 (44)
- Interpreting of music by P. Tchaikovsky in the producer J. Kranko’s ballet “Eugeniy Onegin” // South-Russian Musical Anthology 2021–4 (45)
- Cantata “The Incomprehensible God” by Shirvani Chalaev: Towards the problem of artistic and religious conceptual idea // South-Russian Musical Anthology 2022–4 (49)
- Kuznetsov Grigoriy A.
- How R. Wagner imagined his Tannhauser // South-Russian Musical Anthology
- Kyazimova Lala T. kyzy
- The evolution of programness in the symphonies by J. Hajiev (the 1950–1980s) // South-Russian Musical Anthology
- Problems of national symphonism on the boundary of the third millennium: opinions, appraisals, prognoses // South-Russian Musical Anthology
- «Cinematographic intentions» in the symphonism by Qara Qaraev: from «Don Quijote» to «Goya» // South-Russian Musical Anthology
- Azerbaijan symphony on the boundary of 1960–1970s: main tendencies // South-Russian Musical Anthology
- Lapteva Olga N.
- Lavo Rosa S.
- Opera as a Creolized Musical Text // South-Russian Musical Anthology 2019–2 (35)
- Lavrova Svetlana V.
- Liminal spaces as a metaphysics of infinity: “Sieben Klangräume” by Georg Friedrich Haas // South-Russian Musical Anthology 2021–1 (42)
- Spatial gesture in music by Beat Furrer // South-Russian Musical Anthology 2022–1 (46)
- The structure of feeling and fourfold object in metamodern music: oscillations of the invisible and inaudible // South-Russian Musical Anthology 2022–2 (47)
- The problem of musical thinking and artificial intellect // South-Russian Musical Anthology 2023–4 (53)
- Lebedev Alexander E.
- The specifics of orchestration in Concertos for Bayan and Orchestra by E. Podgayts // South-Russian Musical Anthology
- Leonov Vasily A.
- A child prodigy’s fate: Terezina Tua // South-Russian Musical Anthology 2019–4 (37)
- Malorussian Musical Theatre at the Rostov Stages in the 19th – early 20th Century // South-Russian Musical Anthology 2019–2 (35)
- Divertissements In the Late Nineteenth and Early Twentieth Rostov-on-Don // South-Russian Musical Anthology
- The theory of wind instruments playing: terminological aspect // South-Russian Musical Anthology
- E. Mravina: dramatic fate (Rostov features to the portrait) // South-Russian Musical Anthology 2022–2 (47)
- Preliminary afference and effector process for playing a wind instrument // South-Russian Musical Anthology 2022–4 (49)
- From chamber ensembles to quartet assemblies (Rostov-on-Don, the 19th – early 20th centuries) // South-Russian Musical Anthology 2023–3 (52)
- Charitable activities in the context of Rostov-on-Don cultural life (the second half of the 19th – early the 20th century): musical aspect // South-Russian Musical Anthology 2024–1 (54)
- Linnik Maria S.
- R. Genika as a correspondent of the «Russian musical journal» in Kharkov (reviews of chamber and symphonic meetings, 1896–1916) // South-Russian Musical Anthology
- Lisova Elena V.
- Litvinets Tamila A.
- Excerpts from the history of domra performance in the Donbass // South-Russian Musical Anthology 2020–3 (40)
- Lobzakova Elena E.
- Transmission of ancient russian chant in domestic musical culture: research methodology issue // South-Russian Musical Anthology 2019–4 (37)
- Ancient Russian Cult Monody in the Space of Russian Musical Culture: Two Approaches to Studying // South-Russian Musical Anthology
- Perception in musicology: towards the problem of the term using // South-Russian Musical Anthology
- Author’s vision of a canon in «Heruvimsky» M. Glinka // South-Russian Musical Anthology
- Znamenny chant in the musical stylistic space of early symphonic pieces of S. Slonimsky // South-Russian Musical Anthology 2020–3 (40)
- Eric Satie’s piano cycles of 1912–1915: musical opuses or critical pamphlets? // South-Russian Musical Anthology 2021–1 (42)
- The opera “Kholstomer” by V. Kobekin: Towards the problem of “composer’s” libretto // South-Russian Musical Anthology 2022–3 (48)
- Opera «Klara Milich» by A. Kastalsky: in the space of intertext // South-Russian Musical Anthology 2023–2 (51)
- Loginova Larisa N.
- Having ears, can you hear it… (Urgent problems of the contemporary ear training) // South-Russian Musical Anthology
- “Ethnicity of art”: genetic code or exotic rudiment? Traits to an artistic portrait of the contemporary Croatian composer Sanja Drakulich // South-Russian Musical Anthology 2021–3 (44)
- Loseva Svetlana N.
- Vocal Creative Work by Teplyakov: Synesthetic Aspect of Research // South-Russian Musical Anthology 2019–2 (35)
- Lozenko Ekaterina A.
- Synaesthetic conception of the creative work by I. Wyschnegradsky: a trial of practical assimilation // South-Russian Musical Anthology
- Lozovsky Anatoly M.
- Some aspects of working with classical music in the context of jazz compositions for piano // South-Russian Musical Anthology 2021–3 (44)
- Lubyanaya Elena V.
- Piano in Jazz on the border of the XX–XXIst centuries: traditions, novations, experiments // South-Russian Musical Anthology
- Jazz piano in the context of bebop innovation // South-Russian Musical Anthology 2020–2 (39)
- Luganskaya Elvira A.
- Bela Bartok. The Heritage of the Folklorist // South-Russian Musical Anthology 2019–2 (35)
- Vocal breathing: views of masters in the end of the 19th – beginning of the 21st centuries // South-Russian Musical Anthology 2022–3 (48)
- Lukonina Oksana I.
- The content motifs of M. O. Steinberg’s creative art in the context of Soviet culture of 1920–1940 // South-Russian Musical Anthology
- Lukyanenko Evgeniy A.
- Piano Trio in B major, Op. 8 by J. Brahms in the contemporary concertpedagogical repertoire: appraisals and prospects // South-Russian Musical Anthology 2024–1 (54)
- Lyakhovich Artem V.
- Rakhmaninov and kitsch // South-Russian Musical Anthology
- Lyashenko Yuri V.
- Castrato – vocal phenomenon in the light of modern research // South-Russian Musical Anthology 2020–2 (39)
- Ma Yingjun
- “Songs without words” by Felix Mendelssohn (towards the history of the genre formation) // South-Russian Musical Anthology 2022–3 (48)
- Maidanevich Tamara L.
- Italian author’s songs in instrumental music: some features of the genre adaptation // South-Russian Musical Anthology 2022–4 (49)
- Maklygin Alexander L.
- Music composition pedagogy in the light of Russian national determinants of the 20th century // South-Russian Musical Anthology 2021–4 (45)
- Malatsay Lyudmila V.
- Choral nocturnes in the works by Russian composers in the second part of the 19–20th centuries // South-Russian Musical Anthology 2021–4 (45)
- Maltseva Anastasiya A.
- Musical figures in M. Feyertag’s treatise: intersection of performing and composing practice in the baroque age // South-Russian Musical Anthology 2023–2 (51)
- Maltseva Elena G.
- N. Findeyzen. Two articles about A. em. Ziloti. The publication, introductory article and comments by E. Maltseva // South-Russian Musical Anthology
- Alexander Siloti: Years of Learning // South-Russian Musical Anthology
- Alexander Siloti — musician-educator: repertoire of pianist // South-Russian Musical Anthology
- Manko Tatyana V.
- Songs about war in modern Russian culture: forms of transmitting the genre // South-Russian Musical Anthology 2020–4 (41)
- Margunova Karina I.
- The creative conception by N. Dorliac in performing and teaching activities // South-Russian Musical Anthology
- Markov Alexander V.
- Russian musical Aristotelism: «The garden of joy and sorrow» by S. A. Gubaidulina in the light of M. I. Lekomtseva’s semiotics // South-Russian Musical Anthology 2020–1 (38)
- Balmont’s “Air Island“ and Prokofiev’s “Dreams“: the affinity of dream philosophy // South-Russian Musical Anthology 2020–3 (40)
- Musical images in the poetry of Ivan Burkin // South-Russian Musical Anthology 2021–4 (45)
- Echoes of the philosophical-musical ideas by A. Losev in V. Mikushevich’s novel “Resurrection in the Third Rome” // South-Russian Musical Anthology 2022–4 (49)
- Reflections of the 1920s–1980s popular musical culture in V. Tarik’s documentary film “The One with a Song” // South-Russian Musical Anthology 2024–1 (54)
- Markova Anna S.
- Markovskaya-Shunkova Zoya I.
- Mashin Yuri B.
- From the History of the South-Russian Competition of Russian Folk Musical Instruments Orchestra Conductors (to the Problem of Music Conductor Education) // South-Russian Musical Anthology 2018–4 (33)
- Maylis Yulia A.
- Historical aspect of the development and features of the professional accompanist’s skill // South-Russian Musical Anthology
- Mentyukov Alexander P.
- About the concept «musical intoning» // South-Russian Musical Anthology
- Meshcheryakova Natalya A.
- “The Song House” by Maria Olenina-d’Alheim: a dialogue with descendants // South-Russian Musical Anthology 2020–1 (38)
- F. I. Chaliapin. Forgotten Pages of Creative Biography: ”... born at the Caucasus for the stage“ // South-Russian Musical Anthology
- Olga Dontsova as the singer, pedagogue, enlightener // South-Russian Musical Anthology
- An education of the singer-actor: at the crossroads of academic subjects // South-Russian Musical Anthology
- Anatoly Zucker – musicus ludens: traits to the portrait of the jubilee man // South-Russian Musical Anthology
- S. V. Rakhmaninov in the Caucasus Mineral Waters: on the concert stage and in the musical salon // South-Russian Musical Anthology
- Arax Matevosyan: the way to the theatre. According to the laws of chamber genre // South-Russian Musical Anthology
- Per aspera ad astra (to the 80th anniversary of S. A. Kogan) // South-Russian Musical Anthology
- Master Margarita (to the centenary of M. P. Ozhigova) // South-Russian Musical Anthology
- P. Tchaikovsky on the vocal art of Italy and Russia // South-Russian Musical Anthology 2020–4 (41)
- Museum and Music, or Concerts at Mnemosyne’s Palace (To the reviews seven seasons of the enlightenment subscription series “Musical Wednesdays at Gazetny Lane”) // South-Russian Musical Anthology 2022–3 (48)
- Metlushko Vladimir A.
- Instrumental expressive resources in «Three pieces» for clarinet solo by I. Stravinsky // South-Russian Musical Anthology
- Sonata for Clarinet and Piano in the French Chamber and Instrumental Music of the XXth Century: the Features of Succession // South-Russian Musical Anthology
- Mikhaylova Olesya S.
- The concept of biblical historicism in the opera «The Great Flood» by G. Donizetti // South-Russian Musical Anthology 2022–2 (47)
- G. Rossini’s opera “Ciro in Babilonia” in the context of Handel’s oratorio tradition // South-Russian Musical Anthology 2022–4 (49)
- Minasyants Araksiya S.
- Music of Pontic Greeks in the fates of «Baku Orpheus» and his son // South-Russian Musical Anthology
- Mironenko Elena S.
- Russian music culture in Romanian Bessarabia // South-Russian Musical Anthology 2020–1 (38)
- The concept «national composer’s work» and its transformation at the boundary of the XX–XXIst centuries // South-Russian Musical Anthology
- Asynchrony of national stylistic directions as an indicator of the growth of Moldovan compositional school // South-Russian Musical Anthology 2021–2 (43)
- The birth of a new composer in the context of postmodernism – metamodernism: Mikhail Rotar from the Republic of Moldova // South-Russian Musical Anthology 2022–2 (47)
- Mirskaya Ludmila A.
- Mandala and transcending in art // South-Russian Musical Anthology 2020–2 (39)
- Mirskaya Lyudmila A.
- The sirens’ song: the avant-garde on the verge of the symbolic // South-Russian Musical Anthology 2019–4 (37)
- Contrcultural eros in rock music // South-Russian Musical Anthology
- Archetypal patterns of magic in fairy tales // South-Russian Musical Anthology 2020–3 (40)
- Installation: transformation of signifiers // South-Russian Musical Anthology 2020–4 (41)
- Cry of the soul: transgression and its expression // South-Russian Musical Anthology 2021–4 (45)
- The miraculous as a problem of iconography // South-Russian Musical Anthology 2022–3 (48)
- The charming: a touch of the flesh and aesthetics of lust // South-Russian Musical Anthology 2023–1 (50)
- Mishaeva Amina S.
- The variant character of the conceptual interpretations of word-music correlation in vocal genres // South-Russian Musical Anthology
- Mitus Irina V.
- Principles of choosing musical material for dance and movement therapy in the practicing with disabilities children // South-Russian Musical Anthology 2023–1 (50)
- Mizyurkina Olga V.
- Rituality in the ballet «The Rite of Spring» by I. Stravinsky: synaesthetic aspect // South-Russian Musical Anthology
- Molchanov Andrey S.
- The phenomenon of the one-tone compositions in the XXth century music // South-Russian Musical Anthology
- Monina Lyubov A.
- Vocal Creative Work by Teplyakov: Synesthetic Aspect of Research // South-Russian Musical Anthology 2019–2 (35)
- Mostitskiy Valentin A.
- Innovatory educational activity in the vocal art sphere: actual tendencies // South-Russian Musical Anthology
- Leonid Sobinov: Precepts to young singers // South-Russian Musical Anthology
- Professors A. Zdanovich and L. Khinchin: my teachers and their methodical directions // South-Russian Musical Anthology
- Movchan Vera A.
- Libretto of the «Hamlet» by A. Thomas as «perverted Shakespeare»: objective reality or musicological myth? // South-Russian Musical Anthology
- Muedinov Dilyaver M.
- Off-centre techniques of playing wind instruments in specialised literature of our country (article 1) // South-Russian Musical Anthology 2020–1 (38)
- Off-centre sound producing techniques on the trumpet and its prepared types // South-Russian Musical Anthology 2019–4 (37)
- Exteneded Techniques of Sound Production on the Trumpet and Their Usage in Artistic Repertoire // South-Russian Musical Anthology 2019–2 (35)
- The extended techniques of trumpet sound release: the history and the present // South-Russian Musical Anthology
- Micro-chromatic music in the history of wind instruments performing art // South-Russian Musical Anthology
- Off-centre techniques of playing wind instruments in the special literature of our country (article 2) // South-Russian Musical Anthology 2023–2 (51)
- Sonata for Saxophone and Piano by E. Denisov in context of the modern tendencies in expansion of the chamber ensemble repertoire of our country // South-Russian Musical Anthology 2024–1 (54)
- Mutter Nadezhda V.
- Formation of the folk-singer’s repertoire // South-Russian Musical Anthology
- Nadler Svetlana V.
- About Shostakovich’s fugue: analytic version // South-Russian Musical Anthology
- Learning to musical notation by visually impaired people: problems and solutions // South-Russian Musical Anthology 2023–1 (50)
- Nagornova Alexandra M.
- Brasilian bossa nova: saudade in the songs by A. K. Zhobim // South-Russian Musical Anthology
- Nalbandyan Marita S.
- Musical humor in D. Shostakovich’s vocal cycle “Satires” on the poems by Sasha Chernyj // South-Russian Musical Anthology 2022–2 (47)
- Naumov Alexander V.
- ‘Heavy and Overwhelming Luxury’. The Play ‘Moliere’ of the Moscow Аrt Theatre in Life and Work of R. Glière // South-Russian Musical Anthology
- Word and music in B. Ferdinandov’s stage productions: “Oedipus the King” // South-Russian Musical Anthology 2023–3 (52)
- Nemkova Olga V.
- The Blessed Virgin’s Lament: modern musical genre-style interpretations of the ancient apocrypha // South-Russian Musical Anthology 2019–4 (37)
- Nemtsova-Ambaryan Svetlana N.
- Representation of a text and its genesis in editional practice: on the prospects of digital musicology // South-Russian Musical Anthology 2022–2 (47)
- Thanatological motif in music (on the example of E. Glebov’s musical and theatre heritage) // South-Russian Musical Anthology 2023–1 (50)
- Nesterov Sergei I.
- Paganini`s Variations for Violin Solo on the Theme from the Opera «Maid Of The Mill» By Paisiello // South-Russian Musical Anthology 2019–1 (34)
- Sonatas for Violin Solo by I. Handoshkin as a United Metacycle // South-Russian Musical Anthology 2018–4 (33)
- Genre and Style Interactions in E. Denisov`s Sonata for Solo Violin // South-Russian Musical Anthology
- Fantasias for violin solo of the 1980–1990s in context of the genre history // South-Russian Musical Anthology
- The cycle of Etudes and Caprices by P. Rode in the context of the history of the genre // South-Russian Musical Anthology
- Nguyen Bao Yen
- Interpreting the vocal part of Tsarevna the Beloved Beauty in the opera “Kashchei the Immortal” by N. Rimsky-Korsakov in context of composer’s operatic dramaturgy // South-Russian Musical Anthology 2024–1 (54)
- Nitsevich Evgeniya V.
- Egon Wellesz’s symphonies in the context of the traditions of Austrian romantisism and New Viennese school // South-Russian Musical Anthology
- Novikova Tatyana V.
- Postmodernism: theory and practice // South-Russian Musical Anthology
- Obodova Julia Y.
- «With Trumpets and Timpani»: Divertimenti (KV 187, 188) by W. A. Mozart // South-Russian Musical Anthology
- The experimental genres of classicism // South-Russian Musical Anthology
- Music school for adults: the past and present of the amateur music education // South-Russian Musical Anthology
- Obolenskaya Maria M.
- A value approach to music: the trial of method working out // South-Russian Musical Anthology
- Okuneva Ekaterina G.
- The paradigm of a new musical being: on the perception of A. Webern’s works in the early 1950s // South-Russian Musical Anthology
- Orekhov Alexander G.
- Memoirs about Alexander Kaidanovsky. The publication and comments by K. Zhabinsky; introductory article by V. Daich // South-Russian Musical Anthology
- Orlova Anastasia G.
- Playing the Domra: Complex of Terminological Problems // South-Russian Musical Anthology
- Flexibility and plasticity as important components in the playing motions culture of domra performer // South-Russian Musical Anthology 2023–2 (51)
- Orlovsky Vladimir V.
- Ovchar Alexander P.
- Creative basics of performing school on oboe by Michail Ivanov // South-Russian Musical Anthology
- Ovchinnikova Tatyana K.
- A choral pearl of Don (Towards the anniversary of the synthesis-choir «Singers of the Quiet Don») // South-Russian Musical Anthology
- In memory of maestro (about V. Goncharov’s creative activity) // South-Russian Musical Anthology
- Ovsyankina Galina P.
- Phenomenon of the late style by B. Tischenko // South-Russian Musical Anthology
- Ozhigova Margarita P.
- Memoires on blockade of Leningrad. The publication and comments by K. Zhabinsky; the introductory article by G. Khoroshailo // South-Russian Musical Anthology
- Palkina Irina D.
- A child prodigy’s fate: Terezina Tua // South-Russian Musical Anthology 2019–4 (37)
- Malorussian Musical Theatre at the Rostov Stages in the 19th – early 20th Century // South-Russian Musical Anthology 2019–2 (35)
- Divertissements In the Late Nineteenth and Early Twentieth Rostov-on-Don // South-Russian Musical Anthology
- The first theatre on Don // South-Russian Musical Anthology
- Formation of theatre business in Novocherkassk and Rostov-on-Don: 1840–1870s // South-Russian Musical Anthology
- Musical Education in the Region of Don Forces: Principal Tendencies of the XIXth Century // South-Russian Musical Anthology
- From chamber ensembles to quartet assemblies (Rostov-on-Don, the 19th – early 20th centuries) // South-Russian Musical Anthology 2023–3 (52)
- Charitable activities in the context of Rostov-on-Don cultural life (the second half of the 19th – early the 20th century): musical aspect // South-Russian Musical Anthology 2024–1 (54)
- Pankina Elena V.
- “The Judgment of Paris” by Thomas Augustine Arne: between masque and opera // South-Russian Musical Anthology 2021–3 (44)
- Pankratova Olga V.
- Structure features of I.Brahms’s secular cantatas // South-Russian Musical Anthology
- Pastukhov Alexander V.
- International Double Reed Society (IDRS): Its Role in the Development of Bassoon Performing // South-Russian Musical Anthology
- Pazycheva Inna V.
- Variant-symmetric structures in symphonies by Arif Melikov // South-Russian Musical Anthology
- Azerbaijani Zarbi-mugham in the context of comparative analysis // South-Russian Musical Anthology 2023–4 (53)
- Pchelintsev Anatoliy V.
- Traditional Song as a Cultural Genotype of Modern Choir Music (on the Problem of Methods of Transformation of Folklore) // South-Russian Musical Anthology 2019–1 (34)
- National Melos as a Style Component: to the Question on the Peculiarities of Piano Arrangements of the Russian Song in the Creativity of M. A. Balakirev // South-Russian Musical Anthology 2018–4 (33)
- Academic Folk Instruments: In the Search of New Sound Identity // South-Russian Musical Anthology
- Petrova Natalia O.
- Effective vocational teaching of vocal technique for students // South-Russian Musical Anthology
- Petrova Victoria N.
- «Theatre in theatre» principle in R. Leoncavallo’s opera «Pagliacci» // South-Russian Musical Anthology
- Petrunina Sofiya Yu.
- Organic music concept in Tan Dun’s “Trilogy of water, paper and earth” // South-Russian Musical Anthology 2023–2 (51)
- Piganov Maxim V.
- The trials of modern understanding of Scott Joplin’s heritage // South-Russian Musical Anthology 2023–2 (51)
- Pigulevskiy Victor O.
- The sirens’ song: the avant-garde on the verge of the symbolic // South-Russian Musical Anthology 2019–4 (37)
- Art practice: irony and connotation // South-Russian Musical Anthology 2019–3 (36)
- Contrcultural eros in rock music // South-Russian Musical Anthology
- Music fanzines and punk-graphic // South-Russian Musical Anthology
- Mandala and transcending in art // South-Russian Musical Anthology 2020–2 (39)
- Archetypal patterns of magic in fairy tales // South-Russian Musical Anthology 2020–3 (40)
- Installation: transformation of signifiers // South-Russian Musical Anthology 2020–4 (41)
- Cry of the soul: transgression and its expression // South-Russian Musical Anthology 2021–4 (45)
- Lewis Carroll’s fairy tale in the context of modern and postmodern // South-Russian Musical Anthology 2022–2 (47)
- The miraculous as a problem of iconography // South-Russian Musical Anthology 2022–3 (48)
- The charming: a touch of the flesh and aesthetics of lust // South-Russian Musical Anthology 2023–1 (50)
- Planida Maria Yu.
- Vodevil in Russia: adaptation and genre transformations // South-Russian Musical Anthology 2019–3 (36)
- B. Tchaikovsky`s Music from the Movie “The Marriage of Balzaminov”: the Author’s Interpretation of Dramaturgical Functions // South-Russian Musical Anthology
- Vaudeville in Russian contemporary culture // South-Russian Musical Anthology
- Pliushchenko Maksym Yu.
- Transcriptions by Alexander Nazarenko: Individual-Style Spectra of Genre // South-Russian Musical Anthology
- Plotnikova Olga M.
- Representation of the concept «art universe of musical composition» in the musicological discourse // South-Russian Musical Anthology 2020–4 (41)
- Podolskaya Svetlana N.
- Mozart’s six sonatinas: in the original or?.. // South-Russian Musical Anthology
- Pokazannik Elena V.
- «Not to cut the tread connecting my teachers with my apprentices» (to the 60th anniversary of L. V. Varavina) // South-Russian Musical Anthology
- Polishchuk Aelita E.
- Third Stream and Issues of Style Typology // South-Russian Musical Anthology
- Politanskaya Yulia N.
- The doctrine of the vocal ornaments performing in the treatise “The Art and Physiology of Singing” by Enrico Delle Sedie // South-Russian Musical Anthology 2023–1 (50)
- Pomazkin Andrey T.
- Александр Степанович Данилов: неподведённые итоги // South-Russian Musical Anthology
- Pompeyeva Anna Yu.
- The principle of opera one-actness in «The Lucky Hand» by A. Schoenberg: «music-making by means of stage» // South-Russian Musical Anthology
- Ponkina Antonina M.
- A dialogic tendency as priority feature of M. Shaposhnikova’s performing style // South-Russian Musical Anthology 2023–4 (53)
- Ponomareva Elena I.
- S. P. Sakharova and Her School of Accompanist Skill: Looking Through the Sheets of Unpublished Works // South-Russian Musical Anthology
- Principles of creative co-operation of a singer and a concertmaster (on the example of romance «If I Had Known» by P. I. Tchaikovsky) // South-Russian Musical Anthology
- Advices for beginners-accompanists (specific character of work in the vocal class) // South-Russian Musical Anthology
- S. Richter in ensemble with D. Fischer-Dieskau: the inimitable “unity of opposites” // South-Russian Musical Anthology 2021–2 (43)
- “The Wintry Course” by F. Schubert performed by P. Schreier and S. Richter: towards the sources and premises of the innovatory interpretation // South-Russian Musical Anthology 2021–3 (44)
- Porubina Marina V.
- Eric Satie’s piano cycles of 1912–1915: musical opuses or critical pamphlets? // South-Russian Musical Anthology 2021–1 (42)
- Erik Satie’s vocal miniature: between parody and absurdity // South-Russian Musical Anthology 2022–1 (46)
- Poryadina Maria E.
- Musical landscape painting in the art of Yamada Kosaku // South-Russian Musical Anthology 2024–1 (54)
- Posvalyuk Konstantin V.
- Etudes for trumpet by N. Berdyev: genre stylistics and didactic problems // South-Russian Musical Anthology
- Potapkina Raisa V.
- Musical Cryptography: History and Contemporaneity // South-Russian Musical Anthology
- Potekhina Elena A.
- Predolyak Anna A.
- The problem of conception and symphonism in A. Schoenberg’s opera «Moses and Aron» // South-Russian Musical Anthology
- Privalova Anastasiya S.
- “The Judgment of Paris” by Thomas Augustine Arne: between masque and opera // South-Russian Musical Anthology 2021–3 (44)
- Putecheva Olga A.
- Sound situation and sound-event in postdramatic performance // South-Russian Musical Anthology 2021–3 (44)
- Radchenko Alexander E.
- Displaying the idea of Apocalypse in the Symphony no. 5 “Resurrection of Dead” by A. L. Rybnikov // South-Russian Musical Anthology
- Radu-Țaga Consuela
- Travelling through the compositional universe of Vasile Spătărelu // South-Russian Musical Anthology 2021–2 (43)
- Rechenko Maria A.
- D. Shostakovich’s First Violin Concerto: to the problem of conception // South-Russian Musical Anthology
- Rechenko Maria V.
- Samuil Feinberg, Alexander Cherepnin and Alexander Mosolov: from the history of Russian instrumental concerto // South-Russian Musical Anthology
- Reshetnik Andrey D.
- Integrity as a feature of A. Kamensky’s work in the context of piano culture // South-Russian Musical Anthology 2024–1 (54)
- Reshetnikova Svetlana V.
- Formation of Tenor`s Amplua in the Performing Practice of Manuel del Pópulo Vicente García // South-Russian Musical Anthology
- Revenko Feodor A.
- Pedagogical principles of Leonid Iosifovich Israilevich // South-Russian Musical Anthology
- Concerto-poem for trumpet and orchestra by Leonid Izrailevich // South-Russian Musical Anthology
- Romanets Maria S.
- Opuses-versions in M. Ravel`s creativity // South-Russian Musical Anthology
- «Self portrait» by Rodion Shchedrin in the context of related arts // South-Russian Musical Anthology
- Romanova Alina V.
- Rubakhina Galina A.
- Autobiographical concertos by E. Podgaits // South-Russian Musical Anthology
- Rubtsova Darya A.
- Instrumental quartet as a genre-style phenomenon // South-Russian Musical Anthology
- French chamber instrumental music of the period after C. Debussy: national traditions and new language stylistics // South-Russian Musical Anthology
- Rudaya Anna S.
- Castrato – vocal phenomenon in the light of modern research // South-Russian Musical Anthology 2020–2 (39)
- Rudichenko Tatyana S.
- Vodevil in Russia: adaptation and genre transformations // South-Russian Musical Anthology 2019–3 (36)
- Doukhobors’ Religious Hymns “Psalms”: Issues of Origin // South-Russian Musical Anthology
- Military traditions in the activity of the Don Cossacks Choir under the direction of S. Zharov // South-Russian Musical Anthology
- The realization of the «Volga-Don» project and transformation of the traditional culture // South-Russian Musical Anthology
- Don Cossacks’ cultural traditions in social discourse (the end of the XX and the beginning of the XXI centuries) // South-Russian Musical Anthology
- Traditional calendar of ossetian-christians in the light of people’s chronology // South-Russian Musical Anthology 2020–2 (39)
- Genre systems of musical folklore: construction approaches // South-Russian Musical Anthology 2021–2 (43)
- Development of urban culture in the light of Russian State politics // South-Russian Musical Anthology 2022–2 (47)
- Ryabchikova Larisa А.
- European cultural traditions in the cantata «Ice Chants» by Ekatherina Olyorskaya // South-Russian Musical Anthology
- Ryabukha Natalya A.
- Ontological specificity of musical sound considered as a performance category // South-Russian Musical Anthology
- Rybintseva Galina V.
- To the problem of ”civic consciousness“ in musical classicism // South-Russian Musical Anthology 2020–1 (38)
- Functional Harmony of Classicism and Social Development Concepts in the 18th – first half of the 19th Century // South-Russian Musical Anthology 2019–2 (35)
- Functional Harmony of Classicism and Social Teachings of the 17th–18th Centuries // South-Russian Musical Anthology 2019–1 (34)
- Fugue and Sonata: Two Images of the World // South-Russian Musical Anthology 2018–4 (33)
- Symphonism, Dialectics, Historicism // South-Russian Musical Anthology
- Mathematical harmony of the musical Classicism // South-Russian Musical Anthology
- The art of music as the image of Universe: from Antiquity to Modern Times // South-Russian Musical Anthology
- Fundamentals of classical harmony in the context of the XVIIIth century world outlook // South-Russian Musical Anthology
- The Baroque Art of Music and Mechanicism of the XVII–XVIIIth Centuries // South-Russian Musical Anthology
- Copernicanian revolution and baroque music // South-Russian Musical Anthology
- Dialectical spiral of the circle of fifths // South-Russian Musical Anthology 2021–3 (44)
- Baroque and classicism: nature and history // South-Russian Musical Anthology 2021–4 (45)
- “24 Preludes and Fugues” by D. Shostakovich in the context of J. S. Bach’s tradition // South-Russian Musical Anthology 2023–4 (53)
- Sadykova Natalya V.
- Ilya Aldakov: with love for the small motherland // South-Russian Musical Anthology 2022–1 (46)
- Sakharova Svetlana P.
- Samokhodkina Natalya V.
- The way to the opera-drama in A. S. Dargomyzhsky’s creation // South-Russian Musical Anthology
- Sarzhant Aleksandr V.
- About the orchestral embodiment of dialogic musical drama in the symphonic works by G. Dmitriev // South-Russian Musical Anthology 2021–1 (42)
- Compositions “Santana” and “Freezing – Ice drift” by G. Dmitriev: peculiarities of textured organization of musical material in conditions of a large performing staff // South-Russian Musical Anthology 2022–1 (46)
- Savelyeva Elena K.
- R. Lowell. Phaedra. The libretto of Britten’s cantata. The translation and the comments by E. Savelyeva // South-Russian Musical Anthology
- English phraseological units: the thematic subgroup «musical instruments» // South-Russian Musical Anthology
- English onomatopoeias in music terminology // South-Russian Musical Anthology
- Savvin Alexander V.
- Musical communication of postmodernism // South-Russian Musical Anthology 2020–3 (40)
- Savvina Lyudmila V.
- Musical communication of postmodernism // South-Russian Musical Anthology 2020–3 (40)
- Sedykh Evgeniya V.
- Russian Sacred Music in the Children’s Choir (Towards the Problem of Renovation of the Repertoire) // South-Russian Musical Anthology
- Selitsky Alexander Ya.
- External, internal, hidden… (About the conflict in opera) // South-Russian Musical Anthology
- It’s time to change // South-Russian Musical Anthology
- Three degrees with distinction and eight thousand lecture-concerts (to the 85th anniversary of A. A. Sokolova) // South-Russian Musical Anthology
- The Capitan (to the 60th anniversary of V. M. Kushchev) // South-Russian Musical Anthology
- M. D. Sabinina («The talent to win hearts without any efforts») // South-Russian Musical Anthology
- Gregory Vallano: materials for the biography. Family tree // South-Russian Musical Anthology 2020–3 (40)
- “Those who wish are not refused...”: “The Riot of Peasant Women” on the Vyoshenskaya stage (To the 90th anniversary of the Rostov Theatre of Musical Comedy) // South-Russian Musical Anthology 2021–3 (44)
- Catholic chants by Nikolai Karetnikov: the history of creation, form, stylistics // South-Russian Musical Anthology 2022–3 (48)
- At the right time in the right place (Materials for the creative biography of Boris Radov) // South-Russian Musical Anthology 2024–1 (54)
- Semyonova Anna V.
- Oriental motifs in W. A. Mozart’s opera «The Abduction from the Seraglio» // South-Russian Musical Anthology
- Unknown Lubov Shevlyakova: through adventures to destination (to the 60th anniversary) // South-Russian Musical Anthology
- Serdyuk Yaroslava A.
- Virtual structures of musical notation as the source of polysemy of musical interpretation // South-Russian Musical Anthology
- Serdyukov Alexander A.
- Improvisation in academic musical performance // South-Russian Musical Anthology
- Serebrennikov Maxim A.
- On the shorthand ways of fugue notation in the Baroque era // South-Russian Musical Anthology 2020–3 (40)
- Sergeeva Oksana V.
- The author’s tempo directions in E. Stankovich’s First Symphony («Sinfonia Larga») in aspect of the epic realization // South-Russian Musical Anthology
- Serov Yuri E.
- On two “japanese” vocal cycles of D. D. Shostakovich // South-Russian Musical Anthology 2020–3 (40)
- “Leningrad” symphony by Boris Tishchenko // South-Russian Musical Anthology 2021–1 (42)
- Satirical vocal cycles by Dmitry Shostakovich in the orchestration of Boris Tishchenko // South-Russian Musical Anthology 2021–2 (43)
- Stage triptych by B. Tishchenko based on the tales by K. Chukovsky in context of the Soviet symphony music development of the 1960s (Part 1) // South-Russian Musical Anthology 2022–1 (46)
- Musical triptych for stage by B. Tishchenko based on the tales by K. Chukovsky in the context of development of the Soviet symphonic music in the 1960s (Part 2) // South-Russian Musical Anthology 2022–2 (47)
- Shabunova Irina M.
- Contemporary Oldenburg theatre as the center of performing arts // South-Russian Musical Anthology
- Shadinova Alexandra Yu.
- Rostov – Glasgow: it’s time to close drawbridges // South-Russian Musical Anthology
- Shadrina Alla V.
- Musical archive in the cathedral of the Nativity of The Most Holy Mother of God in Rostov-on-Don: the history of formation and the features of structure // South-Russian Musical Anthology
- Choral singing and orchestral music playing in the life of the Don Theological Seminary in the second half of the 19th – early 20th centuries // South-Russian Musical Anthology 2020–4 (41)
- K. Pigrov’s work as a precentor: Unknown biography pages // South-Russian Musical Anthology 2021–1 (42)
- The features of the Southern Russian church singing culture in the second half of the twentieth century on the example of the All Saints church in Taganrog // South-Russian Musical Anthology 2021–3 (44)
- The church-singing culture of the Rostov region at the close of the 1950–1980s // South-Russian Musical Anthology 2021–4 (45)
- Choral concertos of the Divine Liturgy: a passing tradition // South-Russian Musical Anthology 2022–3 (48)
- Shak Fyodor M.
- Third Stream and Issues of Style Typology // South-Russian Musical Anthology
- Social-cultural characteristics of the audience of Russian rock // South-Russian Musical Anthology
- Individual features of the sound engineer style in contemporary jazz sound engineering (on the example of J. Anderson’s works) // South-Russian Musical Anthology 2021–3 (44)
- Jazz style post-bop: towards the history of beginnings and evolution the term // South-Russian Musical Anthology 2022–3 (48)
- The trials of modern understanding of Scott Joplin’s heritage // South-Russian Musical Anthology 2023–2 (51)
- Shak Tatyana F.
- Vocal genres in music of A. Konchalovsky’s films: dramaturgic functions // South-Russian Musical Anthology 2020–1 (38)
- Сitation of classical music in mediatext structure // South-Russian Musical Anthology
- Music by I. Kornelyuk in the genre of the screen adaptation // South-Russian Musical Anthology
- The image of an «odd man» in Russian cinema: musicological aspect // South-Russian Musical Anthology 2022–1 (46)
- Meter-rhythm as a factor of dramaturgy in the rock opera “Jesus Christ Superstar” by A. Lloyd-Webber // South-Russian Musical Anthology 2023–1 (50)
- Shapoval Oksana P.
- Christian Tragedy in the Creative Embodiment by R. Wagner // South-Russian Musical Anthology 2018–4 (33)
- The Stage Text of ‘The Flying Dutchman’ by R. Wagner in the Directed Opera Theatre // South-Russian Musical Anthology
- «Fidelio» by L. van Beethoven and «The Flying Dutchman» by R. Wagner: author’s concepts of «salvation opera» // South-Russian Musical Anthology
- Meaning of angel as an archetyp in the creative work of R. Wagner // South-Russian Musical Anthology
- Sharma Elena Yu.
- F. Lamperti’s learners in Russia: Hortensia Syunnerberg // South-Russian Musical Anthology 2022–2 (47)
- Shayakhmetova Alfiya K.
- Musical syntax in the chants of Muslim worship (on the example of the juma namaz of Krasnoyarsk Cathedral Mosque) // South-Russian Musical Anthology 2023–4 (53)
- Shevlyakov Evgeny G.
- What do you remember... (L. Khinchin, A. Sochor) // South-Russian Musical Anthology
- Shevlyakova Lyubov D.
- Ancient music in the conditions of «information explosion» and modern educational process // South-Russian Musical Anthology
- Shevtsova Anastasia V.
- Viola in Russia Before Bashmet: Teachers and Performers (Borisovsky and Druzhinin) // South-Russian Musical Anthology 2019–2 (35)
- Sheychenko Svetlana V.
- Even if they stop paying I’ll work as a concertmaster all the same (to the 60th anniversary of O. M. Budarina) // South-Russian Musical Anthology
- Shibinskaya Anastasia A.
- The four seasons theme through the prism of national traditions in works by composers of the 20th – early 21st centuries // South-Russian Musical Anthology 2020–1 (38)
- “Allegrezza del nuovo maggio” – An Experiment In the Tradition of Pasticcio // South-Russian Musical Anthology
- About Baroque programme music and its origins // South-Russian Musical Anthology 2020–3 (40)
- Shigaeva Evgenia Yu.
- Neapolitan mandolin in the musical life of Paris in the 18th century // South-Russian Musical Anthology 2023–1 (50)
- Shiman Margarita V.
- From “The Maid of Pskov” to “Kitezh”: Legendary as a Principle of Old Russian Poetics in the Operas by N. A. Rimsky-Korsakov // South-Russian Musical Anthology
- The music world perception by N. Rimsky-Korsakov and some peculiarities of symbolic historicism in the opera «The Maid of Pskov» // South-Russian Musical Anthology
- «The Maid of Pskov» and «The Snow Maiden» by N. Rimsky-Korsakov: history and myth // South-Russian Musical Anthology
- Shkolyarenko Sergey I.
- F. Chopin’s innovatoring in the sphere of piano facture: polygenreness, concert and chamber tendencies // South-Russian Musical Anthology
- Shmakova Olga V.
- Shornikova Alexandra V.
- Artistic and documentary practices in contemporary music theatre (On the example of John Adams and Steve Reich`s works) // South-Russian Musical Anthology 2019–4 (37)
- M. Nyman`s Chamber Opera or the Story of the Man Who Mistook His Wife for a Hat // South-Russian Musical Anthology
- Time and space in the opera “Doctor Atomic” by John Adams: to the problem of performativity // South-Russian Musical Anthology 2021–4 (45)
- Shymanskiy Nikolay V.
- Problems of early polyphony during the period of Notre-Dame school (organums by Perotin as examples) // South-Russian Musical Anthology
- Sidneva Tatiana B.
- The Dialectics of the Border as a Key Factor of Understanding Music // South-Russian Musical Anthology 2018–4 (33)
- “Composers’ musicology” in Nizhny Novgorod: the genre diapason and conceptual features of academic research // South-Russian Musical Anthology 2023–4 (53)
- Siksimova Marina V.
- Music Theater of Tsaritsyn – Stalingrad – Volgograd: on the History of Opera Enterprise // South-Russian Musical Anthology 2019–1 (34)
- From the history of the pre-revolutionary Tsaritsyn choral culture // South-Russian Musical Anthology
- Sineokiy Oleg V.
- Rock music in the recording system of the USSR and the countries of Eastern Europe: the 1960–1980s // South-Russian Musical Anthology
- Skhaplok Galina A.
- «Theme and variations» for trumpet and orchestra by M. Gottlieb in context of the composer’s wind music // South-Russian Musical Anthology 2022–1 (46)
- Skryabina Anastasia S.
- «Pictures at an Exhibition» by M. Mussorgsky in the style dialogues with modernity // South-Russian Musical Anthology
- Skvortsova Irina A.
- “Genuine Sincerity of Music, Clarity of Thoughts and Keen Understanding of Beauty”. Phenomenon of Anton S. Arensky // South-Russian Musical Anthology 2019–2 (35)
- The genre of symphonic poem in the context of iconography of the art of modern // South-Russian Musical Anthology
- New stylistic principles in the romances op. 38 by S. Rachmaninoff // South-Russian Musical Anthology 2020–3 (40)
- Slobodchikova Anastasia Yu.
- Borrowing from the classics as a method for individualizing the style of the rock band Muse // South-Russian Musical Anthology 2021–2 (43)
- Modern rock music and the 20th century music avant-garde // South-Russian Musical Anthology 2022–2 (47)
- Classical crossover album as a creative laboratory: on the way to forming the individual appearance of a modern rock music // South-Russian Musical Anthology 2022–4 (49)
- Smagina Elena V.
- Music Theater of Tsaritsyn – Stalingrad – Volgograd: on the History of Opera Enterprise // South-Russian Musical Anthology 2019–1 (34)
- A. Sapienza junior and his opera “Tamerlan”: to the question of the origins of “orientalism” at the Russian opera theater of the 19th century // South-Russian Musical Anthology 2019–3 (36)
- Symphony Orchestra in Tsaritsyn – Stalingrad // South-Russian Musical Anthology 2019–2 (35)
- Russian opera of the first half of the 19th сentury in the context of artistic flames of the time // South-Russian Musical Anthology 2021–1 (42)
- “Svetlana, or A hundred years in one day” by K. Kavos: Russian “ballad” version of French opera // South-Russian Musical Anthology 2022–4 (49)
- Yuliy Bleichman: touches to the portrait of the Silver Age composer // South-Russian Musical Anthology 2023–3 (52)
- The Cantata “Huang-he” by Xian Xinghai in the history of Chinese musical culture of the 20th century // South-Russian Musical Anthology 2024–1 (54)
- Smetannikova (Orekhova) Anastasia Yu.
- Rabis and its role in administration of music artistic practice in Rostov-on-Don (1919–1924) // South-Russian Musical Anthology
- The Role of M. L. Presman in the Project «The First Soviet Opera» in Rostov-on-Don // South-Russian Musical Anthology
- About the problems of employment among the graduates of musical institutions of higher education (on example of Rostov Conservatoire) // South-Russian Musical Anthology
- Smirnova Tatyana V.
- The Person of William Lawes in the Mirror of the English History of the Seventeenth Century) // South-Russian Musical Anthology
- On the madrigal of Edward Johnson «Come blessed Byrd» (from the “Triumphes of Oriana” collection, 1601) // South-Russian Musical Anthology 2020–2 (39)
- Smolkin Kirill V.
- New stylistic principles in the romances op. 38 by S. Rachmaninoff // South-Russian Musical Anthology 2020–3 (40)
- Sokolova Alla N.
- Dr J. Jordania. Disappearance of traditional polyphonic church chant as an issue of cultural anthropology. The translation and introductory article by A. Sokolova // South-Russian Musical Anthology
- Destructive, constructive and reconstructive processes in music instrumental culture of Adyghes (Soviet and post-Soviet period) // South-Russian Musical Anthology
- Sokolova Anna A.
- Song about Russia (to the 70th anniversary of L. P. Klinichev) // South-Russian Musical Anthology
- Sokolvyak Natalia L.
- Dmitry Shostakovich and Mechislav Weinberg: about style intersections in a genre of string quartet // South-Russian Musical Anthology 2019–3 (36)
- About the instrumental expressive means of the Second Quartet (on Kabardino-Balkarian themes) by S. Prokofiev // South-Russian Musical Anthology 2022–4 (49)
- Sorokina Uliana V.
- Culture of church singing in Rostov-on-Don in the beginning of the XXth century // South-Russian Musical Anthology
- Starostina Tatyana A.
- Stepanova Svetlana G.
- To the question of ways to examine and transmit musical folklore traditions in art culture of Buryatiya (at the turn of the 20th and 21st century) // South-Russian Musical Anthology 2019–3 (36)
- Methodological aspects of perfection of the musical-performing practice in modern education // South-Russian Musical Anthology
- Stetsiuk Bohdan A.
- Contemporary Piano Jazz: Typical Stylistics and Individual Representations // South-Russian Musical Anthology 2018–4 (33)
- Strelkova Irina A.
- The Slow Movements of W. A. Mozart’s Piano Sonatas: an Experience of Executant Analysis // South-Russian Musical Anthology
- Strezev Mikhail I.
- Organ in the works of Dmitry Kitsenko // South-Russian Musical Anthology 2020–3 (40)
- Struchalina Evelyna A.
- In memory of N. Tiftikidi (1921–2014) // South-Russian Musical Anthology
- Stusova Maria S.
- A Principle of Suite in the Operatic Works by D. Milhaud // South-Russian Musical Anthology
- Su Yuichen
- Sviridova Alevtina V.
- Image of Virgin Mary in choral cycles of Yu. Falik and D. Smirnov // South-Russian Musical Anthology
- Svyatysheva Anna M.
- «Synchronization» of the film’s sound image // South-Russian Musical Anthology
- Sycheva Galina S.
- From the History of Music Education in Rostov-on-Don // South-Russian Musical Anthology
- Arbor day: experiment or revival of the ancient tradition? // South-Russian Musical Anthology
- M. Gnessin. Anton Rubinstein (Towards the 40th anniversary of the death). The publication, introductory article and comments by G. Sycheva // South-Russian Musical Anthology
- Sycheva Natalia N.
- Fantasies by A. Chernov: to the problem of genre interactions // South-Russian Musical Anthology 2021–2 (43)
- Christian origins of the piano works by the composer-pianist M. Kollontai // South-Russian Musical Anthology 2023–2 (51)
- Sydorenko Olga J.
- Types of dialogues in the chamber violin sonata in the aspect of musical thinking // South-Russian Musical Anthology
- Taraeva Galina R.
- Computer music and theoretical problems of the musical language // South-Russian Musical Anthology 2019–4 (37)
- Mahler today – a problem of perception of symphonies // South-Russian Musical Anthology
- Performer’s interpretation in the context of intonation and speech regulations // South-Russian Musical Anthology 2020–2 (39)
- Russian musical scholarship: inertia and prospects // South-Russian Musical Anthology 2023–4 (53)
- Tarasova Anastasiya S.
- “24 Preludes and Fugues” by D. Shostakovich in the context of J. S. Bach’s tradition // South-Russian Musical Anthology 2023–4 (53)
- Tereshchenko Viktoria L.
- The traits of musical drama in the late piano sonatas of Muzio Clementi // South-Russian Musical Anthology
- Terlikova Lyudmila E.
- Sounding of piano texture as a problem of musical pedagogy // South-Russian Musical Anthology
- Tikhonravova Anna V.
- Harmonic possibilities of the Russian seven-string guitar // South-Russian Musical Anthology
- Timonen Tatyana N.
- On musical poetics of imaginative spheres and the history of the hero in B. Napreev’s opera «A Song about Flamed Flower» // South-Russian Musical Anthology
- Timoshenko Tatyana A.
- Alexander Leychenkov: «Everything I aspire to is gradually coming true». The Interview of T. Timoshenko // South-Russian Musical Anthology
- Tkachenko Evgeniya A.
- P. E. Bach’s clavier sonatas — at the beginnings of classic style (to the question of genre interactions) // South-Russian Musical Anthology
- The specific character of genre and style interactions in Haydn’s «easy» clavier sonatas of 1770ieth // South-Russian Musical Anthology
- Tkachenko Victoria V.
- Shiko Aranov as a founder of the orchestra jazz traditions in the Republic of Moldova // South-Russian Musical Anthology
- Tlekhuray Zarina M.
- Realization of national traditions in Aslan Gotov’s piano works (on example of «Free variations on a folk theme») // South-Russian Musical Anthology
- Trembovelskiy Evgeniy B.
- Two examples of national identification of musical objects // South-Russian Musical Anthology
- About Style and Genre Diapason of Newspaper «The Musical Review» // South-Russian Musical Anthology
- Tsareva Evgenya S.
- Prisoners of World War I in the Musical Life of Siberia // South-Russian Musical Anthology
- Tsitsishvili Yulia G.
- Music by I. Kornelyuk in the genre of the screen adaptation // South-Russian Musical Anthology
- Tsuker Anatoly M.
- The Historicism of Mussorgsky // South-Russian Musical Anthology 2019–1 (34)
- In memory of V. Guziy (1928–2014) // South-Russian Musical Anthology
- To readers // South-Russian Musical Anthology
- «Mozart and Salieri» and «Boris Godunov» in the creative destiny of N. Rimsky-Korsakov // South-Russian Musical Anthology
- «Where are you from, wonderful child?» Once again about Dargomyzhsky’s «Mermaid» // South-Russian Musical Anthology
- Daniil Kharms and the soviet rock-absurdism // South-Russian Musical Anthology
- This omnipresent V. M. Guziy (to the 80th anniversary) // South-Russian Musical Anthology
- To the problem of authorship in the mass music // South-Russian Musical Anthology 2020–4 (41)
- Mass music and musical critique // South-Russian Musical Anthology 2021–4 (45)
- Igor Stravinsky in the light of Pushkin’s tradition // South-Russian Musical Anthology 2022–2 (47)
- B. Yavorsky, J. S. Bach and mass music // South-Russian Musical Anthology 2023–4 (53)
- Tukova Tatiana V.
- Playing Orpheus (on H. Birtwistle’s opera “The Mask of Orpheus”) // South-Russian Musical Anthology 2021–4 (45)
- Tumbeyeva Gilyana E.
- About the author's beginning in A. Mandzhiyev's music // South-Russian Musical Anthology
- Turtă-Timofte Laura-Ioana
- Travelling through the compositional universe of Vasile Spătărelu // South-Russian Musical Anthology 2021–2 (43)
- Tverdokhlebova Oksana V.
- Damiano Michieletto: traits to an artistic portrait // South-Russian Musical Anthology
- G. Verdi’s «Un ballo in maschera» in the neoclassical spirit // South-Russian Musical Anthology
- Dazzling «Turandot» and astounding «Ziegfried» // South-Russian Musical Anthology
- Ulmasov Firuz A.
- About two kinds of monodic music-making // South-Russian Musical Anthology
- About metric and rhythmical vertical line and some forms of its implementation in Eastern monody // South-Russian Musical Anthology
- Urinson Evgeniy G.
- The folklore ballet «The Quiet Don» by L. Klinichev: the principles of musical characteristic and the problems of thematism // South-Russian Musical Anthology
- Usacheva Olga V.
- Yu. Falik’s quartets in the mirror of the composer’s choral creative work // South-Russian Musical Anthology 2022–3 (48)
- Ushenin Vladimir V.
- The actual heritage (towards the 40th anniversary of the ensemble «Kalinka» foundation) // South-Russian Musical Anthology
- Mikhail Vnukov (to the 100th anniversary of his birth) // South-Russian Musical Anthology
- Ustyugova Alexandra V.
- Skrypel And Skrypitsa – Early Russian Bow Instruments of the Sixteenth Century // South-Russian Musical Anthology 2019–2 (35)
- Utina Anna N.
- Neo-style Tendencies in Creative Works by Donetsk Composers // South-Russian Musical Anthology
- Varavina Lyudmila V.
- Alexander Letunov – the Composer and Executant // South-Russian Musical Anthology
- “Autograph” for contemporaries and descendants: Reflections on the Bayan Sonata No. 5 by Vyacheslav Semenov // South-Russian Musical Anthology 2023–3 (52)
- Verba Oksana A.
- Genre space of variant technique of composing — from Middle Ages polyphony to contemporary musical composition // South-Russian Musical Anthology
- Verevkina Yuliya V.
- Classical Music in Unusual Conditions (Systematization of Concert Forms) // South-Russian Musical Anthology
- Vinogradov Mikhail Yu.
- The basics of theoretical activity of the prominent opera director-producer of the 20th century professor Walter Felsenstein // South-Russian Musical Anthology 2020–2 (39)
- Visaitova Diana R.
- Instrumental chamber genres in spanish music of the first half of the 20th Century and the oeuvre of Joaquin Turina // South-Russian Musical Anthology 2020–2 (39)
- Concert life of Madrid in the first third of the 20th century in the mirror of music criticism // South-Russian Musical Anthology 2020–4 (41)
- Vlasova Ekaterina S.
- The correspondence between B. Asafiev and N. Myaskovsky (1906–1945) in the light of contemporary historical musicology problems // South-Russian Musical Anthology
- Vlasova Victoriya V.
- The opera “Kholstomer” by V. Kobekin: Towards the problem of “composer’s” libretto // South-Russian Musical Anthology 2022–3 (48)
- Volchenko Vladimir V.
- Individual features of the sound engineer style in contemporary jazz sound engineering (on the example of J. Anderson’s works) // South-Russian Musical Anthology 2021–3 (44)
- Volkova Polina S.
- «Pierrot Lunaire» by O. Herrmann: a trial of the reinterpretation // South-Russian Musical Anthology
- Vorobyоv Igor S.
- To the Question of Adaptation of the Folk Music in the Oeuvre of Modern Composers // South-Russian Musical Anthology 2018–4 (33)
- Verbal text of the cantata «Toast» by S. Prokofiev as a model of Soviet «Liturgy» // South-Russian Musical Anthology
- Vorotyntseva Lilia A.
- Formation of the “new simplicity” concept in composers' work of the second half of the 20th century // South-Russian Musical Anthology 2023–3 (52)
- Minimalism and the “new simplicity”: Ways of coupling in research discourses of the 1970s–2010s // South-Russian Musical Anthology 2024–1 (54)
- Vybyvanets Eleonora V.
- «Pierrot Lunaire» by O. Herrmann: a trial of the reinterpretation // South-Russian Musical Anthology
- Wang Pei
- Literary world of R. Schumann // South-Russian Musical Anthology 2019–4 (37)
- Western traditions of flute performance art in the history of China // South-Russian Musical Anthology 2021–4 (45)
- Wang Qiang
- The Cantata “Huang-he” by Xian Xinghai in the history of Chinese musical culture of the 20th century // South-Russian Musical Anthology 2024–1 (54)
- Wang Shizhe
- Artistic figure of Luigi Lablache: strokes to the portrait // South-Russian Musical Anthology 2023–2 (51)
- Wang Xue
- The opera “Cang Yuan” by Xu Zhanhai – Liu Hui as reflection of the Russian and Chinese history realities // South-Russian Musical Anthology 2024–1 (54)
- Xia Yu
- Jazz style post-bop: towards the history of beginnings and evolution the term // South-Russian Musical Anthology 2022–3 (48)
- The early records of Wynton Marsalis in the context of post-bop stylistics development // South-Russian Musical Anthology 2022–4 (49)
- The influence of Wynton Marsalis on acoustic jazz in the 1990s // South-Russian Musical Anthology 2023–1 (50)
- Xu Yanping
- The influence of western missionaries on the advancement of European choral culture in China // South-Russian Musical Anthology 2022–2 (47)
- Xue Bo
- Chinese pianists at the turn of the XX–XXI centuries: performing achievements and training system // South-Russian Musical Anthology
- Yadlovskaya Larisa N.
- Fables by I. Krylov in A. Grechaninov’s chamber vocal and choral work // South-Russian Musical Anthology 2022–2 (47)
- D. Shostakovich. “Two Fables by I. Krylov”: towards the problem of genre status // South-Russian Musical Anthology 2022–3 (48)
- Yakovleva Inna A.
- The image of Moscow in the opera «Peace and War» by S. Prokofiev // South-Russian Musical Anthology
- Yakovleva Oksana A.
- A birth of chef-d’oeuvre: G. Sviridov and V. Tchernushenko in their team-work on the cycle “Canticles and Prayers” // South-Russian Musical Anthology 2020–3 (40)
- Yan Jianan
- National features of music of Chinese composer Xu Changjun // South-Russian Musical Anthology 2020–2 (39)
- Yarkina Irina Yu.
- Funk style formation: S. Stone and his debut album «A Whole New Thing» // South-Russian Musical Anthology
- Yazykov Evgeny L.
- Some Questions of the Methodology of Choir Rehearsals // South-Russian Musical Anthology 2019–2 (35)
- Yeprikyan Liana G.
- The Interpretation of the Opera Genre in the Creativity of F. Glass (On the Example of Opera «Satyagrakh») // South-Russian Musical Anthology
- Yilmaz Alla V.
- Principles of choosing musical material for dance and movement therapy in the practicing with disabilities children // South-Russian Musical Anthology 2023–1 (50)
- Yudina Vera I.
- Vasily Kalinnikov’s musical heritage in a context of the basic tendencies of development of Russian culture in the end of the XIXth century // South-Russian Musical Anthology
- Towards the history of one S. Rachmaninoff’s dedication // South-Russian Musical Anthology 2023–1 (50)
- Yunusova Violetta N.
- Video in multimedia projects by Tan Dun // South-Russian Musical Anthology 2021–1 (42)
- Yurchuk Violetta A.
- A singer and accompanist – components of success (with the examples of vocal works by P. Tchaikovsky) // South-Russian Musical Anthology
- Zaitseva Elena A.
- Bela Bartok. The Heritage of the Folklorist // South-Russian Musical Anthology 2019–2 (35)
- Zaitseva Ksenia L.
- Neapolitan mandolin in the musical life of Paris in the 18th century // South-Russian Musical Anthology 2023–1 (50)
- Zakharov Yuri K.
- Plotness as priority factor of Witold Lutosławski’s artistic thinking (the symphonic works as an example) // South-Russian Musical Anthology 2020–4 (41)
- Zakirova Venera M.
- On the variety of hybrid genres in Uzbek composers' work // South-Russian Musical Anthology 2023–3 (52)
- Zaritskiy Vladimir D.
- Programmed training in the art of wind instruments playing // South-Russian Musical Anthology 2020–1 (38)
- Contemporary mass media on a dialogue between word and music // South-Russian Musical Anthology 2021–2 (43)
- The role of program tendencies in performing interpretation of the modern concert and pedagogical repertoire for wind instruments ensemble // South-Russian Musical Anthology 2022–4 (49)
- Zavada Igor Yu.
- Meter-rhythm as a factor of dramaturgy in the rock opera “Jesus Christ Superstar” by A. Lloyd-Webber // South-Russian Musical Anthology 2023–1 (50)
- Zernina Anastasia V.
- Current state of the traditional culture of the dukhobors (based on expeditions to the area Tselinskiy of Rostov region) // South-Russian Musical Anthology
- Zhabinsky Konstantin A.
- D. Shostakovich. The vocal cycle «Satires» to words from Sasha Tchyornyj: a performing analysis from the accompanist’s standpoint. The publication and comments by K. Zhabinsky; the introductory article by E. Potekhina // South-Russian Musical Anthology
- Metamorphoses of «L’homme armé»: mass «The Armed Man» by K. Jenkins in the historical-cultural context of the XX–XXIst centuries // South-Russian Musical Anthology
- Memoires on blockade of Leningrad. The publication and comments by K. Zhabinsky; the introductory article by G. Khoroshailo // South-Russian Musical Anthology
- Research aspect of professional training of contemporary musician-performer – a graduate of high musical school // South-Russian Musical Anthology
- The «mozartian invocation» in the poem «Usad’ba noch’yu, chingiskhan’!..» by Vel. Khlebnikov: towards the problem of interpretation // South-Russian Musical Anthology
- Memoirs about Alexander Kaidanovsky. The publication and comments by K. Zhabinsky; introductory article by V. Daich // South-Russian Musical Anthology
- Evolution of N. Myaskovsky’s piano style in connection with general evolution of his creative legacy. The publication and comments by K. Zhabinsky; introductory article by V. Orlovsky // South-Russian Musical Anthology
- The unfinished opera «Monna Vanna» and contemporary problems of S. Rachmaninov’s creative legasy // South-Russian Musical Anthology
- Reflections of musical culture in the editions of the publishing house “Musaget” // South-Russian Musical Anthology 2020–4 (41)
- “Capriccio on the Gipsy themes” by S. Rachmaninoff: towards the problem of concealed program tendency // South-Russian Musical Anthology 2022–3 (48)
- Grigory Kozintzev and Kara Karaev: artistic dialogues in the “space of tragedy” // South-Russian Musical Anthology 2022–4 (49)
- “I decided to protest… By mention”: Towards the sources of conceptual idea and the modern interpretation of “Elegy for J. F. K.” by I. Stravinsky – W. H. Auden // South-Russian Musical Anthology 2023–3 (52)
- F. Poulenc. Sonata for Oboe and Piano “In memory of Sergei Prokofiev”: The spiritual dialogue in the face of Eternity // South-Russian Musical Anthology 2024–1 (54)
- Zhang Yu
- G. Meyerbeer’s “Robert the Devil” reflected in piano compositions on themes from the opera // South-Russian Musical Anthology 2023–3 (52)
- Zhao Yui
- Some landmarks of clarinet’s historical evolution: on the way to world fame // South-Russian Musical Anthology
- Zhao Zehua
- The dialogue between the East and West in the early piano works by Wang Lisan (on example of Sonatina) // South-Russian Musical Anthology 2022–4 (49)
- The philosophical basis of the Chinese version of the dodecaphony on the example of Wang Lisan’s Diptych «The basic ideas of Two Poems by Li He» // South-Russian Musical Anthology 2023–2 (51)
- “New currents and old traditions”: on the formation of the pedagogical music repertoire in China (Wang Lisan’s piano cycle “Child’s Innocence” as an example) // South-Russian Musical Anthology 2023–3 (52)
- Zhebrovskaya Antonina S.
- Transcriptions of Clavier sonatas of the Classical Age in the contemporary domra player’s repertoire // South-Russian Musical Anthology 2023–4 (53)
- Zhelnova Yulia N.
- Private musical playing in Russia in the XVIII and the first half of the XIX centuries: to the problem of the adaptation of the genre of serenade // South-Russian Musical Anthology
- Serenade: from the Middle Ages to Modern Age // South-Russian Musical Anthology
- Zhirikova Anna N.
- Piano works by R. Schumann in the aspect of performing problems // South-Russian Musical Anthology
- Zhivov Dmitry S.
- Musical action in film musical // South-Russian Musical Anthology
- Zinkevich Elena S.
- Kiev years in the destiny of L. Khinchin // South-Russian Musical Anthology
- Ukrainian symphony: markers of national identity // South-Russian Musical Anthology 2021–4 (45)
