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South-Russian Musical Anthology 2016–2 (23)
Contents
Music Culture of the South Russia
Problems of Musical Studies
- A. Denisov. About the correlating «quotation–context» in a musical work
- M. Obolenskaya. A value approach to music: the trial of method working out
- A. Aymakanova. «Music of the Future» in the view of F. Liszt: a way beyond the horizon
- I. Dabaeva. The genre models of Russian sacred concert on the boundary of the XIX–XXth centuries
- I. Yakovleva. The image of Moscow in the opera «Peace and War» by S. Prokofiev
- O. Aleksandrova. G. Sviridov’s music as an object of sense comprehending
- P. Belik. Symphony-action «The Chimes» by V. Gavrilin: towards the problem of genre synthesis
Problems of Musical Theatre
- D. Bikkulova. «Carmen» by G. Bizet in the Theatre of Musical Drama staging as an example of directing innovations in opera art of the early XXth century
- E. Kiseeva. Formation of the minimalist artistic principles in the creative work by composers and choreographers (the second half of the XXth century)
- A. Chepinoga. «The idea» («the most important task») as the instrument of the opera score producer’s analysis
Performing Art
- I. Khruleva. Bernardo Mengozzi and «La Methode de chant…» of Paris Conservatoire
- A. Korotina. On the activities of S. Prokofiev-accompanist (1908–1918)
- N. Mescheryakova. Olga Dontsova as the singer, pedagogue, enlightener
