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South-Russian Musical Anthology 2017–1 (26)
Contents
Problems of Musicology
- М. Gareeva. «Quasi-scores» in piano sonatas by W. A. Mozart in the context of traditions of home music-making
- D. Rubtsova. Instrumental quartet as a genre-style phenomenon
- O. Sydorenko. Types of dialogues in the chamber violin sonata in the aspect of musical thinking
- F. Ulmasov. About two kinds of monodic music-making
- Su Yuichen. About the implementation of the program in Zhao Jiping`s concerto ”Zhuang Zhou’s Dream” for cello and Chinese traditional orchestra
Folk Music and Composer`s Creative Work
- V. Demina. The tradition of singing at the feasts in Ust-Medveditsk convent of Transfiguration on the data of contemporary field studies
- E. Kamalova. Multisyllabic tunes by zakamsk kryashens: the features of modal and melodic forms of organization
Performing Art
- L. Atlas. In the shadow of Shostakovich (Recording Of Vitaly Khodosh`s String Quartet)
- A. Serdyukov. Improvisation in academic musical performance
- E. Ponomareva. Principles of creative co-operation of a singer and a concertmaster (on the example of romance «If I Had Known» by P. I. Tchaikovsky)
Music Education
- G. Gontarenko, G. Sycheva. From the History of Music Education in Rostov-on-Don
- L. Terlikova. Sounding of piano texture as a problem of musical pedagogy
Problems of Musical Theatre
- M. Kuklinskaya. «The tales of Hoffmann» by J. Offenbach as a musical quintessence of romanticism
- M. Kosilkin. The problems of the analysis of the stage text in the production of the opera
