South-Russian Musical Anthology 2016–3 (24)

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Contents

Music Culture of the South Russia

• U. Sorokina. Culture of church singing in Rostov-on-Don in the beginning of the XXth century

Problems of Musical Studies

• N. Duda. Musical-rhetorical figures in the secular solo songs by Henry Purcell
• S. Nesterov. The cycle of Etudes and Caprices by P. Rode in the context of the history of the genre
• A. Aymakanova. F. Liszt’s late works: musical and theoretical reflection in the foreign musicology
• V. Krivezhenko. The philosophical and literary basis of the spiritual cantatas by F. Liszt and its influence on the genre specificity
• I. Skvortsova. The genre of symphonic poem in the context of iconography of the art of modern
• M. Grineva. Melodic principle within the conditions of the new type of sound material in the vocal works by E. Denisov

Folklore and Composer’s Creative Work

• A. Alyabyeva. Timbre aspects of traditional instrumental Indonesian music
• M. Bogdanova, M. Chernaya. Epic tunes from the collection by Kirsha Danilov and traditions of Northern bylina melodies
• E. Trembovelskiy. Two examples of national identification of musical objects
• G. Tyumbeyeva. About the author's beginning in A. Mandzhiyev's music

Performing Art

• Yа. Serdyuk. Virtual structures of musical notation as the source of polysemy of musical interpretation
• D. Muedinov. The extended techniques of trumpet sound release: the history and the present

Music in the World of Arts

• M. Romanets. «Self portrait» by Rodion Shchedrin in the context of related arts

Publications

• T. Frantova. Meetings with the recent distant past (reflections on the two fragments of A. Schnittke’s letters to M. Ozhigova)