South-Russian Musical Anthology 2023–4 (53)

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Contents

Music in the World of Arts

• Komarova A. Semantic functions of quotes from R. Wagner’s music in cinema: from myth to deconstruction
• Egorova T. The sound mentality of modern Yakut cinema

Problems of Traditional Culture

• Pazycheva I. Azerbaijani Zarbi-mugham in the context of comparative analysis
• Shayakhmetova A. Musical syntax in the chants of Muslim worship (on the example of the juma namaz of Krasnoyarsk Cathedral Mosque)

The Twentieth and Twenty-First Century Composers’ Creative Work

• Kiseyeva E. Specificity of performance art in Tan Dun’s instrumental theatre (on the example of “Ghost Opera”)

Aspects of Musical Culture of the Twentieth – Twenty-First Centuries

• Tsuker A. B. Yavorsky, J. S. Bach and mass music
• Sidneva T. “Composers’ musicology” in Nizhny Novgorod: the genre diapason and conceptual features of academic research

Performing Art

• Rybintseva G., Tarasova A. “24 Preludes and Fugues” by D. Shostakovich in the context of J. S. Bach’s tradition
• Ponkina A. A dialogic tendency as priority feature of M. Shaposhnikova’s performing style
• Zhebrovskaya A. Transcriptions of Clavier sonatas of the Classical Age in the contemporary domra player’s repertoire

Problems of Musicology

• Lavrova S. The problem of musical thinking and artificial intellect
• Taraeva G. Russian musical scholarship: inertia and prospects

Musical Culture of the South of Russia

• Dabaeva I., Baidikova A. Devoted to Russia with heart... (On L. Klinichev’s work)

Music Education

• Kopyryulin M. In search of truth and method: reflections on the dialectics of pedagogical creative activity by L. Varavina
• Alieva Z. Violin etudes by E. Ysaye in the dialogue with traditions and innovations of the genre