T. Kitanina
The semantics of genre and stylistic allusiveness in Aslangeri Kazanov’s creative work
The publication is devoted to the genre and style principles of modern Kabardian composer Aslangeri Kazanov’s creative work. The composer’s style constant namely the technique of genre and stylistic allusiveness is revealed by the example of his early composition, vocal cycle «Mountaneer’s flowers» (1977).
Key words
Aslangeri Kazanov, vocal cycles, modern composers, genres, styles, allusiveness.