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South-Russian Musical Anthology 2022–1 (46)

South-Russian Musical Anthology 2022–1 (46)

Contents

Performing Art

• Andrievskaya G. Musical performing art in the early critical essays by B. Asaf’ev (1914–1917)
• Kopyryulin M. Professional discussions about the ways of development of Russian folk orchestral performing art on the boundary of the 20th–21st centuries: towards the problem of academic repertoire formation

In Alliance with the Word

• Duda N. Seventeenth-century English poetry in the secular solo songs by Henry Purcell

Music in the World of Arts

• Shak T. The image of an «odd man» in Russian cinema: musicological aspect

Problems of Musicology

• Denisov A. Criteria of plagiarism in musical art: historical aspect of the problem
• Sarzhant A. Compositions “Santana” and “Freezing – Ice drift” by G. Dmitriev: peculiarities of textured organization of musical material in conditions of a large performing staff

Problems of Traditional Culture

• Cherkesova A. Heroic epic in the culture of the turkophone peoples of the North Caucasus

Twentieth and Twenty-First Century Composers’ Creativity

• Lavrova S. Spatial gesture in music by Beat Furrer
• Sadykova N. Ilya Aldakov: with love for the small motherland

Problems of Musical Theater

• Serov Yu. Stage triptych by B. Tishchenko based on the tales by K. Chukovsky in context of the Soviet symphony music development of the 1960s (Part 1)
• Bezmenov V. Digital-opera: problems and development prospects of the genre

Aspects of Musical Culture of the Twentieth Century

• Porubina M. Erik Satie’s vocal miniature: between parody and absurdity
• Skhaplok G. «Theme and variations» for trumpet and orchestra by M. Gottlieb in context of the composer’s wind music

Music Education

• Alieva Z. Six Sonatas for violin solo by E. Ysaye in the educational process of contemporary high school of music

South-Russian Musical Anthology 2021–4 (45)

South-Russian Musical Anthology 2021–4 (45)

Contents

Aspects of Musical Culture of the Twentieth – Twenty-First Centuries

• Demina V. Art decoration of the mass celebration of the First anniversary of the October Revolution in the history of participatory art
• Dyadchenko M. Symphony and symphonism today: phenomena and concepts
• Kiseyev V. Specifics of interaction between music and video in the performance “Book of Days” by Meredith Monk

Aspects of Mass Musical Culture

• Tsuker A. Mass music and musical critique

Problems of Musical Theater

• Kushnir O. Interpreting of music by P. Tchaikovsky in the producer J. Kranko’s ballet “Eugeniy Onegin”
• Shornikova A. Time and space in the opera “Doctor Atomic” by John Adams: to the problem of performativity

Music in the Mirror of Philosophy

• Rybintseva G. Baroque and classicism: nature and history
• Katunyan M. Musical form in the aspect of anthropology

In Alliance with the Word

• Markov A. Musical images in the poetry of Ivan Burkin

Problems of Musicology

• Kozubova A., Frantova T. Andamento by Padre Martini in the labyrinths of Italian fugue of the 17th–18th centuries
• Blinova D., Tukova T. Playing Orpheus (on H. Birtwistle’s opera “The Mask of Orpheus”)
• Andrushchenko E. On the theme by N. Paganini and “according to” S. Rachmaninoff: the notes on “Variations” by A. Lloyd-Webber
• Zinkevych E. Ukrainian symphony: markers of national identity

Music Education

• Maklygin A. Music composition pedagogy in the light of Russian national determinants of the 20th century

Music in the World of Arts

• Pigulevskiy V., Mirskaya L. Cry of the soul: transgression and its expression

Musical Culture of the South of Russia

• Shadrina A. The church-singing culture of the Rostov region at the close of the 1950– 1980s

Performing Art

• Malatsay L. Choral nocturnes in the works by Russian composers in the second part of the 19–20th centuries
• Aleshina A. Marcel Grandjany – performer, composer and teacher
• Wang Pei. Western traditions of flute performance art in the history of China

South-Russian Musical Anthology 2021–3 (44)

South-Russian Musical Anthology 2021–3 (44)

Contents

Music in the World of Art

• Komarova А. Universal compositional and dramaturgical functions of musical quotes in cinematography (on the example of music by J. Brahms)

Twentieth and Twenty-First Centuries Composers’ Creativity

• Loginova L. “Ethnicity of art”: genetic code or exotic rudiment? Traits to an artistic portrait of the contemporary Croatian composer Sanja Drakulich
• Kiseyev V. Elements of a ritual in a performance “The Book оf Days” by Meredith Monk

Aspects of Mass Musical Culture

• Lozovsky A. Some aspects of working with classical music in the context of jazz compositions for piano
• Shaк F., Volchenko V. Individual features of the sound engineer style in contemporary jazz sound engineering (on the example of J. Anderson’s works)

Problems of Musical Theater

• Pankina E., Privalova A. “The Judgment of Paris” by Thomas Augustine Arne: between masque and opera
• Kushnir O. Opera performance as a project: “Contract for Pulcinella with Orchestra, or Entry for Unauthorized Persons is Allowed”
• Duda N. “Amphitrion, or Two Sosias” by John Dryden on the stage of a modern English theatre
• Putecheva O. Sound situation and sound-event in postdramatic performance

Problems of Musicology

• Ganul N. Towards the problem of composer S. Cortes’ creative method: the origins and ways of evolution

Music in the Mirror of Philosophy

• Rybintseva G. Dialectical spiral of the circle of fifths

Performing Art

• Brazhnikova N. Piano quintet in the work by Russian composers at the close of 18th – the first third of 19th centuries
• Antonov P. «The Symbol of Faith» by A. Grechaninov and its interpretations by the choirs of pre-revolutionary Russia
• Brinzila-Coslet Z. Serghei Lunchevichi – virtuoso and symbol of violin art in Moldova of the twentieth century
• Ponomareva E. “The Wintry Course” by F. Schubert performed by P. Schreier and S. Richter: towards the sources and premises of the innovatory interpretation

Musical Culture of the South of Russia

• Shadrina A. The features of the Southern Russian church singing culture in the second half of the twentieth century on the example of the All Saints church in Taganrog
• Selitsky A. “Those who wish are not refused...”: “The Riot of Peasant Women” on the Vyoshenskaya stage (To the 90th anniversary of the Rostov Theatre of Musical Comedy)
• Godunova O. Poem “The Passion for Anna” by V. Khodosh: on the problem of dialogical relations in sacred music

South-Russian Musical Anthology 2021–2 (43)

South-Russian Musical Anthology 2021–2 (43)

Contents

Musical Culture of the South of Russia

• Khalitova М. Vocal works by Ilyas Bakhshysh

The Twentieth and Twenty-First Centuries Composers’ Creativity

• Finkelshtein Y. Semantics of the timbre of classical guitar in works for ensemble by composers of the Second Viennese School
• Radu-Taga C., Turtă-Timofte L. Travelling through the compositional universe of Vasile Spătărelu
• Mironenko E. Asynchrony of national stylistic directions as an indicator of the growth of Moldovan compositional school

Aspects of Musical Culture of the Twenty-First Century

• Glushkova V., Zaritskiy V., Andrievskaya G. Contemporary mass media on a dialogue between word and music
• Demina V. The musical component features of commemorial performance by Jeremy Deller «We’re Here Because We Are Here» in the context of social turning-point action in arts

Problems of Traditional Culture

• Rudichenko T. Genre systems of musical folklore: construction approaches

Music Education

• Astashev D. Professional education of a singer in the context of the European idea of harmonizing the educational environment

Aspects of Mass Musical Culture

• Slobodchikova A. Borrowing from the classics as a method for individualizing the style of the rock band Muse

Problems of Musicology

• Ekimenko T. About the national features in music by Karelian composers
• Serov Yu. Satirical vocal cycles by Dmitry Shostakovich in the orchestration of Boris Tishchenko
• Sycheva N. Fantasies by A. Chernov: to the problem of genre interactions
• Frantova T. Laocoon and Aphrodite “Rolled Into One”, or Life and Death of Academic Music Studies in the Electronic Era

Problems of Musical Theater

• Klimova N. Libretto of A. Izosimov’s ballet «The tale of the Green Snake and the Beautiful Lily»

Performing Art

• Kopyryulin M. The campaign of the fight against formalism of 1948 in the Soviet music and professionalization of the folk instrumental performing art in Russia: the interconditional paradox
• Ponomareva E. S. Richter in ensemble with D. Fischer-Dieskau: the inimitable “unity of opposites”

South-Russian Musical Anthology 2021–1 (42)

South-Russian Musical Anthology 2021–1 (42)

Contents

Problems of Musical Theater

• Smagina E. Russian opera of the first half of the 19th сentury in the context of artistic flames of the time

Twentieth and Twenty-First Centuries Composers’ Creativity

• Sarzhant A. About the orchestral embodiment of dialogic musical drama in the symphonic works by G. Dmitriev
• Serov Yu. “Leningrad” symphony by Boris Tishchenko
• Lavrova S. Liminal spaces as a metaphysics of infinity: “Sieben Klangräume” by Georg Friedrich Haas
• Yunusova V. Video in multimedia projects by Tan Dun

Problems of Musicology

• Egorova M. Sticheron Octoechos for St. Alexander Nevsky: musical form in the context of medieval intermediality
• Beketova N. Glinka – Mussorgsky: the harmony and crisis of the Russian historical state-of-the-art
• Lobzakova E., Porubina M. Eric Satie’s piano cycles of 1912–1915: musical opuses or critical pamphlets?
• Bleklova M. The piano work by Alemdar Karamanov: A beginning of his way

Music Education

• Baybikova G. Psychological and educational aspects in the development of the musician-performer’s analytical abilities
• Kravtsova T. Problems of interpreting English-speaking studies on musicology in the Russian language

Performing Art

• Kemova K. Unknown piano duet repertoire: The sonatas by Franz Seydelmann
• Khruleva I. The teaching practice of ornamentation in the treatise “A Singing Method…” of Paris Conservatoire

Problems of Traditional Culture

• Krylova A. The cultural and historical significance of folkloric forms of sound advertising

Musical Culture of the South of Russia

• Shadrina A. K. Pigrov’s work as a precentor: Unknown biography pages

South-Russian Musical Anthology 2020–4 (41)

South-Russian Musical Anthology 2020–4 (41)

Contents

Aspects of Musical Culture of the 20th Century

• Visaitova D. Concert life of Madrid in the first third of the 20th century in the mirror of music criticism
• Tsuker A. To the problem of authorship in the mass music
• Dabaeva I., Manko T. Songs about war in modern Russian culture: forms of transmitting the genre
• Pigulevskiy V., Mirskaya L. Installation: transformation of signifiers

Music in the Mirror of Philosophy

• Zhabinsky K. Reflections of musical culture in the editions of the publishing house “Musaget”

Music Education

• Didenko N. Horizons of creative self-development (Towards the thirty-year of the Studio of Clavier Hearing in Rostov Conservatory)

Problems of Musical Theatre

• Kushnir O. Sh. Chalaev`s opera “Bloody Wedding”: on the problem of drama realization in music

Problems of Musicology

• Fuksman M. Objects of musical composition and their modifications
• Plotnikova O. Representation of the concept «art universe of musical composition» in the musicological discourse
• Egorova M., Kruchinina A. The Antiphonary to Saint Peter of Moscow in context of the Old Russian singing art in the middle of the 17th century
• Gerasimova I. The liturgy “Organna” (the 1660th–1670th) for six voices: problems of attribution and performance

Twentieth and Twenty-first Century Composers’ Creativity

• Zakharov Yu. Plotness as priority factor of Witold Lutosławski’s artistic thinking (the symphonic works as an example)
• Kudashova V. Expressive possibilities of micro-chromatics in violin compositions of the second half of the 20th century

Performing Art

• Meshcheryakova N. P. Tchaikovsky on the vocal art of Italy and Russia

Musical Culture of the South of Russia

• Shadrina A. Choral singing and orchestral music playing in the life of the Don Theological Seminary in the second half of the 19th – early 20th centuries
• Khalitova М. The way to a great art: composer Ilyas Bakhshysh

South-Russian Musical Anthology 2020–3 (40)

South-Russian Musical Anthology 2020–3 (40)

Contents

Musical Culture of the South of Russia

• Selitsky A. Gregory Vallano: materials for the biography. Family tree

Problems of Musical Theatre

• Duda N. Musical and stage space of the ballet “The Moor`s Pavane” set to the music of Henry Purcell
• Fan Sin-Syuan. Two composers’ readings of the tragedy «Romeo and Juliet» by W. Shakespeare from the position of the active analysis method by K. Stanislavsky

Problems of Musicology

• Serebrennikov M. On the shorthand ways of fugue notation in the Baroque era
• Shibinskaya A. About Baroque programme music and its origins
• Beketova N. Russian musical tragedy: from the methodological point of view
• Skvortsova I., Smolkin К. New stylistic principles in the romances op. 38 by S. Rachmaninoff
• Serov Yu. On two “japanese” vocal cycles of D. D. Shostakovich

Twentieth and Twenty-First Century Composers’ Creativity

• Lobzakova E. Znamenny chant in the musical stylistic space of early symphonic pieces of S. Slonimsky
• Strezev M. Organ in the works of Dmitry Kitsenko

Performing Art

• Astashev D. Vocalizes by M. Bordogni in the system of values of Bel canto
• Andrievskaya G. Performing art of the Silver Age in the musical-critical works by V. Kolomiytsov
• Yakovleva O. A birth of chef-d’oeuvre: G. Sviridov and V. Tchernushenko in their team-work on the cycle “Canticles and Prayers”
• Litvinets T. Excerpts from the history of domra performance in the Donbass

Aspects of Musical Culture of the XX Century

• Savvin A., Savvina L. Musical communication of postmodernism

In Alliance with the Word

• Mirskaya L., Pigulevskiy V. Archetypal patterns of magic in fairy tales
• Markov A. Balmont’s “Air Island“ and Prokofiev’s “Dreams“: the affinity of dream philosophy

South-Russian Musical Anthology 2020–2 (39)

South-Russian Musical Anthology 2020–2 (39)

Contents

Musical Culture of the South of Russia

• Kopyryulin M. Experience of the practical re-orchestration – arrangеment of symphonic pieces for the orchestra of russian folk instruments: some features of the original text adaptation

Music in the Mirror of Philosophy

• Pigulevskiy V., Mirskaya L. Mandala and transcending in art

Aspects of Musical Culture of the XX Century

• Demina V. Celebration of the 50th anniversary of the October socialist revolution in the context of formation of performative commemoration practices
• Konopleva E. Music audience on the internet spaces: crowd phenomenon under the magic influence of sound

Music in the World of Art

• Komarova A. Representation of J. Brahms music in screen arts

Twentieth and Twenty-First Century Composers’ Creativity

• Visaitova D. Instrumental chamber genres in spanish music of the first half of the 20th Century and the oeuvre of Joaquin Turina
• Yan Jianan. National features of music of Chinese composer Xu Changjun
• Grinchenko I. Spiritual music in the works of modern composers (on the example of Requiem dy T. Shatkovskaya-Eisenberg)

In Alliance with the Word

• Bulycheva A. From psalm to a folk song: on the verbal texts of partes concertos

Problems of Musicology

• Dabaeva I. Ways in time of ancient russian singing art: Brazhnikovsky readings are 45 years old
• Efimova N. The problem of studying meaning-making systems in sacred monodic singing practice (Some options of the general theory of monody)
• Smirnova T. On the madrigal of Edward Johnson «Come blessed Byrd» (from the “Triumphes of Oriana” collection, 1601)
• Alyabyeva A., Ding Yao. Chinese opera of Henan province: problems of analysis

Problems of Traditional Culture

• Kulova I., Rudichenko T. Traditional calendar of ossetian-christians in the light of people’s chronology

Performing Art

• Lyashenko Yu., Rudaya A. Castrato – vocal phenomenon in the light of modern research
• Taraeva G. Performer’s interpretation in the context of intonation and speech regulations
• Lubyanaya E. Jazz piano in the context of bebop innovation

Problems of Musical Theater

• Vinogradov M. The basics of theoretical activity of the prominent opera director-producer of the 20th century professor Walter Felsenstein

South-Russian Musical Anthology 2020–1 (38)

South-Russian Musical Anthology 2020–1 (38)

Contents

Music in the Mirror of Philosophy

• Rybintseva G. To the problem of ”civic consciousness“ in musical classicism
• Markov A. Russian musical Aristotelism: «The garden of joy and sorrow» by S. A. Gubaidulina in the light of M. I. Lekomtseva’s semiotics

Aspects of Musical Culture of the XX Century

• Mironenko E. Russian music culture in Romanian Bessarabia

Music in the World of Art

• Krylova A. On the art-performance nature
• Shak T. Vocal genres in music of A. Konchalovsky’s films: dramaturgic functions

Problems of Musicology

• Agibaeva M. Myth about Cupid and Psyche in French cantatas of the first half of the 18th century
• Kovalenko V. «The Youth’s Magic Horn» by G. Mahler: some principles of theatricality

Twentieth and Twenty-First Century Composers’ Creativity

• Shibinskaya A. The four seasons theme through the prism of national traditions in works by composers of the 20th – early 21st centuries
• Abdokov Yu. Poetics of colour and colouring in Boris Tchaikovsky’s orchestra

Music Education

• Zaritskiy V. Programmed training in the art of wind instruments playing

Performing Art

• Meshcheryakova N. “The Song House” by Maria Olenina-d’Alheim: a dialogue with descendants
• Andrievskaya G. Musical performing art of the later 19th and the first half of the 20th centuries in A. Ossovskiy’s critical and publicistic heritage
• Kudashova V. Expressive peculiarities of tembre and texture forms in sonor compositions with the violin
• Muedinov D. Off-centre techniques of playing wind instruments in specialised literature of our country (article 1)