South-Russian Musical Anthology 2018–3 (32)

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Contents

Musical Culture of the South of Russia

• N. Mescheryakova. F. I. Chaliapin. Forgotten Pages of Creative Biography: ”... born at the Caucasus for the stage“

Problems of Musicology

• T. Smirnova. The Person of William Lawes in the Mirror of the English History of the Seventeenth Century)
• T. Frantova. Latent Canon (Real and Virtual Forms)
• E. Lobzakova. Ancient Russian Cult Monody in the Space of Russian Musical Culture: Two Approaches to Studying

Problems of Music Theatre

• G. Kaloshina. Philosophical and Symbolic Aspects of Dramaturgy in Wagner`s Mythological Theatre
• O. Shapoval. The Stage Text of ‘The Flying Dutchman’ by R. Wagner in the Directed Opera Theatre
• A. Naumov. ‘Heavy and Overwhelming Luxury’. The Play ‘Moliere’ of the Moscow Аrt Theatre in Life and Work of R. Glière
• E. Andruschenko. Our Native Opera at the Close of the 20th Century in Its Dialogues with Musical: «А Golden Calf» by T. Khrennikov
• A. Krylova. Music Theatre in the Light of Technology Development: to the Question of Genre Features of Radio Opera
• A. Shornikova. M. Nyman`s Chamber Opera or the Story of the Man Who Mistook His Wife for a Hat
• E. Kiseeva, L. Yeprikyan. The Interpretation of the Opera Genre in the Creativity of F. Glass (On the Example of Opera «Satyagrakh»)

Performing Art

• Z. Alieva. Sonata for Violin and Piano by C. Franck: The Ways of Comprehension (About Artistic-Conceptual Foundations of Performing Interpretation)

Twentieth and Twenty-First Century Composers’ Creativity

• S. Nesterov. Genre and Style Interactions in E. Denisov`s Sonata for Solo Violin
• V. Chuvilkin. About the Nature of the Musical Theme of the Jazz Fugue
• R. Potapkina. Musical Cryptography: History and Contemporaneity

Music Education

• M. Fuksman. Problems, Content and Forms of Work with Foreign Students-Trainees in the Class of Music Composition