South-Russian Musical Anthology 2026–1 (62)

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Contents

Musical Culture of the South of Russia

• Selitsky A. Grigori Valliano: materials for a biography. Theatre artist, libretto translator. Article six

Twentieth and Twenty-First Century Composers’ Creativity

• Emelina E. Graphic images of «music for the eyes» in the second half of the twentieth century: the labyrinth
• Mo Kaiting. Forms of meter-rhythmical improvisation tendency in N. Kapustin’s Piano Sonatas
• Aksayskova E. Features of composer’s work with texts in the libretto of Water Passion After St. Matthew by Tan Dun (on the interpretation of the Passion genre)

Performing Art

• Leonov V., Palkina I. Cornett (zinc) and criteria of pitch structure in the 16th–18th centuries
• Moshkin K. H. Helmholtz’s “On the sensations of tone…” in Russian vocal treatises of the early 20th century
• Zanin E. Timpani in orchestral music of the 17th–19th centuries
• Gudozhnikova O. Genre and stylistic features of Cello Sonata by F. Poulenc

Problems of Musical Theater

• Lavrova S., Andreeva M. The macabre as a form of cultural sensibility: from medieval iconography to the operas by G. Ligeti and G. Kurtág

Music in the Mirror of Philosophy

• Mirskaya L., Pigulevskiy V. A voice in the space of culture

Music in the World of Arts

• Shak T. Music as a component of author’s style in the films of S. Ursulyak

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Vishnevsky B. The vocal lyrics by M. Kuss in context of the 20th-century Russian chamber vocal music
• Smagina I., Smagina E. The formation of the Volgograd branch of the Union of Russia Composers: stages, contexts, modern realities
• Kolokolnikova A. Document as reality and as artifact (on the problem of documentary practices in music)

In Alliance with the Word

• Zinkevich E. “The Shakespearean path” of D. Shostakovich and B. Pasternak