South-Russian Musical Anthology 2024–2 (55)

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Contents

Musical Culture of the South of Russia

• Selitsky A. Grigory Valiano: materials for a biography. Between the province and the capital (1875–1878). Article two

Aspects of Musical Culture of the Twentieth – Twenty-First Centuries

• Tsuker A. Glinka in the twenty-first century musicology

Music Education

• Michkov P. An inclusive educational space in the process of learning music
• Bragina N. The subject "Semiotics of Culture" as high-school elective course

Problems of Traditional Culture

• Arsenyeva O. Buddhist sho:myo chants in Japan: towards the etymology of the concept and the origins of the tradition
• Shaiakhmetova A. Musical identity of Moslem Tatars in context of the cultural heritage of the Krasnoyarsk territory

Problems of Musicology

• Kovalenko V., Kolotienko A. Improvisation in Western European music of the 16th–17th centuries
• Andrushchenko E., Zhabinsky K. I. Sollertinsky – critic and essayist – about I. Stravinsky’s musical theatre works of the 1910–1920s

Aspects of Mass Musical Culture

• Volchenko V. Sound engineering of jazz albums by N. Cole in context of the evolution of A. Schmitt's individual style

Performing Art

• Zhao Changxin. On the way to Orpheus’ part: vocal and dramatic style of castrato singer Gaetano Guadagni
• Efimova N., Cheblykov D. “The complicated theory of grace notes”, or Appoggiaturas in the works by teachers of Paris Conservatory singing school in the 19th century
• Lukyanenko E. Violin Sonata No. 2 by E. Grieg in context of the genre historical development
• Leonov V., Palkina I. Harmonic sounds in the performing practice of woodwind instruments (flute as an example)
• Chekalin A. On the timbre identity of Boris Tishchenko’s string quartets
• Chistyakov R. Sonata for Flute and Piano by A. Jolivet in aspect of the late composer’s style
• Kalatay I. Creative activities of Daniel Barenboim in the 21st century: repertoire accents