South-Russian Musical Anthology 2016–1 (22)

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Contents

The Problems of Musical Studies

• N. Shymanskiy. Problems of early polyphony during the period of Notre-Dame school (organums by Perotin as examples)
• G. Ovsyankina. Phenomenon of the late style by B. Tischenko
• A. Mentyukov. About the concept «musical intoning»
• A. Krasnoskulov. Evolutional modelling of music: principles, approaches, problems

Problems of Musical Theatre

• G. Kuznetsov. How R. Wagner imagined his Tannhauser
• Е. Kovalenko. Anatoly F. Shekera as the master of ballet symphonism and choreographic polyphony
• A. Markova. Salome, Judit, Melisande as «three graces» of symbolic theatre (similarities and distinctions of the main women’s characters in operas by R. Strauss, B. Bartok, C. Debussy)
• Е. Kiseyeva. Postmodern Dance and Avant-garde art in the first half of the twentieth century

Performing Art

• V. Metlushko. Instrumental expressive resources in «Three pieces» for clarinet solo by I. Stravinsky
• V. Ushenin. The actual heritage (towards the 40th anniversary of the ensemble «Kalinka» foundation)
• Е. Batovskaya. Contemporary choral music a cappella: the problems of genre typology

Music Education

• А. Chepinoga. Problems of education of the contemporary producer of opera theatre

Foreshortenings of Popular Music Culture

• Е. Andruschenko. Contemporary opera «under the badge of musical»: prerequisites, sources, tendencies (article 2)

Music Culture of the South Russia

• V. Dyomina. The celebration of the capture of Azov as «victorial» festival of a new type
• Т. Rudichenko. The realization of the «Volga-Don» project and transformation of the traditional culture