South-Russian Musical Anthology 2013–1 (12)

• Read full anthology

Contents

Music Culture of the South Russia

• A. Arakelyan, E. Arakelyan. Musical instruments of Nekrassov cossacks (on the 50th anniversary of the return of Nekrassov cossacks at homeland)
• A. Zernina. Current state of the traditional culture of the dukhobors (based on expeditions to the area Tselinskiy of Rostov region)
• Z. Tlekhuray. Realization of national traditions in Aslan Gotov’s piano works (on example of «Free variations on a folk theme»)

The Problems of Musical Studies

• I. Grinchenko. Genre of choral miniature in russian music on the boundary of the ХIХ–ХХth centuries (on example of S. Taneev’s «Twelve choruses a cappella» Op. 27)
• V. Korostelev. Between L. Mizler and J. Mattheson (J. S. Bach’s creative process and «musical mathematics»)
• L. Kazimova. Azerbaijan symphony on the boundary of 1960–1970s: main tendencies
• G. Rubaсhina. Autobiographical concertos by E. Podgaits

Performing Art

• А. Davletshin. The Second sonata for balalaika and piano by A. Kusyakov: towards the problem of performing realization

Music Education

• А. Krylova, A. Orechova. About the problems of employment among the graduates of musical institutions of higher education (on example of Rostov Conservatoire)
• J. Obodova. Music school for adults: the past and present of the amateur music education

In Alliance with the Word

• K. Zhabinsky. The «mozartian invocation» in the poem «Usad’ba noch’yu, chingiskhan’!..» by Vel. Khlebnikov: towards the problem of interpretation
• E. Savelyeva. English phraseological units: the thematic subgroup «musical instruments»

Music in the World of Arts

• E. Andruschenko. A. Lloyd-Webber’s «Song and Dance» as an «experimental» musical: thirty years later
• E. Kiseyeva. New forms of musical theatre: Postmodern Dance and study comprehension of it
• А. Orekhov. Memoirs about Alexander Kaidanovsky. The publication and comments by K. Zhabinsky; introductory article by V. Daich

Publications

• M. Gnessin. Anton Rubinstein (Towards the 40th anniversary of the death). The publication, introductory article and comments by G. Sycheva
• S. Arabkertseva. Evolution of N. Myaskovsky’s piano style in connection with general evolution of his creative legacy. The publication and comments by K. Zhabinsky; introductory article by V. Orlovsky