South-Russian Musical Anthology 2022–4 (49)
Contents
Twentieth and Twenty-First Century Composers’ Creativity
- Sokolvyak N. About the instrumental expressive means of the Second Quartet (on Kabardino-Balkarian themes) by S. Prokofiev
- Koposova I. Program and its interpretation in the works for domra by Grigory Zaitsev
- Huang Shuai. In search of new timbres: Go Wenjing. «Recitative for Chinese Gongs»
Music in the World of Arts
In Alliance with the Word
Problems of Musical Theater
- Mikhaylova O. G. Rossini’s opera “Ciro in Babilonia” in the context of Handel’s oratorio tradition
- Smagina E. “Svetlana, or A hundred years in one day” by K. Kavos: Russian “ballad” version of French opera
Aspects of Mass Musical Culture
- Xia Yu. The early records of Wynton Marsalis in the context of post-bop stylistics development
- Slobodchikova A. Classical crossover album as a creative laboratory: on the way to forming the individual appearance of a modern rock music
Problems of Musicology
- Zhao Zehua. The dialogue between the East and West in the early piano works by Wang Lisan (on example of Sonatina)
- Maidanevich T. Italian author’s songs in instrumental music: some features of the genre adaptation
- Anikeeva M. The relationship between sonoristic technique and musical form in the works by Russian composers of the last third of the twentieth century
- Kushnir O. Cantata “The Incomprehensible God” by Shirvani Chalaev: Towards the problem of artistic and religious conceptual idea
Performing Art
- Leonov V. Preliminary afference and effector process for playing a wind instrument
- Zaritskiy V. The role of program tendencies in performing interpretation of the modern concert and pedagogical repertoire for wind instruments ensemble
- Alieva Z. Dotted strokes in the Violin Sonatas by R. Schumann: towards the problem of performing reading