South-Russian Musical Anthology 2014–2 (15)

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Contents

• A. Zucker. To readers

In Memoriam

• E. Zin’kevich. Kiev years in the destiny of L. Khintchin
• E. Shevlyakov. What do you remember... (L. Khintchin, A. Sochor)
• I. Gordon. Leah Jakovlevna Khinchin and I: forty-five years ago and today
• I. Conson. L. Khintchin in my life

Music Culture of South Russia

• N. Tchepniyan. Musical education of the Republic of Adyghea and the Rostov Conservatory. My way to Leah Yakovlevna Khintchin

Music Education

• V. Mostitskiy. Professors A. Zdanovich and L. Khinchin: my teachers and their methodical directions

The Problems of Music Scholarship

• A. Selitskiy. External, internal, hidden… (About the conflict in the opera)
• I. Dyomina. Dramaturgic paradoxes in the opera «Queen of spades» by P. Tchaikovsky
• A. Zucker. «Mozart and Salieri» and «Boris Godunov» in the creative destiny of N. Rimsky-Korsakov
• I. Vorob’yov. Verbal text of the cantata «Toast» by S. Prokofiev as a model of Soviet «Liturgy»
• E. Burlina. Chronotype of doublethink: Stalin’s bunker at the Shostakovich street

Aspects of Modern Music Culture

• E. Mironenko. The concept «national composer’s work» and its transformation at the turn of the XX–XXIst centuries

Music in the World of Arts

• E. Kiseeva. The stages of formation and development of postmodern dance in the second half of the XXth – beginning of the XXIth centuries