South-Russian Musical Anthology 2015–3 (20)

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Contents

Problems of Musical Studies

• E. Lobzakova. Perception in musicology: towards the problem of the term using
• A. Asaturyan. Symbolist line in vocal lyricism by C. Debussy («Le jet d’eau» from the cycle «Cinq poems de Baudelaire» as an example)
• E. Lozenko. Synaesthetic conception of the creative work by I. Wyschnegradsky: a trial of practical assimilation
• A. Minasyants. Music of Pontic Greeks in the fates of «Baku Orpheus» and his son

Problems of Musical Theatre

• O. Babiy. Communicative interactions of literary and musical-stage characters through the prism of the social actions theory by Max Weber
• A. Pompeyeva. The principle of opera one-actness in «The Lucky Hand» by A. Schoenberg: «music-making by means of stage»

Performing Art

• K. Posvalyuk. Etudes for trumpet by N. Berdyev: genre stylistics and didactic problems
• S. Kostogryz. Genre-stylistic priorities of the Ukrainian balalaika art in the second half of the XXth – the beginning of the XXIst centuries

Music Education

• N. Mescheryakova. An education of the singer-actor: at the crossroads of academic subjects

Publications

• S. Sakharova. D. Shostakovich. The vocal cycle «Satires» to words from Sasha Tchyornyj: a performing analysis from the accompanist’s standpoint. The publication and comments by K. Zhabinsky; the introductory article by E. Potekhina

Music Culture of the South Russia

• G. Kaloshina. Opera diptych «Anna and Marina Passions» by Leonid Klinichev
• V. Ushenin. Mikhail Vnukov (to the 100th anniversary of his birth)