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South-Russian Musical Anthology 2017–4 (29)
Contents
Musical Culture of the South of Russia
Problems of Musicology
- I. Dabayeva. Rachmaninov’s spiritual heritage in the national culture of the twentieth and twenty-first centuries
- M. Karachevskaya. «We will be needed in centuries»: Mikhail Gnessin about the revolution in art
- O. Shapoval. «Fidelio» by L. van Beethoven and «The Flying Dutchman» by R. Wagner: author’s concepts of «salvation opera»
- M. Romanets. Opuses-versions in M. Ravel`s creativity
- G. Rybintseva. Mathematical harmony of the musical Classicism
Music Education
- N. Petrova. Effective vocational teaching of vocal technique for students
- F. Revenko. Pedagogical principles of Leonid Iosifovich Israilevich
- N. Mutter. Formation of the folk-singer’s repertoire
Twentieth and Twenty-First Century Composers` Creativity
- A. Lebedev. The specifics of orchestration in Concertos for Bayan and Orchestra by E. Podgayts
- A. Radchenko. Displaying the idea of Apocalypse in the Symphony no. 5 “Resurrection of Dead” by A. L. Rybnikov
- G. Kosenko. Representation of viola timbre in the genre of concerto (on the example of Concerto for Viola and Orchestra by D. Klebanov)
Aspects of Modern Musical Culture
- Y. Evsyukova. Ecological music as a new style`s direction in contemporary music
- L. Mirskaya, V. Pigulevskiy. Contrcultural eros in rock music
