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South-Russian Musical Anthology 2005 (2)
Contents
Musical Culture of the South Russia
- T. Rudichenko. The dictionaries of popular language as an instrument of traditional culture study
- A. Selitsky. «They can't stop writing...» (Rostov composers on the boundary of the centenaries)
- A. Sokolova. Instrumental music of West Adygs: genre system and its evolution
- E. Gogina. About the classification of choral miniatures of Adygs composers
- Ju. Kardanova. The peculiarities of the development of symphonic music of Kabardino-Balkaria in the 30-40th
- T. Kitanina. Ascension. Beslan Ashkhotov: semantics of destiny and creative way
- N. Kalinichenko. Arthur Kapp in the Astrakhan musical college
Theatre and Concert Life
- N. Mesheryakova. The capital signs of the provincial musical culture
- V. Kushchev: «To be a top-level body one must be high professionals». An interview of O. Tverdokhlebova
- I. Krikunova. The essentials in life are development and aspiration for perfection. An interview of O. Tverdokhlebova
Problems of Musical Humanity
- L. Kazantseva. Origin as an archetype of musical content
- I. Shabunova. Musical instruments of the Medieval Age
- L. Shevlyakova. Some more about enigmatic masterpiece of Claudio Monteverdi: concerto «Duo seraphim» and cult traditions of the Middle Ages
- A. Leonova. The historical theme in « St Mathew's Passions» by Bach (to the raising of the problem)
- E. Smagina. Between Sacred Russia and the West: the thoughts about poetics of Russian musical theatre of the first half of the XIX century
- N. Samokhodkina. The idea of freedom in Dargomyzhsky's creative work and Russian liberalism of the XIX century
- Ju. Pitchugina. Autobiographical character in romantic instrumental concerto
- N. Mesheryakova. The novel about romance (preliminary essay)
- E. Lobzakova. The liturgical components in Sunday overture by N. A. Rimsky-Korsakov
- I. Dyomina. Ancient Egypt in the opera «Aida» by D.Verdy
- G. Kaloshina. The problem of conception and the formation of «intonation fable» in the late symphonies of Anthony Brookner
- O. Lukonina. In search of the lost: about the choral cycle «Holy week» by M. O. Shteinberg
- M. Salnikova. Temperament as an art theme in music and its interpretation in «Temperamento (impulses)» by Boris Frankstein
- O. Kushnir. To the problem of the method of the text analysis in the spiritual works of V. Martynov
Musical Education
- A. Demchenko. The evolutional model of the formation of regional musical education
- E. Gassich. Style as scientific category and stylistic analysis in pedagogical work
- S. Smurygina. The use of jazz terminology in linguistic training of musicians
Performing Arts
- O. Shepsheleva. The expressiveness of choral timbre
- S. Proskurin. Natural trumpet and the problems of contemporary performer
- K. Novogilov. Bass guitar in contemporary music: the construction of the instrument and the problem of classification
- N. Bidzakova. The compositions of the first half of the XX century for piano and cello (duets): the interosculation of sonata and suite cycles
- D. Zivotov. «De profundis» by Sofia Gubaidulina: the analysis of performers' interpretations P. Lips, M. Bonnet, V. Semenov
Publications
Persons Celebrating Their Jubilees
- E. Khodosh. Master's secret (to the 70th anniversary of U. I. Vassiliev)
- T. Kartashova. The Cossack stands high esteem everywhere... (to the 70th anniversary of A. N. Kvassov)
- A. Selitsky, O. Ermak. If the person is creative... (to the 60th anniversary of M. K. Argussov)
- E. Pokazannik. Alexander Danilov: «I am equal between equals...» (to the 60th anniversary of A. S. Danilov)
- E. Pokazannik. Traceries on the glass or an Incorrigible romantic (to the 60th anniversary of A. I. Kussyakov)
- V. Petrova. Quartet as style of life (to the 60th anniversary of A. V. Rukin)
- Blogs@mail.ru Self-portrait in sociable form (to the 60th anniversary of G. R. Taraeva)
- A. Tsuker. In harmony with the world (to the 60th anniversary of V. S. Khodosh)
- M. Rogacheva. «If you feel the calling - perform it to the last degreeth (to the 60-th anniversary of V. A. Jurchuk)
