South-Russian Musical Anthology 2026–3 (64)

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Contents

Musical Culture of the South of Russia

• Selitsky A. Grigori Valliano: materials for a biography. Taganrog project (the 1873/1874 season). Article seven

Problems of Musical Theater

• Breitburg V. The architectonics of musical: from Jack Viertel’s theory to Kim Breitburg’s practice (article 2)

Music Education

• Zhabinsky K. Ferruccio Busoni and Moscow Conservatory: historical facts in the light of musical fiction and documentary materials
• Amurskaya M. Pronunciation features of English and Russian sounds in vocal art training

Performing Art

• Li Xiaoxuan. D. Dragonetti in the creative “dialogues” with L. Beethoven (the end of 1790s – 1810s)
• Leonov V., Palkina I. Evolution of music embellishments: a trill

Twentieth and Twenty-First Century Composers’ Creativity

• Beriglazova E. S. Prokofiev’s Cantata “For the 20th Anniversary of October”: the image of revolutionaries in the stylistic field of constructivism
• Xu Ying. Genre-Stylistic Synthesis in Xu Mengdong’s Synphonic Fantasia for Viola and Orchestra
• Loginova L. Synthesis in the System of György Ligeti’s Musical Language

Aspects of Musical Culture of the Twentieth — Twenty-First Centuries

• Zabroda D. The history of the Trautonium: towards contemporary media
• Lopatin P. Ambient paradigm as an artistic strategy: Meditation in the electroacoustic music by Eduard Artemiev and Mikhail Chekalin
• Chuvilkin V. Rhythm-musical video games: models of player interaction with musical material

Problems of Musicology

• Frantova T. On the “irregular” canons in works by S. Slonimsky: path to phased form

Aspects of Mass Musical Culture

• Lubyanaya E. Piano as a generator and transmitter in the history of jazz art
• Andrushchenko E. Contemporary libretto publications in context of researches on the history of the Russian musical