South-Russian Musical Anthology 2025–2 (59)

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Contents

Musical Culture of the South of Russia

• Selitsky A. Grigori Valliano: materials for a biography. The last season. Article four
• Vorobyov I. The First (“Lugansk”) symphony by Gennady Tolstenko in context of the author’s genre interpretation

Problems of Musical Theater

• Zhang Chen. Lyrical opera in the Chinese musical theatre of the 20th century: the pages of the genre history
• Okuneva E., Semko D. Alexey Krasheninnikov’s opera-reading “Cursed Days”: genre poetics and dramaturgy

Music in the World of Arts

• Komarova A., Slobodchikova A. Artistic counterpoint as a structural and semantic concept in the 20th–21st centuries art
• Tsuker A. Johannes Brahms in Odessa manner: a detective movie and popular musical classics

Music in the Mirror of Philosophy

• Rybintseva G. On the symbolism of consonances

Problems of Musicology

• Yunusova V. “Music of the peoples of the USSR” as a prototype of the “Global Music History”
• Poryadina M. The main approaches to understanding the category of space in music: history and modernity

Music Education

• Shak F. Methodological works by E. Ovchinnikov and V. Ozerov in the practice of Russian jazz education

Aspects of Mass Musical Culture

• Zavada I. Genre and style models of jazz in musical dramaturgy of L. Bernstein’s “West Side Story”
• Pigulevskiy V. Jazz: aspects of graphic representation

The Eighteenth – Twentieth Centuries Composer’s Creative Work

• Agibaeva M. Cantata “Apollo, Night and Comus” by N. Bernier in context of “The Great Nights in Sceaux" patronized by Duchess of Maine
• Chumachenko D. “Labyrinths” and “Yellow Sound”: two images of A. Schnittke’s musical theatre of the 1970s
• Kaloshina G. The Biblical narration about King David in the interpretations of the West European 20th century composers: the genre aspect