South-Russian Musical Anthology 2021–1 (42)

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Contents

Problems of Musical Theater

• Smagina E. Russian opera of the first half of the 19th сentury in the context of artistic flames of the time

Twentieth and Twenty-First Centuries Composers’ Creativity

• Sarzhant A. About the orchestral embodiment of dialogic musical drama in the symphonic works by G. Dmitriev
• Serov Yu. “Leningrad” symphony by Boris Tishchenko
• Lavrova S. Liminal spaces as a metaphysics of infinity: “Sieben Klangräume” by Georg Friedrich Haas
• Yunusova V. Video in multimedia projects by Tan Dun

Problems of Musicology

• Egorova M. Sticheron Octoechos for St. Alexander Nevsky: musical form in the context of medieval intermediality
• Beketova N. Glinka – Mussorgsky: the harmony and crisis of the Russian historical state-of-the-art
• Lobzakova E., Porubina M. Eric Satie’s piano cycles of 1912–1915: musical opuses or critical pamphlets?
• Bleklova M. The piano work by Alemdar Karamanov: A beginning of his way

Music Education

• Baybikova G. Psychological and educational aspects in the development of the musician-performer’s analytical abilities
• Kravtsova T. Problems of interpreting English-speaking studies on musicology in the Russian language

Performing Art

• Kemova K. Unknown piano duet repertoire: The sonatas by Franz Seydelmann
• Khruleva I. The teaching practice of ornamentation in the treatise “A Singing Method…” of Paris Conservatoire

Problems of Traditional Culture

• Krylova A. The cultural and historical significance of folkloric forms of sound advertising

Musical Culture of the South of Russia

• Shadrina A. K. Pigrov’s work as a precentor: Unknown biography pages