South-Russian Musical Anthology 2014–3 (16)

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Contents

In Memoriam

• A. Tsuker. In memory of V. Guziy (1928–2014)
• E. Struchalina. In memory of N. Tiftikidi (1921–2014)

Music Culture of the South Russia

• N. Mescheryakova. Anatoly Zucker – musicus ludens: traits to the portrait of the jubilee man

Aspects of Modern Music Culture

• A. Arakelyan. Аchievements of musicology and modern targets of the military reform in Russia (Towards the problem of actualization of scholar researches in the Armed Forces of our country)

Problems of Musical Studies

• Z. Markovskaya-Shunkova. The formation and development of the Jewish cultural-musical tradition in territory of the russian empire in the XIXth – beginning of the XXth centuries
• S. Shkolyarenko. F. Chopin’s innovatoring in the sphere of piano facture: polygenreness, concert and chamber tendencies
• D. Rubtsova. French chamber instrumental music of the period after C. Debussy: national traditions and new language stylistics
• M. Linnik. R. Genika as a correspondent of the «Russian musical journal» in Kharkov (reviews of chamber and symphonic meetings, 1896–1916)
• E. Chyornaya. «The window to music» by A. Karamanov: neostylistics in the genre of children’s piano album

Performing Art

• A. Krygin. I. S. Bach’s «Сhaconne» in transcription for guitar by A. Segovia: a trial of intonation-performing analysis
• T. Gerdova. Performing activities of Donbass professional pianists (the end of the XIXth – the first third of the XXth century)
• S. Davydov. Complexes of pianistic facture as a source and means of artistic interpretation in jazz

Problems of Musical Theatre

• I. Palkina. Formation of theatre business in Novocherkassk and Rostov-on-Don: 1840–1870s
• О. Tverdokhlebova. G. Verdi’s «Un ballo in maschera» in the neoclassical spirit