South-Russian Musical Anthology 2025–4 (61)

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Contents

Problems of Musical Theater

• Meshcheryakova N. The vocal-stage paradigm of the Silver Age in S. Volkonsky’s memoirs “Laurels”

Musical Culture of the South of Russia

• Kosilkin M. Research and methodological heritage of M. Khudoverdova in context of the Rostov vocal school forming
• Sorokina U. On the creative realization of Russian poetry in the works for chorus a cappella by Leonid Klinichev

Problems of Musicology

• Girfanova M., Dulat-Aleev V. French motets Ars nova “Ludowice prelustris francorum” and “Qui secuntur castra” in context of the political life in England (the first half of the 14st century)
• Frantova T. On the “incorrect” multi-theme composition in Baroque fugues (towards a problem of contemporary classification of the fugal forms)

Performing Art

• Gudozhnikova O. Sonata for Cello and Piano in context of the Expressionism aesthetics and artistic practice in the first half of the 20th century: Towards the problem of interpreting the genre

Music Education

• Qin Chuxuan, Andrushchenko E. Reflections of “Children’s World” in the piano music by A. Lyadov
• Dabaeva I., Kocharian V. R. Glière’s piano cycles in the context of Russian musical culture of the early 20th century

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Shinkarenko A. The concept of “National” in the published materials of journal “Music Academy” (1993–2003)

The Twentieth and Twenty-First Century Composers’ Creative Work

• Verba N., Ulianova M. “Eternal” themes as the semantic core of G. Gladkov's opera “The Elder Son”
• Krivosheev M. Heterogeneous vectors of composer’s work by Staffan Mossenmark in the aspect of performativity
• Yakimenko Yu., Alyabyeva A. David Fanshawe’s “African Sanctus”: Towards the problem of interaction between ritual practices in the context of postmodernism ideas
• Petondi E., Lobzakova E. Implementing of the hagiographic tradition in the artistic system of the cantata “Sergius of Radonezh” by I. Vorobyov
• Kiseyeva E., Korotkiyeva E. Interpretation of the opera genre in Kaija Saariaho’s dilogy “Only the Sound Remains”

Aspects of Mass Musical Culture

• Alimova E. Academic singer in the space of pop and jazz music: towards the problem of a new professional specialization reclaiming