South-Russian Musical Anthology 2010–1 (6)

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Contents

From the Editor in Chief

• A. Selitsky. It’s time to change

Musical Culture of the South Russia

• M. Borovinskaya. The creative work of Rostov composers of the 30–70th of the XX century in the context of the development of Russian vocal cycle
• G. Kozeva. The story of a discovery (M. F. Gnesin)

The Problems of Musical Science

• O. Verba. Genre space of variant technique of composing — from Middle Ages polyphony to contemporary musical composition
• V. Tereshchenko. The traits of musical drama in the late piano sonatas of Muzio Clementi
• Yu. Zhelnova. Private musical playing in Russia in the XVIII and the first half of the XIX centuries: to the problem of the adaptation of the genre of serenade
• N. Meshcheryakova. S. V. Rakhmaninov in the Caucasus Mineral Waters: on the concert stage and in the musical salon
• E. Nitsevich. Egon Wellesz’s symphonies in the context of the traditions of Austrian romantisism and New Viennese school
• O. Lukonina. The content motifs of M. O. Steinberg’s creative art in the context of Soviet culture of 1920–1940
• M. Bobrova. Genre and dramaturgic peculiarities of A. Zhurbin’s musical fantasy «Doctor Zhivago»

Musical Education

• G. Kaloshina. I. Brahms’s Third Symphony in the academic course of History of music (to the problem of ideal and artistic conception)

Performing Art

• A. Romanova. The problem of performing organization of art time in the folk-lore-variative works (in the example of Isaak Albeniz’s cycle «Iberia»)

Translations

• R. Lowell. Phaedra. The libretto of Britten’s cantata. The translation and the comments by E. Savelyeva

Abroad

• O. Tverdokhlebova. Dazzling «Turandot» and astounding «Ziegfried»

Information about Authors

• Information about authors