South-Russian Musical Anthology 2019–4 (37)

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Contents

Aspects of Modern Music Culture

• Pigulevskij V., Mirskaya L. The sirens’ song: the avant-garde on the verge of the symbolic

In Alliance with the Word

• Wang Pei. Literary world of R. Schumann
• Beketova N. «We are lazy and incurious…»: referring to Rachmaninov’s Notebook

Problems of Music Theatre

• Shornikova А. Artistic and documentary practices in contemporary music theatre (On the example of John Adams and Steve Reich`s works)
• Kiseeva E., Kiseev V. Avant-garde traditions in the operatic creativity by modern american composers
• Krylova A. Radio opera today: denying death of the genre
• Andrushchenko E. «School of Rock» by A. Lloyd Webber: towards the problem of interactions between «rock-operality» and «musicality» in the contemporary light-genre music theatre

Twentieth and Twenty-First Century Composers’ Creativity

• Chistyakov R. Azon Fattah’s opera “Jamila”: on the preserved fragments of the score

Problems of Musicology

• Lobzakova E. Transmission of ancient russian chant in domestic musical culture: research methodology issue
• Dabaeva I. Genre of communion anthem in the works of russian composers of the 19th – beginning 20th century
• Nemkova O. The Blessed Virgin’s Lament: modern musical genre-style interpretations of the ancient apocrypha
• Chuvilkin V. About the essence of the concept of «jazz fugue»
• Taraeva G. Computer music and theoretical problems of the musical language

Performing Art

• Alimova E. Genesis and “stratum” specific of the “vocal instrumental ensemble” phenomenon
• Leonov V., Palkina I. A child prodigy’s fate: Terezina Tua
• Muedinov D. Off-centre sound producing techniques on the trumpet and its prepared types

Music Education

• Zaritskiy V. The concept of executive culture and its development in the process of individual and orchestra lessons