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South-Russian Musical Anthology 2018–4 (33)
Contents
Musical Culture of the South of Russia
Problems of Musicology
- G. Rybintseva. Fugue and Sonata: Two Images of the World
- T. Sidneva. The Dialectics of the Border as a Key Factor of Understanding Music
- G. Kaloshina. Liturgical Motifs in Arthur Onegger`s Oratorios of the Late Thirties of the Twentieth Century
- S. Nesterov. Sonatas for Violin Solo by I. Handoshkin as a United Metacycle
Problems of Music Theatre
- O. Shapoval. Christian Tragedy in the Creative Embodiment by R. Wagner
- E. Kiseeva. The Issue of Renewal the Genre of Opera in the Creativity of Modern American Composers
- V. Kiseev. Site-Specific Performance in Creative Work of Meredith Monk
Music Education
- M. Fuchsmann. The Criteria for Assessing Music Compositions of the Students-Composers in the Context of Their Learning Activities
- Yu. Mashin. From the History of the South-Russian Competition of Russian Folk Musical Instruments Orchestra Conductors (to the Problem of Music Conductor Education)
Folk Music and Composer`s Creative Work
- I. Vorobyov. To the Question of Adaptation of the Folk Music in the Oeuvre of Modern Composers
- A. Pchelintsev. National Melos as a Style Component: to the Question on the Peculiarities of Piano Arrangements of the Russian Song in the Creativity of M. A. Balakirev
- M. Khalitova. Yagya Sherfedinov’s Oeuvre in the Musical and Cultural Tradition of Crimean Tatars
Aspects of Modern Musicаl Culture
- A. Krasnoskulov. Music and Augmented Reality: on the Way to the Future
- B. Stetsiuk. Contemporary Piano Jazz: Typical Stylistics and Individual Representations
