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South-Russian Musical Anthology 2022–3 (48)
Contents
In Alliance with the Word
- Zhabinsky K. “Capriccio on the Gipsy themes” by S. Rachmaninoff: towards the problem of concealed program tendency
- Andrievskaya G. Dialogues between Music and Word in the musical-critical works by V. Kolomiytsov
- Yadlovskaya L. D. Shostakovich. “Two Fables by I. Krylov”: towards the problem of genre status
Performing Art
- Alieva Z. Program in music as an important factor of performing interpretation in the “artistic” etudes of Romantic era for violin solo
- Luganskaya E. Vocal breathing: views of masters in the end of the 19th – beginning of the 21st centuries
Aspects of Artistic Culture
- Pigulevskiy V., Mirskaya L. The miraculous as a problem of iconography
- Kukhta V. Towards the problem of musical objects study in the history of academic music
Musical Culture of the South of Russia
- Meshcheryakova N. Museum and Music, or Concerts at Mnemosyne’s Palace (To the reviews seven seasons of the enlightenment subscription series “Musical Wednesdays at Gazetny Lane”)
- Shadrina A. Choral concertos of the Divine Liturgy: a passing tradition
Twentieth and Twenty-First Century Composers’ Creativity
- Selitsky A. Catholic chants by Nikolai Karetnikov: the history of creation, form, stylistics
- Usacheva O. Yu. Falik’s quartets in the mirror of the composer’s choral creative work
Aspects of Mass Musical Culture
Problems of Musicology
- Abdulaev M. Professional oral tradition and compositional art as directions of development of the national school of composition in Dagestan
- Duda N. “The Queen’s epicedium” by John Blow and Henry Purcell (on the topic of the funeral musical elegy of the restoration era)
- Ma Yingjun. “Songs without words” by Felix Mendelssohn (towards the history of the genre formation)
