South-Russian Musical Anthology 2020–4 (41)

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Contents

Aspects of Musical Culture of the 20th Century

• Visaitova D. Concert life of Madrid in the first third of the 20th century in the mirror of music criticism
• Tsuker A. To the problem of authorship in the mass music
• Dabaeva I., Manko T. Songs about war in modern Russian culture: forms of transmitting the genre
• Pigulevskiy V., Mirskaya L. Installation: transformation of signifiers

Music in the Mirror of Philosophy

• Zhabinsky K. Reflections of musical culture in the editions of the publishing house “Musaget”

Music Education

• Didenko N. Horizons of creative self-development (Towards the thirty-year of the Studio of Clavier Hearing in Rostov Conservatory)

Problems of Musical Theatre

• Kushnir O. Sh. Chalaev`s opera “Bloody Wedding”: on the problem of drama realization in music

Problems of Musicology

• Fuksman M. Objects of musical composition and their modifications
• Plotnikova O. Representation of the concept «art universe of musical composition» in the musicological discourse
• Egorova M., Kruchinina A. The Antiphonary to Saint Peter of Moscow in context of the Old Russian singing art in the middle of the 17th century
• Gerasimova I. The liturgy “Organna” (the 1660th–1670th) for six voices: problems of attribution and performance

Twentieth and Twenty-first Century Composers’ Creativity

• Zakharov Yu. Plotness as priority factor of Witold Lutosławski’s artistic thinking (the symphonic works as an example)
• Kudashova V. Expressive possibilities of micro-chromatics in violin compositions of the second half of the 20th century

Performing Art

• Meshcheryakova N. P. Tchaikovsky on the vocal art of Italy and Russia

Musical Culture of the South of Russia

• Shadrina A. Choral singing and orchestral music playing in the life of the Don Theological Seminary in the second half of the 19th – early 20th centuries
• Khalitova М. The way to a great art: composer Ilyas Bakhshysh