South-Russian Musical Anthology 2020–3 (40)

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Contents

Musical Culture of the South of Russia

• Selitsky A. Gregory Vallano: materials for the biography. Family tree

Problems of Musical Theatre

• Duda N. Musical and stage space of the ballet “The Moor`s Pavane” set to the music of Henry Purcell
• Fan Sin-Syuan. Two composers’ readings of the tragedy «Romeo and Juliet» by W. Shakespeare from the position of the active analysis method by K. Stanislavsky

Problems of Musicology

• Serebrennikov M. On the shorthand ways of fugue notation in the Baroque era
• Shibinskaya A. About Baroque programme music and its origins
• Beketova N. Russian musical tragedy: from the methodological point of view
• Skvortsova I., Smolkin К. New stylistic principles in the romances op. 38 by S. Rachmaninoff
• Serov Yu. On two “japanese” vocal cycles of D. D. Shostakovich

Twentieth and Twenty-First Century Composers’ Creativity

• Lobzakova E. Znamenny chant in the musical stylistic space of early symphonic pieces of S. Slonimsky
• Strezev M. Organ in the works of Dmitry Kitsenko

Performing Art

• Astashev D. Vocalizes by M. Bordogni in the system of values of Bel canto
• Andrievskaya G. Performing art of the Silver Age in the musical-critical works by V. Kolomiytsov
• Yakovleva O. A birth of chef-d’oeuvre: G. Sviridov and V. Tchernushenko in their team-work on the cycle “Canticles and Prayers”
• Litvinets T. Excerpts from the history of domra performance in the Donbass

Aspects of Musical Culture of the XX Century

• Savvin A., Savvina L. Musical communication of postmodernism

In Alliance with the Word

• Mirskaya L., Pigulevskiy V. Archetypal patterns of magic in fairy tales
• Markov A. Balmont’s “Air Island“ and Prokofiev’s “Dreams“: the affinity of dream philosophy