Ru
En
South-Russian Musical Anthology 2020–3 (40)
Contents
Musical Culture of the South of Russia
Problems of Musical Theatre
- Duda N. Musical and stage space of the ballet “The Moor`s Pavane” set to the music of Henry Purcell
- Fan Sin-Syuan. Two composers’ readings of the tragedy «Romeo and Juliet» by W. Shakespeare from the position of the active analysis method by K. Stanislavsky
Problems of Musicology
- Serebrennikov M. On the shorthand ways of fugue notation in the Baroque era
- Shibinskaya A. About Baroque programme music and its origins
- Beketova N. Russian musical tragedy: from the methodological point of view
- Skvortsova I., Smolkin К. New stylistic principles in the romances op. 38 by S. Rachmaninoff
- Serov Yu. On two “japanese” vocal cycles of D. D. Shostakovich
Twentieth and Twenty-First Century Composers’ Creativity
- Lobzakova E. Znamenny chant in the musical stylistic space of early symphonic pieces of S. Slonimsky
- Strezev M. Organ in the works of Dmitry Kitsenko
Performing Art
- Astashev D. Vocalizes by M. Bordogni in the system of values of Bel canto
- Andrievskaya G. Performing art of the Silver Age in the musical-critical works by V. Kolomiytsov
- Yakovleva O. A birth of chef-d’oeuvre: G. Sviridov and V. Tchernushenko in their team-work on the cycle “Canticles and Prayers”
- Litvinets T. Excerpts from the history of domra performance in the Donbass
