South-Russian Musical Anthology 2026–2 (63)

• Read full anthology

Contents

Musical Culture of the South of Russia

• Fuksman M., Bugayan S. Reflection of the title and semantics of a work in its texture (on example of the First Piano Etude “Movements of Qi” by M. Fuksman)

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Kolokolnikova A. Documentality in music: towards the problem of theoretical comprehension

The Twentieth and Twenty-First Century Composers’ Creative Work

• Korotkiyeva E. The features of working with the genre in Kaija Saariaho’s choral cycle Reconnaissance
• Ge Gao. The poetics of the graphic score in the works by J. Cage, T. Takemitsu, T. Hosokawa, and Tan Dun: towards the problem of new performing practice

Performing Art

• Leonov V., Palkina I. Diminutions and cadences (from the history of decorations in music)
• Meng Juguang, Duda N. Wind music in Stuart England
• Khananov E. Moritz Moszkowski as a pianist
• Laptev V., Lapteva O. Sonata-Caprice “Herodiade” by G. Zaitsev for the domra prima: in search of new expressive resources of the instrument

Problems of Traditioinal Culture

• Krylova A., Zhang Chen. Song lyrics of Nüshu
• Chen Yuqi, Borodin A. Functional characteristics of national wind instruments in Peking opera (on example of the dizi flute)

Art in the Mirror of Phylosophy

• Mirskaya L., Pigulevskiy V. Aesthetics of academic dance: from grace to grotesque

Music in the World of Arts

• Komarova A. On some expressive possibilities of ukulele timber in cinema

Aspects of Mass Musical Culture

• Breitburg V. The architectonics of musical: from Jack Viertel’s theory to Kim Breitburg’s practice (article 1)

Problems of Musicology

• Qin Chuxuan. A conceptual approach to research children’s piano music
• Korotkikh D. (hieromonk Paul), Denisov N. Stichera of the Trinity Version: new research materials