South-Russian Musical Anthology 2025–1 (58)

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Contents

Musical Culture of the South of Russia

• Tsuker A. Liya Yakovlevna Khinchin: the dramaturgy of opera – the dramaturgy of life
• Selitsky A. Operettas and musicals by composers from the Don region on the Rostov stage
• Dabaeva I. The tradition of dedications in the works by Rostov composers
• Lobzakova E. “Time of composers” as a research and creative paradigm (on the 80th anniversary of musicologist Anatoly Tsuker)
• Frantova T. The main vector of composer Mikhail Fuksman’s creative life and his authorial approach to the existence of music in society

Problems of Musicology

• Petrenko S. Fiorenzo Maschera’s instrumental canzonas as a tribute (l’omaggio)
• Savitskaya Zh. The features of Wolfgang Caspar Printz’s “Historical description…”

Music Education

• Xu Tingkai, Andrushchenko E. V. Shatskaya on music education of schoolchildren: towards the problem of pedagogical direction

Aspects of Musical Culture of the Nineteenth – Twentieth Centuries

• Sokolvyak N. The String Quartet on the theme “B-la-f” as a trial of collaborative creative work in the late 19th-century Russian music
• Krylova A., Cui Xiwen. Piano concerto in Guo Zujun’s creative heritage: on the origin of national genre tradition
• Chupova A. The (re)construction of time in “L’orologio di Bergson” by S. Sciarrino

Performing Art

• Hu Jiangmin. Viennese violin virtuoso Joseph Mayseder and his compositional legacy
• Rudaya A. Primo uomo in the history of Napoleonic France
• Smagina I., Smagina E. Stalingrad–Volgograd Choir: pages of history
• Loban E. Actualization of folklore in the Ritual Tale “Kutya” by Larisa Simakovich for soprano and chamber orchestra

Problems of Musical Theater

• Lyubimov D. “The Swan” by С. Saint-Saëns in the choreographic interpretations by M. Fokine and A. Miroshnichenko
• Yadlovskaya L. I. Krylov’s fables in the “eccentric” perspective: the opera “Grandfather Laughs” by A. Tchaikovsky (towards the problem of genre specificity)