South-Russian Musical Anthology 2021–4 (45)
Contents
Aspects of Musical Culture of the Twentieth – Twenty-First Centuries
- Demina V. Art decoration of the mass celebration of the First anniversary of the October Revolution in the history of participatory art
- Dyadchenko M. Symphony and symphonism today: phenomena and concepts
- Kiseyev V. Specifics of interaction between music and video in the performance “Book of Days” by Meredith Monk
Aspects of Mass Musical Culture
Problems of Musical Theater
- Kushnir O. Interpreting of music by P. Tchaikovsky in the producer J. Kranko’s ballet “Eugeniy Onegin”
- Shornikova A. Time and space in the opera “Doctor Atomic” by John Adams: to the problem of performativity
Music in the Mirror of Philosophy
- Rybintseva G. Baroque and classicism: nature and history
- Katunyan M. Musical form in the aspect of anthropology
In Alliance with the Word
Problems of Musicology
- Kozubova A., Frantova T. Andamento by Padre Martini in the labyrinths of Italian fugue of the 17th–18th centuries
- Blinova D., Tukova T. Playing Orpheus (on H. Birtwistle’s opera “The Mask of Orpheus”)
- Andrushchenko E. On the theme by N. Paganini and “according to” S. Rachmaninoff: the notes on “Variations” by A. Lloyd-Webber
- Zinkevych E. Ukrainian symphony: markers of national identity