
South-Russian Musical Anthology 2018–1 (30)
Contents
Problems of Musicolodgy
- Y. Lobzakova. Musicological Terminology in the Field of Interaction of Humanitarian Sciences
- T. Starostina. About the Individual Interpretation of Everyday Church Service Harmonisation in the Matins of Great and Holy Friday by Archimandrite Matthew (Mormyl)
- E. Karman. Full Anthem in the Works by Thomas Tomkins
- V. Demina. Domestic Military Traditions in Parade Music of the Workers’ and Peasants’ Red Army in 1918
Twentieth and Twenty-First Century Composers’ Creativity
- D. Akhmetbekova. Kazakh Mass Song by E. G. Brusilovsky
- E. Alimova. Stylistic Synthesis in Vocal Cycles and Romances by E. Emir
Performing Art
- L. Atlas. The Russian Connection – Interpretation of Selected Music and the Performing Qualities of the Players
- M. Pliushchenko. Transcriptions by Alexander Nazarenko: Individual-Style Spectra of Genre
- N. Didenko. S. Rachmaninoff in the Dialogue with the Baroque Era
Music Education
Problems of Musical Theatre
- M. Kuklinskaya. Musical Performance as the Subject of Musicology
- I. Grayfer. Riteness in the Operatic Direction of L. Mikhailov: Towards the Sources of His Creative Method
- M. Shiman. From “The Maid of Pskov” to “Kitezh”: Legendary as a Principle of Old Russian Poetics in the Operas by N. A. Rimsky-Korsakov