South-Russian Musical Anthology 2018–1 (30)

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Contents

Problems of Musicolodgy

• Y. Lobzakova. Musicological Terminology in the Field of Interaction of Humanitarian Sciences
• T. Starostina. About the Individual Interpretation of Everyday Church Service Harmonisation in the Matins of Great and Holy Friday by Archimandrite Matthew (Mormyl)
• E. Karman. Full Anthem in the Works by Thomas Tomkins
• V. Demina. Domestic Military Traditions in Parade Music of the Workers’ and Peasants’ Red Army in 1918

Twentieth and Twenty-First Century Composers’ Creativity

• D. Akhmetbekova. Kazakh Mass Song by E. G. Brusilovsky
• E. Alimova. Stylistic Synthesis in Vocal Cycles and Romances by E. Emir

Performing Art

• L. Atlas. The Russian Connection – Interpretation of Selected Music and the Performing Qualities of the Players
• M. Pliushchenko. Transcriptions by Alexander Nazarenko: Individual-Style Spectra of Genre
• N. Didenko. S. Rachmaninoff in the Dialogue with the Baroque Era

Music Education

• E. Ponomareva. S. P. Sakharova and Her School of Accompanist Skill: Looking Through the Sheets of Unpublished Works

Problems of Musical Theatre

• M. Kuklinskaya. Musical Performance as the Subject of Musicology
• I. Grayfer. Riteness in the Operatic Direction of L. Mikhailov: Towards the Sources of His Creative Method
• M. Shiman. From “The Maid of Pskov” to “Kitezh”: Legendary as a Principle of Old Russian Poetics in the Operas by N. A. Rimsky-Korsakov

Aspects of Mass Musical Culture

• F. Shak, A. Polishchuk. Third Stream and Issues of Style Typology

Musical Culture of the South of Russia

• Z. Kazharova. Kabardin Songs to Dances