South-Russian Musical Anthology 2025–3 (60)
Contents
Musical Culture of the South of Russia
- Selitsky A. Grigori Valliano: materials for a biography. An artistic image in appraisals of contemporaries. Article five
- Abdulaev M. Genre and stylistic features of the instrumental suite in the works of South Dagestani composers
- Vorobyov I. The Second and the Third symphonies by Gennady Tolstenko: in the search of a new genre model
Performing Art
- Li Xiaoxuan, Andrushchenko E. D. Dragonetti’s creative activities and forming of chamber ensemble duet repertoire for double-bass in the first half of the 19th century
- Brazhnikova N. Russian piano quintet in the 19th century: the little known pages of the genre history
- Leonov V., Palkina I. Authenticity in the musical performing art (realities of the past and present)
Problems of Musical Theater
Problems of Musicology
- Pokryshkina A., Shabshaevich E. Interpretation of the cycle in J. Brahms’s Violin Sonatas
- Demina V. The sacred works by P. Tchaikovsky in Russian musicology of the 19th–20th centuries
- Vorotyntseva L. Stylistic models of the past in the concept of “new simplicity”
- Kiseyeva E. Theatrical devices in Tan Dun’s instrumental music
Music in the World of Arts
- Sotula Yu. Synthesis of arts and A. Drozdov’s musical enlighten activities of 1910s
- Komarova A. Audiovisual design of women’s cinema: towards the statement of a problem
- Sitalova A., Shak T. Vocal works based on poems by A. Akhmatova in contemporary feature films: the conceptual role and peculiarities of functioning
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