South-Russian Musical Anthology 2023–2 (51)

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Contents

The Twentieth and Twenty-First Century Composers’ Creative Work

• Koposova I. Modern antisymphonies as an example of polemic with a traditional genre
• Petrunina S. Organic music concept in Tan Dun’s “Trilogy of water, paper and earth”
• Sycheva N. Christian origins of the piano works by the composer-pianist M. Kollontai

Problems of Musicology

• Maltseva A. Musical figures in M. Feyertag’s treatise: intersection of performing and composing practice in the baroque age
• Fu Xiaojiao. Western European theory of music in the 18th century chinese treatise “Yuzhi Lülü Zheng Yi”

Problems of Musical Theater

• Ermakova D., Lobzakova Е. Opera «Klara Milich» by A. Kastalsky: in the space of intertext

Music in the World of Arts

• Komarova A. Audiovisual representation of the mortality in cinema (on the example of the film «Death and the Maiden» by R. Polanski)

Music in the Mirror of Philosophy

• Zhao Zehua. The philosophical basis of the Chinese version of the dodecaphony on the example of Wang Lisan’s Diptych «The basic ideas of Two Poems by Li He»

Aspects of Musical Culture of the Twentieth – Twenty-First Centuries

• Dedyurin A. Once again about the content of the Sonata for bayan by Albin Repnikov
• Shaк F., Piganov M. The trials of modern understanding of Scott Joplin’s heritage

Music Education

• Orlova A. Flexibility and plasticity as important components in the playing motions culture of domra performer

Performing Art

• Wang Shizhe. Artistic figure of Luigi Lablache: strokes to the portrait
• Alieva Z. Sonatas by M. Reger for solo violin in context of the contemporary polyphonic repertoire of music colleges
• Dedyukhin D. Concert compositions for brass band in the creative heritage by N. Myaskovsky
• Muedinov D. Off-centre techniques of playing wind instruments in the special literature of our country (article 2)