South-Russian Musical Anthology 2019–3 (36)

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Contents

Music in the World of Arts

• O. Begicheva, T. Andrushchack. Forgotten ballad story of the american romanticism
• A. Komarova. Quotation of the Hungarian dance № 5 by J. Brahms as a mean of creating art synthesis in the genre of comedy film

Aspects of Modern Music Culture

• V. Pigulevskiy. Art practice: irony and connotation
• E. Konopleva. Texts of popular songs as a values regulator of adolescents
• S. Stepanova. To the question of ways to examine and transmit musical folklore traditions in art culture of Buryatiya (at the turn of the 20th and 21st century)

Music in the Mirror of Philosophy

• N. Beketova. Metaphysical history of music: methodology of self-consciousness

Musical Culture of the South of Russia

• M. Khalitova. Features of orchestra style in works of crimean tatar composers of the first half of the 20th century

Problems of Musicolodgy

• T. Frantova. Musico-poetic line and its role in the formation of themes in the motets of Palestrina
• A. Kozubova. Puzzle canons in the works of padre Martini
• N. Sokolvyak. Dmitry Shostakovich and Mechislav Weinberg: about style intersections in a genre of string quartet
• M. Planida, T. Rudichenko. Vodevil in Russia: adaptation and genre transformations

Performing Art

• V. Demina. Specifics of composer’s activity of modern military conductors (on the example of works of A. B. Golovin)

Problems of Musical Theater

• E. Smagina. A. Sapienza junior and his opera “Tamerlan”: to the question of the origins of “orientalism” at the Russian opera theater of the 19th century
• M. Konarev. About genre, dramaturgical and figurative-intonational features of the opera «Stolen Sun» by B. I. Tishchenko