South-Russian Musical Anthology 2024–3 (56)

• Read full anthology

Contents

Musical Culture of the South of Russia

• Selitsky A. Grigori Valliano: materials for a biography. In Mikhail Lentovsky’s service. Article three
• Andrushchenko E. “Pictures of the Quiet Don” in the works by Rostov composers: 1940s–1980s (essay 1)
• Vorotyntseva L. Minimalist vocabulary as a way to achieve a “new simplicity” in the work by G. Tolstenko

In Alliance with the Word

• Denisov A. “French in Russian”: hidden subtexts in Couplets of Trique from the opera “Eugene Onegin” by P. Tchaikovsky

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Tarasevich E. Music therapy: history and modernity

The Twentieth and Twenty-First Century Composers’ Creative Work

• Koposova I. Polystilistics in the symphony genre: Finnish version
• Mo Kaiting, Lobzakova E. Refraction of polyphonic techniques in the piano sonatas by N. Kapustin
• Batagova T. On the forms of synthesis in modern piano music by Moscow composers

Music in the World of Arts

• Komarova A. Audiovisual representation of the nostalgic concept in cinema
• Menshikov L., Voynova Z. Gesture as a medium of music and dance: The theatre of Pina Bausch in context of the musical gesture theory

Aspects of Mass Musical Culture

• Shak F. A jazz study by W. Sargeant in historical prospect
• Lubyanaya E. The formation of fusion music in the conditions of cultural revolution of the 1960s–1970s

Problems of Musicology

• Lebedev A. The theme of the Last Judgment in modern music for bayan and works with its participation
• Chekalin A. B. Tishchenko’s string quartets as macrocycle
• Zhabinsky K. An epistolary source as a “defense witness” (On the unpublished N. Boulanger’s letter to S. Rachmaninov)