South-Russian Musical Anthology 2024–4 (57)

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Contents

Musical Culture of the South of Russia

• Andrushchenko E. “Pictures of the Quiet Don” in the works by Rostov composers: 1940s–1980s (essay 2)

Music in the World of Arts

• Komarova A. On Romantic strategies in the modern cinema
• Tugaev V., Shak T. Music in the television serial film “Bad Weather” by S. Ursulyak: from social truth to psychological implication

Music Education

• Efimova N., Matveeva A. Educational structure of RMS/IRMS: investment in the future
• Sikorskaya A. Preconditions of the formation and development of high-school choral conducting education in Saratov of the first half of the twentieth century

Problems of Musicology

• Merzlova-Horbach A. The Barcarolle op. 60 by Frédéric Chopin: towards the problem of genre specificity
• Khorobrykh N. On the manifestations of monologue in the instrumental work by M. Tariverdiev
• Syrbu M. “The Scratch Orchestra” story: a trial of reconstruction

Performing Art

• Leonov V., Palkina I. Sensory corrections when playing wind instruments to be not founded on acoustic or visual perception
• Tsybulko O. The vocal art of Alexander Antonovsky: stage images in the objective lens of the press

Problems of Musical Theater

• Frantova T. Faces of the “Yellow Sound” on the boundary of the 20th–21st centuries
• Okuneva E. “The Handmaid’s Tale” by Poul Ruders: Opera dystopia in the context of pluralistic musical theatre
• Taraeva G. Stage realizations of opera in the light of historical concepts

In Alliance with the Word

• Vetrov N. Correlations between musical and verbal semiotics in the Postmodern era

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Zhabinsky K. “Chronicle of S. Rachmaninov’s life and work” in context of modern problems of the Russian musical biographical literature