Ru
EnI. Dabaeva
The tradition of dedications in the works by Rostov composers
This article explores a relatively understudied aspect of the creative heritage of Rostov composers – the tradition of dedicating compositions to specific individuals, historical events, and cultural milestones. While dedications preceding musical works are occasionally noted in the study of individual composers, the topic itself has not yet been the subject of specialized research concerning the legacy of Rostov composers. Examining their works through the lens of dedications provides valuable insights into both the compositions and their authors, shedding light on their social circles, preferences, interests, and relationships with friends and relatives. This approach contributes to a deeper understanding of composers' creative output within the broader context of historical and cultural developments in Russia.
The article characterizes the cultural environment of present-day Rostov-on-Don and identifies the artistic ensembles and performers to whom local composers dedicate their works. It highlights the significance of choral ensembles and professional associations of composers and conductors in the development of choral music. Special attention is given to performers on folk instruments, particularly the bayan and balalaika, who have played a key role in expanding the repertoire for these instruments. In particular, the contributions of People’s Artists of Russia, Professors V. Semenov and A. Danilov, are recognized, as they have served as editors and premiere performers of major works. The study identifies compositions dedicated to these musicians.
The article also outlines key directions in the creation of dedicated works. First and foremost, memorial compositions dedicated to the cherished memory of teachers and parents are examined, including G. Gontarenko’s cantata “Laments”, G. Tolstenko’s Symphony No. 2 “7 Meditationes”, as well as V. Krasnoskulov’s String Quartet No. 1 and vocal cycles. A separate group of works dedicated to close relatives is identified, including compositions by A. Artamonov, V. Krasnoskulov, G. Gontarenko, A. Letunov, G. Tolstenko, and Yu. Mashin. Finally, a substantial body of compositions devoted to heroic events, the feats of fellow countrymen, and the composers’ native land is highlighted.
Key words
Rostov composers, dedications, creative unions of composers and performers, choral compositions, works for folk instruments, compositions for children and youth, compositions on the Don theme.
For citation
Dabaeva I. The tradition of dedications in the works by Rostov composers. In: South-Russian Musical Anthology. 2025. No. 1. Pp. 26–33.
