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E. Mironenko

The concept «national composer’s work» and its transformation at the boundary of the XX–XXIst centuries

Some important issues of national musical cultures at the boundary of the XX–XXIst centuries are examined in this article. The author refers to the process of globalization and multicultural trends predominating in contemporary music. Further the role and importance of folklore in the Republic of Moldova composer’s work throughout the postmodern era are characterized. Changes in the mechanism of functioning of artistic traditions related to update the status of the composer-creator of the present day are elucidated.

Key words

identity of national culture, professional composer’s work, musical folklore, national school of composition.