Высокий контраст  Без изображений   Размер шрифта:
А А А

Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766

The subscription is available at any post office of Russia

Founder and publisher:
Rostov State Rachmaninov Conservatoire

The journal is registered with Federal Service for Supervision in the Sphere of Mass Communication, Communications and the Protection of Cultural Heritage.
Registration Certificate: ПИ № ФС77-62392

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI (Russian Science Citation Index - RSCI) and included in the RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2018–3 (32)

Contents

Musical Culture of the South of Russia

  • N. Mescheryakova. F. I. Chaliapin. Forgotten Pages of Creative Biography: ”... born at the Caucasus for the stage“

Problems of Musicology

  • T. Smirnova. The Person of William Lawes in the Mirror of the English History of the Seventeenth Century)
  • T. Frantova. Latent Canon (Real and Virtual Forms)
  • E. Lobzakova. Ancient Russian Cult Monody in the Space of Russian Musical Culture: Two Approaches to Studying

Problems of Music Theatre

  • G. Kaloshina. Philosophical and Symbolic Aspects of Dramaturgy in Wagner`s Mythological Theatre
  • O. Shapoval. The Stage Text of ‘The Flying Dutchman’ by R. Wagner in the Directed Opera Theatre
  • A. Naumov. ‘Heavy and Overwhelming Luxury’. The Play ‘Moliere’ of the Moscow Аrt Theatre in Life and Work of R. Glière
  • E. Andruschenko. Our Native Opera at the Close of the 20th Century in Its Dialogues with Musical: «А Golden Calf» by T. Khrennikov
  • A. Krylova. Music Theatre in the Light of Technology Development: to the Question of Genre Features of Radio Opera
  • A. Shornikova. M. Nyman`s Chamber Opera or the Story of the Man Who Mistook His Wife for a Hat
  • E. Kiseeva, L. Yeprikyan. The Interpretation of the Opera Genre in the Creativity of F. Glass (On the Example of Opera «Satyagrakh»)

Performing Art

  • Z. Alieva. Sonata for Violin and Piano by C. Franck: The Ways of Comprehension (About Artistic-Conceptual Foundations of Performing Interpretation)

Twentieth and Twenty-First Century Composers’ Creativity

  • S. Nesterov. Genre and Style Interactions in E. Denisov`s Sonata for Solo Violin
  • V. Chuvilkin. About the Nature of the Musical Theme of the Jazz Fugue
  • R. Potapkina. Musical Cryptography: History and Contemporaneity

Music Education

  • M. Fuksman. Problems, Content and Forms of Work with Foreign Students-Trainees in the Class of Music Composition

Login

Forgot your password?

Register