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Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766 (Print)
ISSN 2712-9764 (Online)

Subscription number in the Unified Catalogue «Russian Press» 79315

Founder and publisher:
Rostov State Rachmaninov Conservatoire

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2024–1 (54)


Musical Culture of the South of Russia

  • Leonov V., Palkina I. Charitable activities in the context of Rostov-on-Don cultural life (the second half of the 19th – early the 20th century): musical aspect
  • Selitsky A. At the right time in the right place (Materials for the creative biography of Boris Radov)

Music in the World of Arts

  • Markov A. Markov A. Reflections of the 1920s–1980s popular musical culture in V. Tarik’s documentary film “The One with a Song”

The Twentieth and Twenty-First Century Composers’ Creative Work

  • Zhabinsky K. F. Poulenc. Sonata for Oboe and Piano “In memory of Sergei Prokofiev”: The spiritual dialogue in the face of Eternity
  • Emelina E. The labyrinth as a sound model of the world in “Laborintus II” by Luciano Berio
  • Vorotyntseva L. Minimalism and the “new simplicity”: Ways of coupling in research discourses of the 1970s–2010s
  • Wang Qiang, Smagina E. The Cantata “Huang-he” by Xian Xinghai in the history of Chinese musical culture of the 20th century

Problems of Musical Theater

  • Wang Hue. The opera “Cang Yuan” by Xu Zhanhai – Liu Hui as reflection of the Russian and Chinese history realities
  • Andrushchenko E. “Rock opera tendency” in the polystylistic artistic space of the opera “Master and Margarita” by S. Slonimsky

Aspects of Musical Culture of the Nineteenth – Twenty-first Centuries

  • Dukov Е. The professional concert activity in imperial Russia: the 18th – early 20th century
  • Poryadina M. Musical landscape painting in the art of Yamada Kosaku
  • Krylova A. In search of new formats: opera-quest

Performing Art

  • Nguen Bao Yen, Finkelstein Yu. Interpreting the vocal part of Tsarevna the Beloved Beauty in the opera “Kashchei the Immortal” by N. Rimsky-Korsakov in context of composer’s operatic dramaturgy
  • Chistyakov R. Sonata for Oboe and Piano by Henri Dutilleux in context of the early composer’s work
  • Reshetnik А. Integrity as a feature of A. Kamensky’s work in the context of piano culture
  • Lukyanenko E. Piano Trio in B major, Op. 8 by J. Brahms in the contemporary concertpedagogical repertoire: appraisals and prospects
  • Muedinov D., Efendieva N., Abibulaev A. Sonata for Saxophone and Piano by E. Denisov in context of the modern tendencies in expansion of the chamber ensemble repertoire of our country