Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766 (Print)
ISSN 2712-9764 (Online)

Subscription number in the Unified Catalogue «Russian Press» 79315

Founder and publisher:
Rostov State Rachmaninov Conservatoire

The journal is registered with Federal Service for Supervision in the Sphere of Mass Communication, Communications and the Protection of Cultural Heritage.
Registration Certificate: ПИ № ФС77-62392

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2023–4 (53)

Contents

Music in the World of Arts

• Komarova A. Semantic functions of quotes from R. Wagner’s music in cinema: from myth to deconstruction
• Egorova T. The sound mentality of modern Yakut cinema

Problems of Traditional Culture

• Pazycheva I. Azerbaijani Zarbi-mugham in the context of comparative analysis
• Shayakhmetova A. Musical syntax in the chants of Muslim worship (on the example of the juma namaz of Krasnoyarsk Cathedral Mosque)

The Twentieth and Twenty-First Century Composers’ Creative Work

• Kiseyeva E. Specificity of performance art in Tan Dun’s instrumental theatre (on the example of “Ghost Opera”)

Aspects of Musical Culture of the Twentieth – Twenty-First Centuries

• Tsuker A. B. Yavorsky, J. S. Bach and mass music
• Sidneva T. “Composers’ musicology” in Nizhny Novgorod: the genre diapason and conceptual features of academic research

Performing Art

• Rybintseva G., Tarasova A. “24 Preludes and Fugues” by D. Shostakovich in the context of J. S. Bach’s tradition
• Ponkina A. A dialogic tendency as priority feature of M. Shaposhnikova’s performing style
• Zhebrovskaya A. Transcriptions of Clavier sonatas of the Classical Age in the contemporary domra player’s repertoire

Problems of Musicology

• Lavrova S. The problem of musical thinking and artificial intellect
• Taraeva G. Russian musical scholarship: inertia and prospects

Musical Culture of the South of Russia

• Dabaeva I., Baidikova A. Devoted to Russia with heart... (On L. Klinichev’s work)

Music Education

• Kopyryulin M. In search of truth and method: reflections on the dialectics of pedagogical creative activity by L. Varavina
• Alieva Z. Violin etudes by E. Ysaye in the dialogue with traditions and innovations of the genre