Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766 (Print)
ISSN 2712-9764 (Online)

Subscription number in the Unified Catalogue «Russian Press» 79315

Founder and publisher:
Rostov State Rachmaninov Conservatoire

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2024–4 (57)

Contents

Musical Culture of the South of Russia

• Andrushchenko E. “Pictures of the Quiet Don” in the works by Rostov composers: 1940s–1980s (essay 2)

Music in the World of Arts

• Komarova A. On Romantic strategies in the modern cinema
• Tugaev V., Shak T. Music in the television serial film “Bad Weather” by S. Ursulyak: from social truth to psychological implication

Music Education

• Efimova N., Matveeva A. Educational structure of RMS/IRMS: investment in the future
• Sikorskaya A. Preconditions of the formation and development of high-school choral conducting education in Saratov of the first half of the twentieth century

Problems of Musicology

• Merzlova-Horbach A. The Barcarolle op. 60 by Frédéric Chopin: towards the problem of genre specificity
• Khorobrykh N. On the manifestations of monologue in the instrumental work by M. Tariverdiev
• Syrbu M. “The Scratch Orchestra” story: a trial of reconstruction

Performing Art

• Leonov V., Palkina I. Sensory corrections when playing wind instruments to be not founded on acoustic or visual perception
• Tsybulko O. The vocal art of Alexander Antonovsky: stage images in the objective lens of the press

Problems of Musical Theater

• Frantova T. Faces of the “Yellow Sound” on the boundary of the 20th–21st centuries
• Okuneva E. “The Handmaid’s Tale” by Poul Ruders: Opera dystopia in the context of pluralistic musical theatre
• Taraeva G. Stage realizations of opera in the light of historical concepts

In Alliance with the Word

• Vetrov N. Correlations between musical and verbal semiotics in the Postmodern era

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Zhabinsky K. “Chronicle of S. Rachmaninov’s life and work” in context of modern problems of the Russian musical biographical literature