Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766 (Print)
ISSN 2712-9764 (Online)

Subscription number in the Unified Catalogue «Russian Press» 79315

Founder and publisher:
Rostov State Rachmaninov Conservatoire

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2024–2 (55)

Contents

Musical Culture of the South of Russia

• Selitsky A. Grigory Valiano: materials for a biography. Between the province and the capital (1875–1878). Article two

Aspects of Musical Culture of the Twentieth – Twenty-First Centuries

• Tsuker A. Glinka in the twenty-first century musicology

Music Education

• Michkov P. An inclusive educational space in the process of learning music
• Bragina N. The subject "Semiotics of Culture" as high-school elective course

Problems of Traditional Culture

• Arsenyeva O. Buddhist sho:myo chants in Japan: towards the etymology of the concept and the origins of the tradition
• Shaiakhmetova A. Musical identity of Moslem Tatars in context of the cultural heritage of the Krasnoyarsk territory

Problems of Musicology

• Kovalenko V., Kolotienko A. Improvisation in Western European music of the 16th–17th centuries
• Andrushchenko E., Zhabinsky K. I. Sollertinsky – critic and essayist – about I. Stravinsky’s musical theatre works of the 1910–1920s

Aspects of Mass Musical Culture

• Volchenko V. Sound engineering of jazz albums by N. Cole in context of the evolution of A. Schmitt's individual style

Performing Art

• Zhao Changxin. On the way to Orpheus’ part: vocal and dramatic style of castrato singer Gaetano Guadagni
• Efimova N., Cheblykov D. “The complicated theory of grace notes”, or Appoggiaturas in the works by teachers of Paris Conservatory singing school in the 19th century
• Lukyanenko E. Violin Sonata No. 2 by E. Grieg in context of the genre historical development
• Leonov V., Palkina I. Harmonic sounds in the performing practice of woodwind instruments (flute as an example)
• Chekalin A. On the timbre identity of Boris Tishchenko’s string quartets
• Chistyakov R. Sonata for Flute and Piano by A. Jolivet in aspect of the late composer’s style
• Kalatay I. Creative activities of Daniel Barenboim in the 21st century: repertoire accents