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Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766

The subscription is available at any post office of Russia

Founder and publisher:
Rostov State Rachmaninov Conservatoire

The journal is registered with Federal Service for Supervision in the Sphere of Mass Communication, Communications and the Protection of Cultural Heritage.
Registration Certificate: ПИ № ФС77-62392

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI (Russian Science Citation Index - RSCI) and included in the RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2018–2 (31)

Contents

Musical Culture of the South of Russia

  • T. Rudichenko. Doukhobors’ Religious Hymns “Psalms”: Issues of Origin
  • V. Leonov, I. Palkina. Divertissements In the Late Nineteenth and Early Twentieth Rostov-on-Don

Problems of Musicology

  • G. Rybintseva. Symphonism, Dialectics, Historicism
  • N. Efimova. Modality of Ambrosian Hymns
  • V. Demina. Oratorio “Glory to God in the Highest Heaven” by G. Sarti and Tradition of Russian “Victorious” Celebrations
  • А. Shibinskaya. “Allegrezza del nuovo maggio” – An Experiment In the Tradition of Pasticcio

Twentieth and Twenty-First Century Composers’ Creativity

  • M. Stusova. A Principle of Suite in the Operatic Works by D. Milhaud
  • M. Planida. B. Tchaikovsky`s Music from the Movie “The Marriage of Balzaminov”: the Author’s Interpretation of Dramaturgical Functions

Performing Art

  • A. Pchelintsev. Academic Folk Instruments: In the Search of New Sound Identity
  • I. Kozlov. Historical Evolution of a Four-stringed Domra
  • A. Pastukhov. International Double Reed Society (IDRS): Its Role in the Development of Bassoon Performing

Music Education

  • A. Orlova. Playing the Domra: Complex of Terminological Problems
  • E. Konopleva. Internet as a Means of Formation of the Sound Picture of the World in Teenage Mind

Problems of Music Theatre

  • S. Grinev. Director or Conductor: To the Issue of Modern Stage Life of Opera Masterpieces
  • S. Reshetnikova. Formation of Tenor`s Amplua in the Performing Practice of Manuel del Pópulo Vicente García

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