Южно-Российский музыкальный альманах
South-Russian Musical Anthology
Iuzhno-Rossiiskii Muzykal'nyi Al'manakh

Academic journal
Founded in 2004
Since 2014 the journal has been published quarterly

The journal is included in the List of Academic Journals Recommended by the High Attestation Commission of Ministry of Education and Science of Russia

ISSN 2076-4766 (Print)
ISSN 2712-9764 (Online)

Subscription number in the Unified Catalogue «Russian Press» 79315

Founder and publisher:
Rostov State Rachmaninov Conservatoire

23 Budennovsky av., Rostov-on-Don, Russia
Postal Code in Russia: 344002

E-mail: riocons@mail.ru

The full-text version of the edition, as well as abstracts in Russian and in English are placed in free access in the «Archives». All the archives of the journal are also presented in the Russian Electronic Scientific Library – RSCI.

The journal is registered as I︠U︡zhno-Rossiĭskiĭ muzykalʹnyĭ alʹmanakh in the union catalog OCLC WorldCat and at the Répertoire International de Littérature Musicale (RILM) as Ûžno-Rossijskij muzykal’nyj al’manah.

South-Russian Musical Anthology 2025–4 (61)

Contents

Problems of Musical Theater

• Meshcheryakova N. The vocal-stage paradigm of the Silver Age in S. Volkonsky’s memoirs “Laurels”

Musical Culture of the South of Russia

• Kosilkin M. Research and methodological heritage of M. Khudoverdova in context of the Rostov vocal school forming
• Sorokina U. On the creative realization of Russian poetry in the works for chorus a cappella by Leonid Klinichev

Problems of Musicology

• Girfanova M., Dulat-Aleev V. French motets Ars nova “Ludowice prelustris francorum” and “Qui secuntur castra” in context of the political life in England (the first half of the 14st century)
• Frantova T. On the “incorrect” multi-theme composition in Baroque fugues (towards a problem of contemporary classification of the fugal forms)

Performing Art

• Gudozhnikova O. Sonata for Cello and Piano in context of the Expressionism aesthetics and artistic practice in the first half of the 20th century: Towards the problem of interpreting the genre

Music Education

• Qin Chuxuan, Andrushchenko E. Reflections of “Children’s World” in the piano music by A. Lyadov
• Dabaeva I., Kocharian V. R. Glière’s piano cycles in the context of Russian musical culture of the early 20th century

Aspects of Musical Culture of the Twentieth–Twenty-First Centuries

• Shinkarenko A. The concept of “National” in the published materials of journal “Music Academy” (1993–2003)

The Twentieth and Twenty-First Century Composers’ Creative Work

• Verba N., Ulianova M. “Eternal” themes as the semantic core of G. Gladkov's opera “The Elder Son”
• Krivosheev M. Heterogeneous vectors of composer’s work by Staffan Mossenmark in the aspect of performativity
• Yakimenko Yu., Alyabyeva A. David Fanshawe’s “African Sanctus”: Towards the problem of interaction between ritual practices in the context of postmodernism ideas
• Petondi E., Lobzakova E. Implementing of the hagiographic tradition in the artistic system of the cantata “Sergius of Radonezh” by I. Vorobyov
• Kiseyeva E., Korotkiyeva E. Interpretation of the opera genre in Kaija Saariaho’s dilogy “Only the Sound Remains”

Aspects of Mass Musical Culture

• Alimova E. Academic singer in the space of pop and jazz music: towards the problem of a new professional specialization reclaiming