E. Tkachenko
The specific character of genre and style interactions in Haydn’s «easy» clavier sonatas of 1770ieth
Haydn’s «easy» sonatas are considered in the article. Quite considerable range of genre and style conjugations namely sonata character and imaginative character, theatre and pathetic as well as chamber divertissement, church polyphonic and «courteous» styles are revealed in these sonatas.
Key words
J. Haydn, classicism, clavier sonatas, style, genre.