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V. Petrova

«Theatre in theatre» principle in R. Leoncavallo’s opera «Pagliacci»

Based on the fact that different principles and forms of «theatre in theatre» are accumulated in R. Leoncavallo’s opera «Pagliacci» the author examines the ways of realization of this art technique such as philosophic and ethic reflections about soul and mask, correlation of different forms and genres of «performance in performance», «opera in opera», «comedy in tragedy» etc.

Key words

R. Leoncavallo, «Pagliacci», «theatre in theatre».