Author’s vision of a canon in «Heruvimsky» M. Glinka
Fundamental quality of creativity of M. Glinka is development of layers which accumulate «the patrimonial» signs on Russian musical culture kept, in particular, in forms of church music. On an example «Heruvimsky» interaction of a subjective position of the composer and the objective means used in spiritually-religious products is analyzed. By means of church chanting research at substantial, composite, tonal, impressive, thematic, intonational, levels attempt to define specificity of individual style interpretation of initial model is carried out.
M. Glinka, «Heruvimsky», a canon, church chant.