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A. Zuker

«Where are you from, wonderful child?» Once again about Dargomyzhsky’s «Mermaid»

The author of the article sets himself not an easy job to examine A. S. Dargomyzhsky’s opera «Mermaid» (which seemed to be studied long ago) in a new way. Based on scrupulous reading of A. S. Pushkin’s drama and the analysis of its embodiment in music dramaturgy the researcher interprets the art conception of the opera in his own way.

Key words

A. S. Dargomyzhsky, A. S. Pushkin, «Mermaid», music dramaturgy, tragedy.