G. Kaloshina, A. Predolyak
The problem of conception and symphonism in A. Schoenberg’s opera «Moses and Aron»
The polyaspect characteristic of religious and philosophical conception of A. Schoenberg’s opera «Moses and Aron» is made in the article. The authors elucidate some theological and historical, social and cultural sources of the work in their interactions with composition and dramaturgic processes. The genre peculiarity of the work as «new species of mystery» is determined.
A. Schoenberg, «Moses and Aron», Old Testament, religious and philosophical conception, mystery.