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V. Movchan

Libretto of the «Hamlet» by A. Thomas as «perverted Shakespeare»: objective reality or musicological myth?

The article considered the libretto of A. Thomas’s «Hamlet» in aspect of its proximity to the literary source. The author attempts to destroy the widespread stereotype conformably to the libretto of the «Hamlet» as a «perversion» of the great tragedy by W. Shakespeare.

Key words

A. Thomas, W. Shakespeare, J. Barbier, M. Carré, libretto, literary source, lyric opera.